Helen y Bone viven en una sociedad distópica futurista y represiva de la que desean escapar. El misterioso Jason les contrata para que roben un disco para él.Helen y Bone viven en una sociedad distópica futurista y represiva de la que desean escapar. El misterioso Jason les contrata para que roben un disco para él.Helen y Bone viven en una sociedad distópica futurista y represiva de la que desean escapar. El misterioso Jason les contrata para que roben un disco para él.
Jorge García Bustamante
- Hector
- (as Jorge Garcia Bustamante)
Alfredo Álvarez Calderón
- Cruz
- (as Alfredo Alvarez Calderon)
Diana Quijano
- Policewoman #2
- (as Diana Guijano)
Reseñas destacadas
The first twenty minutes of Crime Zone is pretty good with a ( Ridley Scott Blade Runner) feel to it. The total darkness , lighting and mood, of the movie then took me down. (Peter Nelson) as Bone certainly looked the part of the leading man, but I was distracted by his soft and high pitched voice. (Sherilyn Fenn) played the nasty girl Helen and instead of making her look foxy by accentuating her petite figure they put an Ellen DeGeneres hair cut on her and parted it on the side like a boy. This is Sherilyn Fenn, Just let her where her natural hair for heavens sake. Everybody else besides (Carradine) were not great to be charitable. There is a number of twists and turns with no reason given to like or root for any of the characters. I watched the whole thing and was glad when it was finally "The End".
This was a difficult movie for me to rate. First of all, I usually enjoy films with Sherilynn Fenn because she adds a unique quality to movies with her beauty and youthful charm. Throw in David Carradine and any movie would probably be somewhat successful. Additionally, I really enjoy films of an apocalyptic science-fiction nature. Unfortunately, things just didn't seem to click for me in this one. While Sherilynn Fenn (as "Helen") certainly did her job well enough I don't think David Carradine ("Jason") was used as extensively as he should have been. Additionally, Peter Nelson ("Bone") seemed more like a supporting actor than someone in the lead male role. Along with that I didn't care for the performance of Michael Shaner ("Creon") at all. Likewise, the sets were extremely cheap looking and the action was kind of boring. Granted this was a Roger Cormen film and low-budget productions are his specialty. But it didn't seem to work in this particular case. That said, I rate the film as slightly below average.
i feel this movie can be appreciated by fans of the bmovie scifi genre. it takes a bit of patience to watch it, i've seen it about two times. the second time was better. i zoned out and watched it, my friend did not like it and fell asleep. meanwhile i enjoyed this visual feast. its based in your post apoc city underground. the main character is kicked out of his police job. back to his seedy apartment. ironically he claims he'll be going back to nothing. although he still has his place and seems to be getting by. he wants to get out of the city, a sort of ghetto with bleak implications. an amazing line is delivered by a fascist city guard, who bursts into his apt, because they saw him with a known prostitute outside of the legal zone the other day... "is that the normal size of your ----" referring to his privates the society is exploitave and interrogative. i really appreciate the sound track and back alley progression of the film. i like the gritty nature of the film. technically this is not a pleasing film and will not enthrall techno junkies. use of the imagination is required. i feel this adds well to post-apoc completist essences.
This video was (literally) collecting dust on the shelf of the store where I work. I dusted it off & took it home to watch, hoping it might be either a) a cheesy and unintentionally hilarious grade z flick or maybe b)an undiscovered sci-fi classic. It certainly wasn't a) and I'm beginning to suspect it might be quite close to being b). Peter Nelson (v.good, and broodingly handsome) and Sherilyn Fenn (also great) had real chemistry as the lovers in Soliel, the repressive 1984-style society, and the action sequences were genuinely thrilling. Pity about the hammy support by Michael Shaner, but it doesn't undermine the rest of the movie. If you like Blade Runner and 1984, give this film a chance.
Before Liosa branched out with bigger films, this little, unremarkable and forgettable sci fi action pic, but with really good sets, generates moderate interest, helped by it's eye catching VHS cover. Hot exotic dancer/ex whore, Fenn, donning short white hair, and new lover, young hunky unemployed Bone, give decent sexy performances, as the ruled civilians in the dystopian crime zone. Itching to get free, they are thrown an opportunity, they can't resist by a shady stranger, cigarette smoking Carradine, who really doesn't have to act, and doesn't appear until the 32 minute mark of the film. He's in a few scenes, as the film progresses, and does add color to a somewhat, other unoriginal and thin premise, with some larger than life supports. Carradine's character is very intriguing, multi layered, but Fenn and hunk carry it. There's a fresh, sexy presence she carries in film, and she is really good. Unremarkable B great film isn't. C'mon' up your game, Lioza.
¿Sabías que...?
- CuriosidadesMany of the extras in the movie were students at the American School of Lima, Colegio Franklin Delano Roosevelt. The large building figuring prominently is the present site of the Museo de la Nacion, on Avenida Javier Prado, in Lima.
- PifiasAt 1:19:52 on the Amazon version and 1:16:41 on the YouTube version, Michael Shaner of Lethal Weapon (1987) fame shoots Don Manor (In his first and only movie.) in the face. Originally, it looked like the prop gun squirted Don in the face but going back frame by frame it becomes clear that its a persons hand with a squirt bottle in it.
- ConexionesEdited into Kickboxer 2025 (1991)
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