Un grupo de estudiantes de secundaria del sur de California están disfrutando de sus materias más importantes: sexo, drogas y rock n' roll.Un grupo de estudiantes de secundaria del sur de California están disfrutando de sus materias más importantes: sexo, drogas y rock n' roll.Un grupo de estudiantes de secundaria del sur de California están disfrutando de sus materias más importantes: sexo, drogas y rock n' roll.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 1 nominación en total
Blair Tefkin
- Pat Bernardo
- (as Blair Ashleigh)
Reseñas destacadas
I graduated a southern California high school in 1977, which is essentially the location and time period of this movie. It's incredibly on the mark. But your mileage may vary, and I'll let the other reviews cover that. My purpose here is to reveal the horror which I just witnessed on a basic cable showing of Fast Times.
This movie earned an initial 'X' rating from the MPAA when first submitted, and after a few cuts garnered an 'R' for its release. The movie I saw on basic cable this morning would barely rate PG. Massive cuts and edits were evident all through the film. Entire scenes were removed. The dialog was edited so that you'd think it was made in the 1950's. The hilarious masturbation scene was edited in such a way that it appeared Linda walked in on Brad while he was peeing. (They actually ran the film backwards during this scene.) Even some of the musical soundtrack had changed, due to rights issues I'd guess.
My point is, if you've only seen this movie on basic cable, you really haven't seen this movie. The version I saw today was on A&E, and they just butchered it. Things like that should be illegal.
This movie earned an initial 'X' rating from the MPAA when first submitted, and after a few cuts garnered an 'R' for its release. The movie I saw on basic cable this morning would barely rate PG. Massive cuts and edits were evident all through the film. Entire scenes were removed. The dialog was edited so that you'd think it was made in the 1950's. The hilarious masturbation scene was edited in such a way that it appeared Linda walked in on Brad while he was peeing. (They actually ran the film backwards during this scene.) Even some of the musical soundtrack had changed, due to rights issues I'd guess.
My point is, if you've only seen this movie on basic cable, you really haven't seen this movie. The version I saw today was on A&E, and they just butchered it. Things like that should be illegal.
A fast-paced film with its share of laughs, Fast Times also takes time to sensitively handle many of the tough issues teens face. Abortion, trust, abandonment and sexual fears are all dealt with fairly and believably. An interesting snapshot into the world of teenagers--the great thing about this film is that it's not too stereotypically Californian. It could have been set anywhere in Canada or USA and still have been just as accurate. In addition, there are many scenes that will just have you doubled over with laughter--the carrot scene, as well as the interaction between rebel Sean Penn and angry Mr.Hand are just fantastic.
: I was encouraged to see this because it was hailed as one of the best `teen comedies', a genre revived more recently by `American Pie'. This is an amusing but also touching tale of a bunch of teenagers caught between childhood and adulthood (as teenagers tend to be..).
The characters are, naturally, disparate (they always are). You've got the geek, the tender one, the surfing one, the `cool cat' one, et cetera. All these stock types can be bland but, when done well, really flesh out a movie. As in `American Pie', this is an example of the combination working to good effect. The issues dealt with, mild enough by today, were quite controversial for its time. They touch on concepts of underage sex, drugs, employment and so on and their relevance still resonates - despite its founding in 80s culture, the movie still has something to actually say. Cameron Crowe's script - based on his own book - is sharp. The characters actually have a depth (rather than being a one line joke as it is too often) and the humour is gentle, rather than of the bodily-fluid nature. The film is never preachy, merely saying, `This is how it is' and moving on. The structure is fairly conventional - follow a set of characters over a long period, and see how they fare in a final big event, but again that's okay.
Acting is quite good here, especially considering the genre. This is of course helped by some of these actors, such as Sean Penn and Nicholas Cage, having gone on to do bigger and better things with their talents. They all have a warmth and even Mike (Robert Romanus), who could appear sleazy if portrayed poorly, comes across as an ultimately affable man who is a good guy. The non-teen cast, principally the teacher Mr. Hand (Ray Walston) are all good as well and the only problem I may have is the occasional eighties styling (principally the haircuts and outfits) which tend to make me feel one step removed from the characters (but that's not a fault of the actors).
