Al final de la escalera

Talk about FUN...this one is FUN.

I'm with the people who say this is one of the most frightening haunted house movies ever. For me, it really is, and it's influenced many movies that came after it, including "The Others."

Like Robert Wise's "The Haunting," this film's ethereal manifestations are largely auditory: unidentifiable, rhythmic booming sounds coming from deep within the house, etc.; and in this case there is an amazing stereo mix that exploits 3D effects and pulls you into the scenes. It sounds great. I wish "The Haunting" (the real one, not that other thing) had such a mix!

George C. Scott is amazing as a composer who absolutely refuses to be frightened by the weird phenomena, ever. Watch his face throughout the proceedings--this character is a tough cookie, but most people who watch this one don't fare so well. Well worth a rent or a buy.

The first time I saw this film, I was about four years old. I'm not sure if I have slept right since, I am now twenty four and it still haunts me.

The tale of a lonely musician, who loses his wife and daughter in a terrible accident, and then decides to rent an old mansion in the pacific norhtwest, only to find the house has a history of it's own. The film is paced well, set perfectly, and reveals a darker side of the bourgeouis than most are willing to explore. A masterpiece.

this is quite possibly the scariest movie that i have ever seen. the first time i saw it i was really young and was completely traumatized. i practically had nightmares about it and would think about it a lot. i refused to ever watch it again, just seeing the cover in the video store would make my heart beat faster. many many years later, a friend of mine convinced me to watch it again, it was still very creepy. the worst part is that since then i keep seeing all these abandoned wheelchairs in the creepiest places. in fact, there is one outside my window on the side of the street. i keep expecting wheelchairs turn and start moving on their own!! :(

"The Changeling" tells the story of a composer (George C. Scott) who, as the film opens, loses his wife and daughter in a tragic accident. Getting away from it all, Scott buys an old home to get his mind right and to get back to doing the work he loves. Soon he discovers that his house is haunted and filled with secrets waiting to be revealed. To say much more then that would be unfair to the first time viewer.

Suffice to say this is a chilling film with several good scares that aren't achieved by manipulating the audience. By that I mean loud chords of music on the soundtrack or the unexpected cry of a cat or something like that. "The Changeling" works for its scares and succeeds. Another big reason the film is so well done is the performance by Scott. For a change the hero in a ghost story is not a wimp but a strong, self assured man who is going to fight to the bitter end to find the truth and get his life back. Very few actors could have pulled it off better then Scott.

The supporting cast is headed by Melvyn Douglas (in one of his last roles) and Scott's wife, Trish Van Devere who projects a look of total terror as well as anyone I have seen.

Two moments that stand out are the séance scene which is eerie and the unexpected arrival of a child's toy ball. This film will give you shivers. If you are a fan check it out and make sure to watch it with a loved one cuddling up against you with all the lights turned out.

I first saw 'The Changeling' in the mid-eighties and it has lost none of its edge. A few of the reviews I see below seem to be written by those who have read glowing reviews but just didn't get it: Comparisons with 'The Exorcist', a story of demonic possession, are inappropriate. This movie isn't a visual shock feast nor a gore fest, this is a powerful psychological drama. The penultimate ghost story. If you just sit back in a defensive posture and challenge the movie to scare you, you will lose out completely. If however you choose to get involved, you will find yourself going for one hell of a ride. Few scenes in moviedom rival the poignancy, for instance, of the disbelieving George C. Scott character when he is reviewing the tape of the seance and comes upon the inescapable evidence that there IS a paranormal presence in the house. Here I will make my own inappropriate comparison: In the context of this story, Scotts ultimately human and believable response and the collapse that follows is far scarier than Exorcist's Reagan spewing green puke, by a long shot.

And the little girl going alone, summoned into the haunted room in her house at night? Forget about it. My hair stands on end.

If 'The Changeling', watched at night doesn't give you a fright, then there are at least six 'Hallowe'en' movies on the rack that should suit your particular needs. The Changeling is something else: the fear of the spiritually macabre.