A la caza

In New York, the ambitious police officer Steve Burns (Al Pacino) is assigned by his Captain Edelson (Paul Sorvino) to work uncover in the gay S&M underworld to seek out the serial-killer that is killing and severing the members of gays since he has the same appearance of the victims. Steve has the objective to be promoted to detective and get his golden shield and Capt. Edelson is the only one in the department who knows Steve's assignment.

Steve does not tell to his girlfriend Nancy (Karen Allen) his mission and he needs to learn the behavior of this community. During the investigation, Steve is affected by the discoveries in this new world, but Captain Edelson does not want him to quit his assignment.

In the 70's and 80's, Al Pacino was among my favorite American actors with his magnificent performances. "Cruising" is an original movie that discloses part of the society unknown to straight persons like me: the gay S&M world of New York in the late 70's.

I have seen this film at least four time and today for the first time on DVD, and my greatest question is how far a person would go to be promoted. Steve Burns dreams on having a golden shield and when he has his chance, he accepts a dangerous psychological mission to find the serial-killer that is killing gays and affects his personal life and his relationship with his girlfriend. The conclusion is one of the most ambiguous that I have ever seen in an American movie, when Steve looks at his image on the mirror. My vote is eight.

Title (Brazil): "Parceiros da Noite" ("Night Partners")

When body parts of men start showing up in the Hudson River, police come to believe a serial killer is targeting gay men. Under intense pressure from the media, gay advocacy groups, the city's elected officials, Steve Burns (Al Pacino) is assigned to go undercover in the fringe S&M gay scene as he has a similar profile and build to the men being killed. As Steve adopts the alias of John Forbes, he finds himself further and further entrenched and drawn to the lurid allure of the scene.

Based on the 1970 novel Cruising by Gerald Walker, French Connection producer Philip D'Antoni had approached Friedkin earlier in his career only for Friedkin to turn it down due to lack of interest. D'Antoni then approached Steven Spielberg, but was unable to find studio backing. When the rights were bought by Jerry Weintraub years later, Friedkin had warmed up to the idea thanks to his exposure to a series of articles by Village Voice writer Arthur Bell as well as encounters with former police officer Randy Jurgensen who had done similar deep cover work to investigate a series of gay murders. Not only was the film prone to frequent conflicts with the MPAA to secure an R rating with nearly 40 minutes of deleted footage of explicit material in the various bars, but the film was also subject to massive protests and pickets from gay rights groups who characterized the film as homophobic and anti-gay. In the years since it's troubled release the film continues to be discussed and has found appreciation among directors such as the Safdie brothers, Nicholas Winding Refn, and Quentin Tarantino.

The movie is very giallo like with its lurid sexualized murders which are investigated in a way where the film is more concerned with crafting an atmosphere and sense of character as Friedkin captures the seamy side of New York's nightlife. While Al Pacino does well playing the audience proxy as he reacts to the world crafted by Friedkin's film, there is a sense that Pacino is a bit more secured in his sexuality than the filmmakers intended. As an experience the film is simply unforgettable.

William Friedkin's Cruising is a tense and thrilling film that captures its lurid atmosphere so vividly you can feel it with every scene. While the movie's loose structure and ambiguous payoffs will challenge viewers, in terms of craft of filmmaking Cruising has few equals.

I had the pleasure of seeing this movie recently and I highly recommend it to any people who savor the darker things in life. If I had never seen this movie the reviews left about it everywhere on the net would surely have made me miss it at every opportunity but luckily I only came across them looking for more information after its viewing.

The first thing that really got me was the fantastic soundtrack. This is American punk rock at it's best and most glorious and I cannot think of a more apt context for it than the New York gay S&M scene. This my friends ... is punk-o-rama.

This is not a gay film ... nor is it a porno film ... this is an in your face horror much like William Friedkin's other classic "The Exorcist" ... but not a hammer horror nor a gore filled voyage through some fiery "kissing the devil's ass" hell but a very real slice of a very real life that exists in every major city in the world as well as some smaller ones. This is a film about a world so few know anything about that it is far above common criticism ... yet at the same time the directions and nuances are all too common. I would say that any fans of the movies of David Lynch might enjoy the somewhat lost disenchantment of this flick as it slides further and further into the darkest realms of the grotesque. As well anyone who's enjoyed the backwards pleasures of watching the cult classic "Je'Taime ... Moi Ne Plus" starring Jane Birkin would also find a little gem here.

