Waxwork: Museo de cera

The Eighties...what a great, fertile, inventive time that was for horror. When the major studios discovered back in the late Seventies that indie horror flicks were cheap to make or just buy outright and distribute, they started crankin' 'em out...by the DOZENS. Way back when, THE EXORCIST turned the faucet on. The movies that would launch long-term franchises filled the tub. HALLOWEEN. Friday THE 13th. A NIGHTMARE ON ELM STREET. And then the tub started spilling over. CHILD'S PLAY. THE HITCHER. THE LOST BOYS. NEAR DARK. FRIGHT NIGHT.

Every company, great and small, started looking for the next EXORCIST, ALIEN, JAWS...the next big thing that would make millions. Enter Vestron Video. Vestron had started out doing some of the first direct-to-video pictures ever made, discovering that the market was HUGE. So big, in fact, that they started a movie division, Vestron Pictures. Their strategy was simple: make good (if not great) genre pics that would put asses in the seats, that they could then distribute through the video arm later on.

One of Vestron Pictures' first releases was a little number called WAXWORK. The plot of the old horror classic MYSTERY IN THE WAX MUSEUM was such a tried and true staple, the studios kept falling back on it again and again, finding fresh ways to retell the story.

WAXWORK took a little different approach from the straight-ahead versions, with a cast and a sensibility for horror that still screams "Me Decade" even today. Check out the victim's list: Zach Galligan (GREMLINS.) Michelle Johnson (BLAME IT ON RIO.) Deborah Foreman (VALLEY GIRL). Dana Ashbrook (TWIN PEAKS). Miles O' Keefe (TARZAN THE APE MAN). Then you throw in vets like David Warner, Patrick McNee, J. Kenneth Campbell, John Rhys-Davies, tap Bob Keen (HELLRAISER) to do make up effects, and you have yourself an Eighties' classic!

Like most films of the period, it starts off with a group of bored, young slacker-types looking for thrills, something...ANYTHING that would be a little more exciting than getting high, getting drunk, getting laid (well, ALMOST more exciting than that), and definitely more of a kick than going to college classes!

They find it, alright - in the form of an invitation to a brand new kind of museum. And this one is not your garden-variety, Madame Tussaud's-wannabe. The wax figurines are so lifelike that the displays seem to draw you in...

Well, okay, they DO draw you in. Here's the kicker: the displays are dedicated to some of the most well-known figures in the history of horror: Dracula. The Wolfman. The Mummy. The Marquis de Sade. Reenactments of their most horrible deeds as they drained blood, hacked and tore off limbs or crushed their helpless victims to death. Seeing the scenes gives patrons the feeling of being in the moment...but if they give in to the compulsion of stepping across the velvet rope around each display, they will find themselves living in that moment...FOR REAL.

And here's the REALLY bad news...if the monsters in each display kill you in the 'waxwork dimension', you become a permanent part of the display...FOREVER. So once that happens, the situation couldn't get worse...could it?

Oh, yeah! The proprietor of the museum has a darker agenda than just dispatching troublesome teens, as our heroes and victims discover with each person who 'disappears' into the museum. And seeing how that plan gets foiled is only part of the giggly, gory fun.

Remember that I mentioned that Bob Keen was the effects guy on this? He got his start as a modeler for movies like STAR WARS, SUPERMAN and ALIEN, cutting his teeth as he worked up to projects like HELLRAISER and THE UNHOLY. But he really served up his calling card with HELLRAISER and with this movie. Gore-wise, this is where the retelling of the Wax Museum story gets more interesting...because thanks to Bob, the visuals go where they never had before.

In a manner that would've made the suits at Universal flinch back in the Thirties, Keen and writer/director Anthony Hickox do away with the "quaint violence" that Famous Monsters used to wreak upon their poor victims. No camera pull-aways here, folks. Where somebody might only threaten to "rip off your head and crap down your neck", these boogeymen take that threat to its most intense extremes. No CGI fakery, either. This was back-in-the-day where almost all the effects were practical, live and in-ya-face...the way we like it!

Okay, so the clothes, the music, the casting and even the acting squarely establish this as what could be considered a "period piece" for horror, I guess. But like his colleagues David Schmoeller, Ted Nicolaou, Stuart Gordon and on occasion Charles Band himself, Hickox knows how to get the action going and keep it that way.

This is one of those gems that might've slipped under your radar, but definitely worth seeking out, hunting down and dragging back home to mount in your DVD library.

Not exactly an Academy Award winner here, but this film is just fun. Director Anthony Hickox set out to make a fun horror spoof and he succeeds very well at it. Zach Gallagan once again stars as the almost nerdy unlikely hero. The film pays homage, firmly tongue in cheek, to the classic horror movies of long ago, and David Warner shines as the demented owner/creator of this wax palace of horrors.

Yes the plot is predictable, but who cares? This is a film meant to be fun and it is fun. Patrick MacNee is delightful as always. Johyn Rhys-Davies is sort of wasted in the small role they give him, but is good as ever. Dana Ashbrook could have used a little more screen time but he is at his smart-ass best in this film. All in all just a fun evening. Anyone looking for something more needs to see the original "House of Wax(1953)" with Vincent Price.

I was quite impressed with this movie, which I have just watched for the first time. It pays tribute to a lot of the old Universal and Hammer movies from the 1930's to the 1970's. It is very similar to House of Wax, which starred Vincent Price.

A group of students are invited to a 'showing' at the local wax museum, little knowing the owner wants them killed for his display. Each display contains monsters from the classic horror films, including the Wolf Man, the Mummy, Dracula and other vampires, the Phantom of the Opera, Jack the Ripper and some zombies and walking dead. This movie also includes a dwarf to complete the picture. When the owner has all his victims, fighting starts between all sorts of monsters and ghouls and local OAP's! This is probably the best part of the movie. The museum burns down at the end, but the two main characters survive.

The movie has a good cast, which includes Zach Galligan from the Gremlins movies and a trio of well known British stars: David Warner (Time Bandits, Titanic), Patrick Macnee (The Avengers, A View To A Kill) and John Rhys-Davies (Raiders Of The Lost Ark). Warner plays a great part as the owner of the wax museum.

If you are a fan of the old Universal and Hammer horror movies, you will enjoy this.

Rating: 3 stars out of 5.

There is something about episodic horror movies that I love. Maybe it harkens back to my youth, when I devoured the EC Horror Comics reprints. Something about each individual character having his or her own interesting death always has been a kick ass idea to me. This movie is great. Each character faces his/her own nasty (extremely gory) death scene in different "exhibits" in the wax museum. A darn good time and some seriously great gore FX! Loved it. 8/10

I didn't go into watching this B horror movie expecting a masterpiece so I was definitely surprised by how good this movie was. The concept is so ridiculous you wouldn't think this movie could be as awesome as it is. You can't take the movie too serious because it does have it's over the top goofy moments at times but that's all part of it's charm really. The make-up/special effects are what make this movie really affective, they are better than most all the horror movies in theaters these days (Why do movie makers think computer animated/simulated monsters are scare?!?! it's beyond me!). Maybe if they saw "Waxwork" they could get it right. Anyway...this surprisingly unique and clever little film is a real treat if you like 80's scary movies like me!!