Gordo

I saw this film on a pay channel a long, long time ago. It seems to have vanished in the decades since. Something about it stuck in my mind - the humor, the sensitive anguish of broken self-esteem, the endless struggle with conflicting desires. I still tell stories from the movie - the support group intervention is one of the funniest things I have ever seen. Curiously, I have never met anyone else who has even heard of it. I have to admit that I didn't even remember that the lead was played by Dom Deloise, as it is a very different role than the Burt Reynolds films I know him for. I would love to see it again, so I hope they have the wisdom to release the DVD and allow me to refresh my all-too-aging memory.

This movie is very heartfelt and is able to capture how painful it is to have a passion for eating.It is easy to relate Dom and his struggle. I love this movie and i don't feel it should be viewed as a comedy but more of a drama.There are some very funny moments but they are also subtle It is not a laugh a minute but I think it shows how dramatic Dom DeLuise can be. So If You are Italian-American and or overweight or just love any movie with

Rudy Deluca or Ron Carey (Mel brooks Movies).in my opinion it is a very nice love story and It makes me cry.

Fatso is running on Fox Movie Channel now as I write this. I feel compelled to add my appreciation for this sweet little movie that, as I recall, got creamed by many critics when it came out.

The pacing IS slow and the story (unlike the theme) slender. Nevertheless, this is a greatly under-appreciated movie. There are many, many funny scenes and lines that are equal to any from more celebrated comedies. The performances are all right on target, especially DeLouise and Bancroft.

I'm here to say you DON'T have to be Italian or from NY to appreciate the movie. However, if you've ever struggled with a diet, the movie will resonate with you more than if you're a lifelong skinny Minnie. You will not soon forget Dom DeLouise's heartbreak as he listens to a list of restricted foods recited by a severe-looking nurse in his diet doctor's office. Afterwards, when he has to pick up a birthday cake for his nephew, the camera lingers lovingly on the rows of luscious- looking pastries. His torment is palpable and very, very funny.

We in the U.S. live in the land of plenty. This is THE BEST movie about Americans and their unique--dare I say perverse?--relationship with food. And it's sweet, and funny. Really, really funny.

There are some real classic moments in this film. The hot dog scene where Dom looks at a beautiful girl, then back at the hot dog... in a mental fight that he can't win, he finally bites the hot dog. There are several classic moments and some are quite subtle, such as the scene where Lydia says the wrapping paper is "too gay" only to be glanced at by a man at the cash register. For people with an eating disorder, it will make you cry and laugh at the same time. For people who don't understand the addiction of food, it's an introduction into the dark world and troubles of being overweight. This is a real sleeper. Anne Bancroft does a splendid job of direction, and her character in the film is vivid, and colorful. This is a great film. I liked it a lot, and I have seen it about 5 times.

As did Red Skelton in his time, Dom DeLuise has a very sweet on-screen persona. He's the kind of guy you'd trust your kids to.

Anne Bancroft, a multi-talented lady sorely missed, wrote and directed a picture here on a topic not ever before focused on, overeating. Given that the US has become the fattest country on earth and the most obsessed with weight loss, it's surprising no filmmaker has ever taken the topic on the way they have drugs or drinking or racism. Maybe it's just too close to home.

The funny thing is that DeLuise himself, unlike some of the bit players in the picture, is not all that fat, seriously chubby, to be sure, not bathing suit material, but not really obese. Never mind. He's told he is and thinks he is and has a hell of a confused and guilty time with it. "Why does everybody want me to be skinny?" he asks himself. "I'm not such a bad guy."

The "message," that love conquers all shortcomings, including gluttony, is a little pat and predictable. But it would be churlish to come down hard on such a well-meaning, well- written, well-directed and well-played comedy. Catch it when you can.