El misionero

Despite the presence of Michael Palin, "The Missionary" is not a Monty Python movie. It certainly doesn't consist of the wry humor that Monty Python did. Rather, it's got the sort of humor where you sometimes have to listen hard to catch the jokes...that is, when the main stuff isn't happening. Palin plays a chaplain who returns from Africa to start a school to help the poor, but has to get on an aristocrat's (Maggie Smith) REALLY good side to acquire the funds. It appears to be the sort of movie that they made to have fun. The movies from George Harrison's company HandMade Films that I've seen (others include "Time Bandits" and "Lock, Stock and Two Smoking Barrels") have always been good ones. I certainly recommend this one. Worth seeing.

Also starring Trevor Howard, Denholm Elliott, Michael Hordern, Graham Crowden, David Suchet, Phoebe Nicholls, Tricia George, Valerie Whittington, Roland Culver, Rosamund Greenwood, Timothy Spall and Neil Innes.

A bit like "Ripping Yarns" I think you need an appreciation or at least familiarity with the mores of late Victorian/Edwardian society. This film appears to be a gentle comedy of manners but there is a hint of satire beneath.

I have liked this film since I first saw it years ago. I have had this on tape for some time but recently bought the DVD which has some nice extras.

The cinematography is good. Maggie Smith, Denholm Elliott and Michael Hordern can do no wrong. Trevor Howard blusters in a suitable 'Lord Cardigan' manner and you get an early Timothy Spall role.

I gave it 8/10. Unrepentant. It's a slow burner but still has a charm of its own.

This is a delightful film. Watch it with two or three of you in the room, because laughter is infectious. As ever with films that Harrison invests in, it's not afraid to mix styles, but also, there is no point that it labours. Too often films are afraid of changing their tone, as if they had to nail their colours to the 'tonal' mast early on and then obey that: a screwball comedy has to be screwball, a period piece has to be charming, engaging, but not dramatic, etc etc etc.

The script, written by Palin himself, is an absolute gem, and for once his silliness is kept well within bounds. As someone else said, this isn't the 'expansio ad absurdum' technique of fine, fine Python, nor the pull-faces-and-use-silly-words-can't-think-of-an-idea of Palin on his off days. Enough, but not enough, has been written about the cast, all of whom provide top-notch performances. Whom to praise most? I note as well, that the "Memorable Quotes" section still misses what may be the funniest exchange in the whole film, the sequence which begins, "You know perfectly well why we got rid of Margetson." The only people who are going to be disappointed by this film are those people who have dogmatic views about what a Palin film should be, or who think a comedy should spare them the trouble of thinking and leave them in a heap of rubble on the floor. Take the film on its own merits and, though you might think of ideas which the film didn't touch, places where it didn't go, you will still find enough in there to remember those ninety minutes fondly. Would I see it again? When's it on next?

You don't have to be a fan of Monty Python in general, or Michael Palin in particular, to enjoy "The Missionary". It's gently British humour conceals a razor sharp satirical edge, and there is something new to spot with every fresh viewing.

With Maggie Smith in the lead role, making the whole thing look as effortless as ever, it's easy to miss the outstanding performances from such icons as Michael Hordern and Tim Spall, the latter looking like a parody of himself as a servant of, shall we say, basic stock.

Phoebe Nichols delights and charms as the appalling Deborah and Denholm Elliott oozes charm as an outrageously un-Christian bishop. The characters are classics of comedy yet they still surprise. A satisfying dollop of bad taste completes the mixture. Unmissable.

I really like this film. It's just one of those films that bring a smile to your face. There are some fantastic moments: Roland Culver dying while Michael Palin obliviously continues with his speech, Michael Hordern as the butler who doesn't know where he's going, Michael Palin being propositioned by a lady of the night (and accepting). It's just a very charming film.

One thing that did strike me about it though is how we find situations acceptable if they are transported into the past. I don't think it would be considered very funny to make a film in which a Reverend lets three child prostitutes into his bed at once if it was set in today's London. We can laugh about the hypocritical sexual shenanigans of the Victorians though. Paedophilia's funny as long as it's in the distant past.