Más allá de la reencarnación

Despite a potentially rich premise and the presence of David Hemmings (a personal favorite of mine) , this was a rather disappointing and overly confusing film. The plot more or less is a bizarre re-working of the Rasputin legend and revolves on a charismatic magician who infiltrates in a political family to cure the son of his leukemia, but then continues with interfering in the husband's career as a replacement-senator. This terrifically mystic idea is pretty much ruined by a bad script, a whole lot of supernatural mumbo-jumbo and a wooden performance by Robert Powell. I was hoping to see some exciting horror effects and eerie make up but "Harlequin" is very tame and lifeless. David Hemmings is okay, and so is the young actor Mark Spain. Especially after his cure, he turns into a spooky and mysterious little brat. In short: this easily could have been one of the most ingenious fantasy-tales of the eighties but it became a failure instead. Director Wincer went on directing less ambitious and more comic movies such as "Harley Davidson and the Marlboro Man", "Free Willy" and "Crocodile Dundee in LA".

I saw this film in my youth and after years of searching for it, finally taped it off the telly. Robert Powel is exceptional as the title character as is David Hemmings as the senator. There are a few films out there that can just bewitch you as you're watching them, The Wickerman being the best example, but this one comes very close. If you see this little gem airing on your TV in the wee small hours I urge you to tape it.

A movie of wonder, magic, and intrigue, "Harlequin" or "Dark Forces" is a force to be reckoned with. At a birthday party, a boy named Alex(Mark Spain) who suffers from leukemia gets to meet a clown who entertains everyone. That night, a man named Gregory Wolfe(Robert Powell) enters the house and cures the son. Skeptics including the father and his political cronies would try anything to discredit the faith healer. Wolfe performed many feats that would mesmerize. Many would think that there are tricks behind his acts. But no one has ever been able to figure it out. This movie is about magic and political intrigue. What you see is a slight of hand. Being from Australia is something that I like to see. At least it's not a Mad Max film. Don't try to figure out the tricks in the film. Otherwise, you just might disappear! 3 out of 5 stars

Powell stars in this eerie Ozploitation thriller as a mysterious faith healer and magician (akin to a modern day Rasputin) whose cure for a senator's ailing son leads to betrayal and revenge. Hemmings co-stars as the emasculated senator whose wife (Duncan) the charismatic jester is now involved imperilling their lives. Broderick Crawford also appears as a shady political figure in one of his final film appearances, whilst Australian veteran actors Gus Mercurio and Alan Cassell have prominent supporting roles (although given the movie purports to be set in the US, both use accents, Cassell's being dubbed)

The atmospherics are spot-on, and despite the supernatural aspects, there's nothing fantastical about the underlying sinister attitude (although his outfit is sometimes distracting), and quiet menace of which Hemmings grows suspicious. It's genuinely scary at times and although there's a few missed opportunities for suspense, and some contrivances to tolerate, Powell creates a cultivated and engaging character at times as sympathetic as he can become cruel. That's not to say the performance is uneven though, it's just good acting.

Wincer shows his talent for storytelling, seamlessly blending dark occult themes with occasional dry humour (a great scene where Powell enthralls and then enrages his dinner party hosts with a crafty carrot trick), and then the more violent climax is tense and unnerving. Not a masterpiece, and the decision to set the story in another country was an unwise distraction (it would've worked perfectly well set locally with less distraction) from what is still an engaging Ozploitation thriller.

A faith healer who appears from nowhere suddenly cures the sick son of a profound government senator, whom the politicians wife falls under the mysterious healer's charm and the young boy grows attached to his company. The senator can't shake the idea that there's something strange about all of this, could it all be a hypnotic trick or is there something really supernatural going on here. Then you got the chief political adviser who's trying to rid the healer of power he holds over the senator and his family, because he wants to be the one who's in control of the senator.

Was it all an illusion? Who was playing whom? Did this go beyond reality, by making way for supernatural influences? Like you see there are so many question brought up here that are totally left unexplained, but this enigmatic factor of who, what and why makes for one curious, but oddly enchanting spectacle. The multi-layered story plays out like political fantasy where it throws around many different ideas and allegories into the blend, where nothing seems quite like what it is because of a real mystical edge that's given out by Powell's charismatic character Wolfe. As an exhilarating tale, it failed for me, but for a curiosity piece, it really did work. The plot's outline shares its similarities with the Rasputin account, but this film has gone with a contemporary take on the story. The story does become incredibly strange with certain circumstances and situations, in which you have to suspend your disbelief and plays around with psychological tension. The thick air of mystery that's planted in the film, you could say is like that of a jigsaw puzzle that's missing some important pieces to give it that truly satisfying feel. The complex script is heavy on its parallel theories and it very much comes across like a poetic riddle (that's most of Powell's lines anyway) with it parables and psychic jargon. It's a very talkative piece with little significant details and hints running throughout it very mischievous layout on who's really the manipulator and just what are everyone's true intentions.

The film, which was made in Australia, looks reasonably good, even though it had a modest budget to work with. By today's standards the appearance and even the context is somewhat dated. The special effects are reasonably modest, with the odd hokey effect, but I guess you just got to take it with a grain of salt. The mostly well devised FXs were well orchestrated in to the story, but it does go over-the-top in the third act were the uneven pacing makes way for some flamboyant magic tricks for the fight of control over the senator. At least they were spot on with it, but they do and as well as the costumes give it an underlining campy b-grade charm. The location setting was simply ravishing and the exterior of the senator's house (were it all mostly plays out) is given a grand feel. The glitzy cinematography was remarkably well handled with some showy moments and Brian May's tenderly spooky score had a stinging, but emotional rush too it. Director Simon Wincer manages to come up with some inspired, solid visuals and tiny pockets of heighten and exciting suspense. But some moments are half-baked and it has an climax that doesn't feel like it has paid off. You just feel like it's working up for something big. However it does fit in with its subtle moodiness.

The performances are very first-rate with an international cast on show. Robert Powell plays the healer, Wolfe and his piercing capabilities create such subtly mysterious imprint (good or evil?) that you can't help but be intrigued by. David Hemmings' underplayed performance as senator Nick Rast shows a real solidarity. Broderick Crawford superbly plays Doc Wheelan a greedy political leader who overlooks Senator Rast and when he's on screen his presence truly governs the film. Carmen Duncan as Sandra Rast simply shines in her feisty role and Mark Spain utterly fits the role of eerie young lad Alex Rast. I thought the chemistry of the relationships was well thought up and naturally suitable.

What is served up here is exceedingly ambiguous and different, but this creative project has more going for it then what actually meets the eye. It's far from flawless and it wasn't what I expecting that's for sure, but it does make for an interesting viewing.