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"Spooky Encounters" (aka Close Encounters of the Spooky Kind; 1981) is a seminal work in the hybrid genre of Hong Kong comedy/kung fu/horror films. While this had been done before by the Shaw Brother's "The Spiritual Boxer" (1975), "The Spiritual Boxer Part II" (1979) and Lo Wei's unsuccessful "Spiritual Kung Fu" (1978), "Spooky Encounters" is the film most causal in the formative kyonsi (hopping vampires) craze of the 1980s with "Mr. Vampire" (1985) as the best example of that sub-genre with its plethora of sequels. It was directed by and stars Sammo Hung Kam-Bo ("Warrior's Two" and "The Prodigal Son" who would also produce "Mr. Vampire") during the golden age of Golden Harvest and was the first film under Sammo's Bo Ho Films Company.

Sammo stars as Bold Cheung an affable courageous not-so-bright cuckold who works for Mr. Tam (I am not quite sure what Cheung does though). However, Tam is cheating with Cheung's wife and Cheung came awfully close to finding the two together; however, he did find a shoe that was left behind. Since Tam, who is going to run for mayor, does not want any scandal he decides to employ the services of a black-magic Taoist named Chin Hoi to murder Bold Cheung. Luckily his brother-in-witchcraft Tsui (Chung Faat who is also in Sammo's "Prodigal Son" and "Magnificent Butcher") is astonished he will breaks the rules of the sect (the four rules are: must not be greedy, must not kill, must not insult our god and must not behave badly) and goes off to help Cheung.

Tsui's first good deed is to help Cheung survive a bet with an employee of Tam (played by the ubiquitous Wu Ma) to spend a night in a haunted place that looks like a giant storage shed. It houses a kyonsi – an undead vampire/zombie that is stiff, has to hop to get around, can suck blood through its long fingernails (does not happen here) and has good kung fu skills for some reason. Cheung being a bit of a dullard gets talked into staying two nights. Obviously this does not work so Mr. Tam ends up framing Cheung for the murder of his wife though no body is found. Now Sammo has the law after him led by the Inspector (Lam Ching-Ying) as well as the supernatural sorcerer.

There is not much to complain about in this film. The few annoyances with the movie is the episodic structure the film takes on in the beginning and the underutilization of Lam Ching-Ying ("Mr. Vampire") fighting especially since he is credited as an action director. Also, the very ending is quite unsuspecting (not necessarily for Hong Kong aficionados) and seemed a bit excessive and hard to watch (for those who have not seen it I will not spoil it, it even startled me the second time I watched the movie). You also might not appreciate the film if you like chickens (unless you like exploding ones). There is also some mention of animal killing though nothing is shown (except for the chickens).

The strengths of the film are many. Sammo is in the best shape of his life during the early 80s. He does look slightly corpulent but his kung fu and movement appears effortlessly and adroit (a big difference to how he would appear in the late 80s and beyond). I did notice he was doubled in a few scenes like when he was transformed into the Monkey King, he does not do some of the swinging movements, but for most he was not doubled. There are a couple of classic fight scenes with the tea house bit where Cheung loses control of his arm to the evil Taoist and takes on the tavern (I do not think it influenced Evil Dead II though you never know) and the excellent showdown at the Longevity Inn where Cheung is transformed into the Monkey King and has to fight the Dragon Slayer. In those fights Sammo does some great fighting with a bench in the first and a spear in the second. The whole finale I found quite entertaining with the dueling Taoists. Sammo's direction was also strongest in the 80s where he uses hand-held cameras to great use and has nice composition within frames. He does overuse under-cranking in this movie though he tends to do that a lot in his films (as well as most Hong Kong films during that period). His best asset as a director is that he makes everyone else look better and never puts himself in the forefront if he does not have to.

The mixture of humor/action/spookiness works well too. The horror aspect is definitely influenced by the Shaw Brother's films like "Black Magic" (1975) but never goes into the grossness (or nudity) of that film. The humor lightens the macabre aspect while kung fu and comedy meld well for some reason. "Spooky Encounters" is not scary or gore-filled by today's standards, but it is still a good spooky film that is a must for those into 1980s Hong Kong martial arts cinema or fans of Sammo Hung.

Best advice learned from this film -- when you need more chi stamp the ground and if two opponents are evenly matched the one with the higher alter will win.