`Fast Times at Ridgemont High' surprised me with its depth. I had expected farce, but I got some genuine thought and characterisation, along with the requisite humour. It's not quite the laugh-fest I expected but it was good viewing. It still has meaning for today, although time has dulled its sharpness somewhat. Not a must, but certainly - given its short length - a good maybe. 6.9/10.
The characters are, naturally, disparate (they always are). You've got the geek, the tender one, the surfing one, the `cool cat' one, et cetera. All these stock types can be bland but, when done well, really flesh out a movie. As in `American Pie', this is an example of the combination working to good effect. The issues dealt with, mild enough by today, were quite controversial for its time. They touch on concepts of underage sex, drugs, employment and so on and their relevance still resonates - despite its founding in 80s culture, the movie still has something to actually say. Cameron Crowe's script - based on his own book - is sharp. The characters actually have a depth (rather than being a one line joke as it is too often) and the humour is gentle, rather than of the bodily-fluid nature. The film is never preachy, merely saying, `This is how it is' and moving on. The structure is fairly conventional - follow a set of characters over a long period, and see how they fare in a final big event, but again that's okay.
Acting is quite good here, especially considering the genre. This is of course helped by some of these actors, such as Sean Penn and Nicholas Cage, having gone on to do bigger and better things with their talents. They all have a warmth and even Mike (Robert Romanus), who could appear sleazy if portrayed poorly, comes across as an ultimately affable man who is a good guy. The non-teen cast, principally the teacher Mr. Hand (Ray Walston) are all good as well and the only problem I may have is the occasional eighties styling (principally the haircuts and outfits) which tend to make me feel one step removed from the characters (but that's not a fault of the actors).
`Fast Times at Ridgemont High' surprised me with its depth. I had expected farce, but I got some genuine thought and characterisation, along with the requisite humour. It's not quite the laugh-fest I expected but it was good viewing. It still has meaning for today, although time has dulled its sharpness somewhat. Not a must, but certainly - given its short length - a good maybe. 6.9/10.
Fast Times at Ridgemont High (1982)
Cameron Crowe's script for `Fast Times at Ridgemont High' has totally held up in the nearly 20 years since it's release, in its portrayal of teenage life. Virtually plotless, the movie just follows the stories of a group of teenagers as they go about life in high school. And like so many 80's teen movies, it rightfully takes place for quite a bit of its run at the local mall. I find this movie to be extremely realistic, even in its somewhat exaggerated depictions of what some of the characters do (Jeff Spicoli ordering a pizza in the middle of class, or Charles Jefferson's winning of the football game by venting his anger at the school that supposedly trashed his car). But this is, after all, a movie, and a pretty good one too. And check out all those kick-ass 80's arcade games! *drools*
I'll try and give my best recollection of each of the main character's basic storylines. Let's see, Jeff Spicoli is the ideal surfer dude, empty-headed, sporting Hawaiian shirts, and talking in irresistible slang. He dislikes the uptightness of school, particularly personified by his history teacher, Mr. Hand. The two begin to have a battle of the wills. Brad Hamilton is a senior who goes from one fast-food job to the next, who has no idea what he is supposed to do with his life, even though everyone, including his guidance counselor, expects a lot from him. Stacy Hamilton is a guy-crazy chick who is sensitive but who wants sex and attention, leading her first into the arms of an older man, and eventually into those of Mike Damone, a cocky hustler, when the only guy who genuinely cares for her is nerdy Mark Ratner. Damone is a shady character, a charming sweet-talker who scalps tickets and does what he can for a quick buck. He tries to help Ratner score with Stacy, but then steals the girl. Ratner is an insecure nerd-type who is good at heart, who works at the mall movie theater, and who just wants his shot with Stacy. He finds himself broken-hearted when he uncovers Damone's betrayal. Linda Barrett is Stacy's best friend and confidante, a sexy, confident girl who is constantly moving from one guy to the next and sort of becomes a quasi role model for Stacy. That's the basic premise for all of what goes on.
