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De la vida de las marionetas

Título original: Aus dem Leben der Marionetten
  • 1980
  • R
  • 1h 44min
PUNTUACIÓN EN IMDb
7,2/10
5 mil
TU PUNTUACIÓN
De la vida de las marionetas (1980)
Drama

Añade un argumento en tu idiomaAn account of the events before and after a murder committed by a disturbed businessman in a strained marriage, and what led him to perform such a shocking act.An account of the events before and after a murder committed by a disturbed businessman in a strained marriage, and what led him to perform such a shocking act.An account of the events before and after a murder committed by a disturbed businessman in a strained marriage, and what led him to perform such a shocking act.

  • Dirección
    • Ingmar Bergman
  • Guión
    • Ingmar Bergman
  • Reparto principal
    • Robert Atzorn
    • Christine Buchegger
    • Martin Benrath
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    5 mil
    TU PUNTUACIÓN
    • Dirección
      • Ingmar Bergman
    • Guión
      • Ingmar Bergman
    • Reparto principal
      • Robert Atzorn
      • Christine Buchegger
      • Martin Benrath
    • 28Reseñas de usuarios
    • 23Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio en total

    Imágenes59

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    + 52
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    Reparto principal15

    Editar
    Robert Atzorn
    Robert Atzorn
    • Peter Egermann
    Christine Buchegger
    Christine Buchegger
    • Katarina Egermann
    Martin Benrath
    Martin Benrath
    • Professor Mogens Jensen
    Rita Russek
    Rita Russek
    • Katarina Krafft
    Lola Müthel
    Lola Müthel
    • Cordelia Egermann
    Walter Schmidinger
    Walter Schmidinger
    • Tim Mandelbaum
    Heinz Bennent
    Heinz Bennent
    • Arthur Brenner
    Ruth Olafs
    • Nurse
    Karl-Heinz Pelser
    • The Interrogator
    Gaby Dohm
    Gaby Dohm
    • Frau Anders - Secretary
    Toni Berger
    Toni Berger
    • The Guard
    Erwin Faber
    • The Servant
    Heino Hallhuber
    • The Choreographer
    Doris Jensen
    • The Assistant in the fashion show
    Paul Bürks
    • The Assistant in the fashion show
    • (sin acreditar)
    • Dirección
      • Ingmar Bergman
    • Guión
      • Ingmar Bergman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios28

    7,25K
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    Reseñas destacadas

    8ian_harris

    Lots to think about and compulsive watching

    Bergman was on top form writing this piece - there's lots to think about. What motivates a respectable man, whose mental state indicates only a small risk of self-harm, to undertake such a violent and frenzied crime? Do the ulterior motives and actions of those around him (wife, shrink, wife's business partner...)deliberately or unwittingly trigger the crime - or indeed are those sub-plots entirely incidental to the central event? These questions are not answered - they are raised and illuminated.

    This is not Bergman's greatest piece of cinema - the mixture of documentary, drama and flashback can be a little disorienting - but the argument of the film drives on relentlessly and it is compulsive watching. Well worth seeing.
    8ferdinand1932

    Angst is the human condition

    This is totally engaging but its almost just theater: the long scenes, still camera, monologues, exposition of internal psycho-drama and chapters that structure the entire film.

    But most of all its the interest and compassion contained in the human face and voice that Bergman makes central. That had been part of Bergman's work for a long time, just look at "Through a Glass Darkly". The characters are moving through space but not able to connect with each other at all, they simulate free will but they are not able to live it.

    Having said all of the above the photography and set ups are occasionally sublime, the sort of thing that was the essence of cinema, but not so any more.
    8contact_scott

    Surprisingly good, considering the criticism it received on release

    A short comment - enjoyed this and it is up to the usual Bergmann standards. As with many of his other films sticking with some of the difficult opening scenes rewards the viewer later with a thought provoking account of one man's depression leading to violence and murder. In many ways Bergman is the jacques costeau of the film world, exploring the deep seas and bringing up to the surface what lies below!
    9TheLittleSongbird

    Really intriguing and undervalued

    Perhaps I'm biased as I am a great admirer of Ingmar Bergman, but I found myself both fascinated and impressed by From the Life of the Marionettes. Excepting All These Women, the only film(of those I've seen, which is a little over two-thirds) that I didn't care for, Bergman's films have ranged to solid to outstanding. From the Life of the Marionettes is not one his very finest, but it is one of the films of his that is close to outstanding. Apart from the I agree underdeveloped homosexual subplot, there is very little of the film to criticise. The production values could be seen as stark, but still sublime and even haunting and shot beautifully. Bergman directs superbly with his usual control and discipline, while the speeches are thoughtful and the structure consisting of drama, documentary, character study, flashback and dream sequences is constantly attention-grabbing and I didn't find myself confused by it. The characters could be seen as cold, but purposefully and there is the trademark compelling realism of Bergman's films here. There aren't Sweden's finest ever actors on board, but the acting is still very good. All in all, very undervalued Bergman with lots of interest value. 9/10 Bethany Cox
    9imagiking

    Aus dem Leben der Marionetten: A Cornucopia of Pleasing Visuals

    Despite having seen the best part of Höstsonaten, Bergman's film immediately prior to Aus dem Leben der Marionetten, I never completed the viewing experience. Thus, this ranks itself as my very first Bergman, something I'd been rather looking forward to for quite some time.