Oh yeah, what a way cool movie! Samo Hung directed this very early effort in the HK horror/comedy genre, and what a doozie it is too.

Crazy martial arts, total disregard for bodily damage, lavish sets, marvelous photography, stock music from countless horror films and some great zombies too!!!

The zombies are what make this movie so fun. Just watch it and you'll see what I mean! The final showdown is also notable for being very funny. You need to see this in the original Cantonese language, just to take in the hilarious "conjured spirit" dialogue of the two fighting actors.

After an official is nearly caught sleeping with a woman by her husband, he hires a greedy sorcerer to do away with the not-so-courageous man. Corpses hop, kung fu fighters are possessed, and all manner of spooky, supernatural action occurs.

Sammo Hung stars in his definitive homage to the tales of horror that he enjoyed in his youth. Encounter of the Spooky Kind is a cult classic filled with terrific kung fu action, vampires, zombies, sorcerer duels of magic, and one of the most memorable endings in kung fu genre history.

Sammo is Courageous Cheung, a pedicab driver in a rural community who is known around town as the man who fears nothing. Well, this is proved false before the opening credits finish when he endures a particularly frightening nightmare of flesh-eating zombies. But, that's just the beginning of his run-ins with the supernatural. His friends decide to pull a scary prank on him that results in a ghastly ghost joining in on the fun. The plot finally kicks in when Cheung comes home early one day to find his wife in bed with another man. It turns out to be Master Tam, a prominent citizen who is also a regular client of Cheung. He escapes before Cheung can identify him and decides Cheung must die to keep this activity a secret. Tam hires a greedy master of witchcraft named Chin Hoi (Peter Chan) to kill Cheung without arising suspicions. Chin Hoi's accomplice (Wu Ma) bets Cheung to stay locked in a broken down temple for one night where a corpse resides. With advice from Lau (Chang Ti Chiang), Chin Hoi's brother, Cheung survives two fierce nights in the temple. Later, a plot by Master Tam to frame Cheung for murder fails to succeed after he escapes by hiding out in a funeral home. Even an attempt to take control of Cheung's body using voodoo is foiled by Lau. Finally, both Master Tam and Cheung become pawns in a vicious battle of the sorcerers as the two brothers square off in a final, fiery confrontation.

This film deals with the persecuted character of "Bold Cheung", played by Sammo Hung, as he simultaneously battles to find those who framed him for murder and also escaping a pursuing detective. It is a mostly kung-fu comedy film, and really defined the genre of kung-fu horror, (from which titles such as "Mr. Vampire" capitalised off greatly).

The brilliance of this film lies in it's great mix of excellent choreography, and interesting and exotic characters - the horror themes are like an extra background setting that improve the film even further. Not only is it a first in it's (sub)genre, but it happens to be one of the best - and this is due to Sammo's awesome talent.

The development of the plot really does centre around Cheung, as he uses his wits and savage kung-fu to overcome various set-pieces of action such as a resurrected corpse (Chinese vampire), a voodoo-doll, a band of policemen, yet another undead corpse, ghosts, specters, and men possessed with summoned Gods.

His slapstick style is present again, as well as his unique ability for weapon choreography. The ending sequence rivals "Odd Couple" as the best weapon skills caught on film - (watch those spear techniques closely!). Cinematography in this film is superb, and the restored version I own has not dated in the slightest. In fact, the film looks better than those brought out much later, (I did notice a wash of blue across the entire print, though).

Hang in there for the end - one of the most vindictive and vengeful endings I have ever seen. It has a strange satisfaction though!

This is one of, if not the best sammo hung film I have seen. It is just so funny.

Sammo plays Courageous Cheung, the man who cant turn down a bet. He gets himself in trouble when his wife and her lover (sammos master) make a bet that they hope will kill him. Cue much slapstick kung-foolery and bizarre goings on. Such as Sammo's hand being possessed and trying to kill him.

The films climax though is the killer. In order to have enough strength to defeat his enemies Sammo and his wizard mate allow sammo to be possessed by the Monkey god (of MONKEY! Fame, but obviously not the same character. That would just be stupid). Sammo takes on the characteristics of a Monkey and kicks a lot of arse, including his wifes. Im not advocating spousal abuse, but when sammos wife comes crawling back, he gives her such a richly deserved thrashing you cant help but cheer!