Probably the most famous line is that uttered by Sean Penn's Jeff Spicoli: `Aloha, Mr. Hand.' I'm not sure if it's the Hawaiian talk or the idiocy of the teacher's name that has made this line so supremely quoted over the years. Anyone who has seen the movie recognizes it immediately. I can say immediately that I have never, ever seen Penn play a part like this, and I don't think I've ever seen a surfer personified with such grace. Even though the conflict between Spicoli and Mr. Hand is light-hearted, I always wanted to see them having a fist-fight in the halls. Stacy's story is actually pretty serious.she winds up being the victim of a teenage pregnancy, which is not often addressed in a teen comedy. Her eventual realization that Mark is the guy for her seems natural and not scripted. And thankfully, they're only starting to date by the end of the movie, and not getting engaged or married or something equally stupid as in some lesser movies. Damone is such a weird off-beat character, and his friendship with Ratner so unusual, that I have to give Cameron Crowe credit for making it all work. Brad seems to have the least to do with the other characters but as an unsuccessful go-getter, I can definitely relate to him.
In conclusion, this is one of my favorite 80's teen movies. It goes a lot deeper than `The Breakfast Club' and its adult characters, though not well-sculpted, are treated with more warmth and humanity than many of teen comedies. It's a required viewing for teens, young adults, and anyone with a fondness for 80's culture.
Grade: A
Cameron Crowe's script for `Fast Times at Ridgemont High' has totally held up in the nearly 20 years since it's release, in its portrayal of teenage life. Virtually plotless, the movie just follows the stories of a group of teenagers as they go about life in high school. And like so many 80's teen movies, it rightfully takes place for quite a bit of its run at the local mall. I find this movie to be extremely realistic, even in its somewhat exaggerated depictions of what some of the characters do (Jeff Spicoli ordering a pizza in the middle of class, or Charles Jefferson's winning of the football game by venting his anger at the school that supposedly trashed his car). But this is, after all, a movie, and a pretty good one too. And check out all those kick-ass 80's arcade games! *drools*
I'll try and give my best recollection of each of the main character's basic storylines. Let's see, Jeff Spicoli is the ideal surfer dude, empty-headed, sporting Hawaiian shirts, and talking in irresistible slang. He dislikes the uptightness of school, particularly personified by his history teacher, Mr. Hand. The two begin to have a battle of the wills. Brad Hamilton is a senior who goes from one fast-food job to the next, who has no idea what he is supposed to do with his life, even though everyone, including his guidance counselor, expects a lot from him. Stacy Hamilton is a guy-crazy chick who is sensitive but who wants sex and attention, leading her first into the arms of an older man, and eventually into those of Mike Damone, a cocky hustler, when the only guy who genuinely cares for her is nerdy Mark Ratner. Damone is a shady character, a charming sweet-talker who scalps tickets and does what he can for a quick buck. He tries to help Ratner score with Stacy, but then steals the girl. Ratner is an insecure nerd-type who is good at heart, who works at the mall movie theater, and who just wants his shot with Stacy. He finds himself broken-hearted when he uncovers Damone's betrayal. Linda Barrett is Stacy's best friend and confidante, a sexy, confident girl who is constantly moving from one guy to the next and sort of becomes a quasi role model for Stacy. That's the basic premise for all of what goes on.