"Cruisin'" is pure subversive genius.

Futurist-surrealism!

Pure *ART*

I do well remember all the outrage when word about Cruising being filmed on location in the streets of New York with all kinds of protesters from the GLBT community picketing the set. Word had gotten out that the film was going to be about the Leather/S&M scene and everyone that I knew was upset.

Viewed 26 years later Cruising is mild stuff compared to some of what is shown on television today. There isn't a prime time TV series that today doesn't have some gay themed episode on it during its season. Some are sensitive and some are far more crassly exploitive than Cruising could ever aspire to be.

The fuss back then was that in many places including the location of the film, New York City, gay civil rights was not on the statute books. A whole lot of people were trying to make that happen and a film like Cruising was feared in that it would give homophobes a lot of ammunition against the proposed civil rights law.

People needn't have worried. The cause and the community proved a lot stronger than the impact of one film at the box office.

Without all the politics involved, Cruising is a murder mystery. There's a troubled young man with a whole lot of issues murdering and dismembering men he picks up in various locales in New York. Chief of Detectives Paul Sorvino picks officer Al Pacino because in looks and build he fits the physical profile of the victims. Cruising is the story of Pacino's undercover investigation looking for that killer. It also is a story of Pacino reexamining a whole lot of preconceived notions about human sexuality in general.

As it turns out I happen to know one of the cast members of the film who had a small three line speaking role in the film and with Al Pacino himself. He related to me that when the casting call came out, he came in the required leather uniform and had three levels of audition. First with the casting director, then with Bill Friedkin and finally with Al Pacino himself.

What he also mentioned was that Pacino was a nice down to earth sort of fellow when he met him and easy to work with. And the reason he was easy to work with was that he was a man totally focused on the job at hand when on the set.

He also related to me that apparently Bill Friedkin had decided in advance to do some kind of a gay related story. The final script for Cruising beat out others including one that would have had a prostitution angle in it. Probably a worse image for a film than what Cruising was about. This writer whose script was rejected was a political activist as well and he was the one who got the ball rolling with all the protests.

My friend mentioned that among his own group of friends he lost only one permanently over his decision to work in the film. Everyone else in his circle saw the film and their reactions were a gamut of applause for the film to a total trashing. But only one individual broke with him over it.

Art sometimes predicts life. There is a shot during Al Pacino's travels through the bars and clubs of the West Village of 1980 of the Ramrod bar. After Cruising had come and gone from theaters, a man named Ronald Crumpley one November night in 1980 drove by with an Uzi and wounded six and killed two people. Things like that are still happening, even in some of the gay friendliest areas in the USA.

Besides Pacino and Sorvino, the performances to look for are those of Don Scardino as the young writer who lives next door to the apartment Pacino is located in during his undercover assignment and James Remar as Scardino's roommate who is a dancer. They have a volatile relationship and Scardino would be considered a battered spouse had they been able to marry. A story all to true, but hardly limited to same sex relationships.

Cruising will never rank in the top 10 of Al Pacino's films on anybody's list. But sufficient time has passed so that we can look at it with a bit more objectivity than was possible in 1980.

Viewed today, "Cruising" still elicits intense responses from both Gay and straight viewers alike. Mainstream Gays lament, as many protestors of the film at the time of its release, that it shows a homophobic image of Gay life, depecting them as sex-obsessed. Straights are put off by the frank look at the Gay sex "cruising" culture.

Interesting, however, some of the people involved in the Leather/SM subculture at the time this film was made have praised it for its accuracy of this particular lifestyle -- a pre-AIDS lifestyle concentrated on quick sex that was (and still is) pursued by a segment of the Gay community.

The film does not pretend to depict Gays as a whole. It is just a drama about a police investigation that uses the scene as a background and catalyst for an exploration into how one cop is affected by his work.

Not the greatest film ever made, but certainly a good springboard for discussion about the Gay community's politics, when one fully examines the controversy surrounding the film and the continued debate over public sex and body image in the community.

The strengths of "Cruising" are its use of locales and documentary-style cinematography, as well as the interesting performance from Paccino. In the end, it is hampered as a drama by problems with the narrative structure of the piece that seems to fizzle out in the last act, leading to an intriguing, but inconclusive, finish.