    Beginning with a surprising scene in which a well dressed man strangles a prostitute, Aus dem Leben der Marionetten follows this event up by examining the events before and after it, hopping through a time frame of two to three months. Through the conversations which precede and follow this catastrophe—as the film's intertitles elect to label it—we learn gradually more about the reasons and the people behind it.

    I have a very deep proclivity toward non-English films playing late at night on television, particularly those in German—simply because I'm a student thereof. In the fleeting moments between realising such a film directed by the acclaimed Bergman—of whom I regrettably knew rather little—was about to grace my screen and its beginning, I was somewhat disenchanted to learn that this is not considered amongst his greatest. Nevertheless, I happily sat back to watch the potential magic unfold. The opening scene of murder is a strange one, the severity of the violence neither understood by its recipient or indeed by us; verily, it is suggested that not even the assailant understands what he is doing. Thereafter, an intriguing thing happens: the colour drains from the film, turning the previous rich reds to a dull monochrome. This effect is fascinating, inviting us to ruminate upon its purpose more than beginning in black and white would have done. The film follows this up with a non-chronological narrative progression, ducking from past to future—considering the murder the present, of course. Most of these scenes take the form of intimate conversations or extended monological musings, discussing in a vague manner many aspects of life. These are beautifully shot, a scene in which a homosexual man addressing the killer's wife slowly comes to regard himself in the mirror completely entrancing and surprisingly tender. Noteworthy too are the dream sequences—most rife in the film's middle section—dazzlingly bright and beautifully narrated. These exhibit a visual flair as inherently important to an understanding of the film as any dialogue. The film is both visually and thematically interesting, examining through both the factors that drive ordinary people to brutal actions. Somewhat of a recondite piece, it is the kind of film that lingers with you, returning to your mind a number of times after viewing. The performances, particularly that of Martin Benrath—in the role of the aforementioned gentleman—are nothing short of arresting.

    Containing a cornucopia of pleasing visuals and highly effective metaphors—the importance of mirrors springs to mind—Aus dem Leben der Marionetten is a voluptuous treatise on life and love; repression and expression; individuality and relationships. Slow moving, but completely involving, if this is a lesser Bergman, I can't wait to see how he could improve upon it.

    Más del estilo

    Tras el ensayo
    7,1
    Tras el ensayo
    El huevo de la serpiente
    6,6
    El huevo de la serpiente
    Pasión
    7,6
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    La flauta mágica
    7,4
    La flauta mágica
    El rito
    7,0
    El rito
    El ojo del diablo
    7,1
    El ojo del diablo
    Cara a cara al desnudo
    7,5
    Cara a cara al desnudo
    El rostro
    7,5
    El rostro
    La vergüenza
    8,0
    La vergüenza
    Una lección de amor
    7,0
    Una lección de amor
    Noche de circo
    7,4
    Noche de circo
    Saraband
    7,5
    Saraband

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      De la vida de las marionetas (1980) is Director Ingmar Bergman's only movie shot in the German language. El huevo de la serpiente (1977) was shot in Germany, too, but mostly in English.
    • Citas

      Nurse: [Final lines] At night he has a ragged old teddy bear in bed. Probably a childhood souvenir.

    • Conexiones
      Featured in ...men filmen är min älskarinna (2010)
    • Banda sonora
      Touch Me, Take Me
      Performed by Rita Wright

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de junio de 1981 (Estados Unidos)
    • Países de origen
      • Alemania Occidental
      • Austria
    • Idioma
      • Alemán
    • Títulos en diferentes países
      • From the Life of the Marionettes
    • Localizaciones del rodaje
      • Bavaria Studios, Bavariafilmplatz 7, Geiselgasteig, Grünwald, Bavaria, Alemania
    • Empresas productoras
      • Persona Film
      • Österreichischer Rundfunk (ORF)
      • Zweites Deutsches Fernsehen (ZDF)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 4293 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 44 minutos
    • Color
      • Color
      • Black and White
      • Black and White
    • Mezcla de sonido
      • Mono

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