Probably the most famous line is that uttered by Sean Penn's Jeff Spicoli: `Aloha, Mr. Hand.' I'm not sure if it's the Hawaiian talk or the idiocy of the teacher's name that has made this line so supremely quoted over the years. Anyone who has seen the movie recognizes it immediately. I can say immediately that I have never, ever seen Penn play a part like this, and I don't think I've ever seen a surfer personified with such grace. Even though the conflict between Spicoli and Mr. Hand is light-hearted, I always wanted to see them having a fist-fight in the halls. Stacy's story is actually pretty serious.she winds up being the victim of a teenage pregnancy, which is not often addressed in a teen comedy. Her eventual realization that Mark is the guy for her seems natural and not scripted. And thankfully, they're only starting to date by the end of the movie, and not getting engaged or married or something equally stupid as in some lesser movies. Damone is such a weird off-beat character, and his friendship with Ratner so unusual, that I have to give Cameron Crowe credit for making it all work. Brad seems to have the least to do with the other characters but as an unsuccessful go-getter, I can definitely relate to him.
In conclusion, this is one of my favorite 80's teen movies. It goes a lot deeper than `The Breakfast Club' and its adult characters, though not well-sculpted, are treated with more warmth and humanity than many of teen comedies. It's a required viewing for teens, young adults, and anyone with a fondness for 80's culture.
Grade: A
Fast Times at Ridgemont High is a quality film. It's over 20 years old and has become one of those iconic teen movies and it's pretty easy to see why. It has everything you would expect; the bad hair, the bad clothes, the bad music, teenage awkwardness...all the clichés and stereotypes that we've seen repeated in basically every teen movie since then. And it has Sean Penn playing a stoner surfer. Sean. Penn. I'm pretty sure this movie is funnier now just because Sean Penn has had a successful career as a proper dramatic actor, and he plays the ultimate surfer dude perfectly. The grudge between himself and Mr Hand (Ray Walston) is great and probably produces the best (or at least funniest) moments of the film.
All in all, Fast Times is fun. It might be because it's dated, cheesy, and clichéd, but it still does the job and it is entertaining.
All in all, Fast Times is fun. It might be because it's dated, cheesy, and clichéd, but it still does the job and it is entertaining.
¿Sabías que...?
- CuriosidadesFirst-time director Amy Heckerling said she was seeking to make a comedy that was less structured than conventional ones, and more like American Graffiti (1973) so that "if you woke up and found yourself living in the movie, you'd be happy. I wanted that kind of feel."
- PifiasMr. Hand tells the students that the Platt Amendment is an Amendment to the US Constitution and is vital in their daily lives. The Platt Amendment is neither a Constitutional Amendment nor is it important in Americans' daily lives. The Platt Amendment established Cuba as a US protectorate after the USA helped free Cuba from Spanish rule during the 1898 Spanish-American War. Furthermore, it was passed in 1901, not 1906 as he claims.
- Citas
Businessman: [wants refund on unsatisfactory breakfast] It says one hundred percent guaranteed, you moron!
Brad Hamilton: Mister, if you don't shut up I'm gonna kick one hundred percent of your ass!
- Créditos adicionalesBefore the credits roll, brief scenes of the characters are shown listing what happened to them following the events of the movie:
- Brad Hamilton - Made manager of MI-T-MART June 12.
- Mike Damone - Busted for scalping Ozzy Osbourne tickets. Now works at 7-11.
- Mr. Vargas - Switched back to coffee.
- Linda Barrett - Attending college at Riverside. Now living with her Abnormal Psych Professor.
- Rat and Stacy - Having a passionate love affair. But they still haven't gone all the way.
- Mr. Hand - Convinced everyone is on dope.
- Jeff Spicoli - Saved Brooke Shields from drowning. Blows reward money hiring Van Halen to play his Birthday Party.
- Versiones alternativasEarly VHS releases had the majority of the original music replaced with generic sound-alikes.
- ConexionesFeatured in Square Pegs: Merry Pranksters (1983)
- Banda sonoraRaised on the Radio
Performed by Ravyns
Written by Rob Fahey
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Picardías estudiantiles
- Localizaciones del rodaje
- 24124 Welby Way, Canoga Park, Los Ángeles, California, Estados Unidos(Brad and Stacy's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 27.092.880 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.545.674 US$
- 15 ago 1982
- Recaudación en todo el mundo
- 27.093.151 US$
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