Beyond Dream's Door

Beyond Dreams Door was essentially the most important film in my young movie-watching life, and for good reason, as it represents everything a film should be - dynamic, experimental and most importantly, intelligent. It also yielded the notion, at least to me, that low-budget independent cinema was where the true passionate visionaries existed, people like Jay Woelfel.

Utilizing elements from popular culture and new wave French cinema and working with a limited budget and a mostly in experienced cast and crew, Jay Woelfel managed to craft a stylish cerebral film that dares to takes chances like few films before it were willing to do.

Bypassing the conventional formula exercised in most other horror films, Woelfel chooses to operate in a non-linear format (remember, this pre-dated Pulp Fiction and Reservoir Dogs by a few years) while also utilizing Hitchcock's various laws of systematization, specifically the use of colors, and the lighting schemes of the various characters. Add to this various other subtle factors that fail to stand-out during the initial viewings, but become quite prominent the more the film is examined, and, in the end, what you are left with is an important film, that is essentially way way ahead of its time.

The movie concerns a shy Ohio Psychology student Benjamin Dobbs, played by Nick Baldasare, who finds himself plagued by a series of horrific inter-connecting nightmares, after he unknowingly agrees to be apart of a dream research experiment. Ben's initial sense that the dreams might have something to do with the untimely loss of his parents quickly fades as they become increasingly stranger and more terrifying. Unable to cope, Ben seeks help in the form of the various on-campus teachers. His psychology professor Dr. Noxx, played Norm Singer, is his first obvious choice, and Noxx easily embraces Ben's pleas for help as something real. After looking into it, the two come upon a notation in a book, and a case history of another man named D.F. White, that seems to point definitively to the existence of the very things Ben has been dreaming about. Ben quickly discovers the 'things' in the dream realm aren't happy with the sudden Earthbound knowledge of their reality, and quickly take it upon themselves to get the evidence back any way they can. Woelfel makes a point to not render any religious allusions, and the doorway, and what lies beyond, remains vague enough for the viewers to decide for themselves what 'the beyond' actually is.

As the film unfolds, we also note that the narrative changes hands, along with the usage of colorful composition, as Ben passes on knowledge of his curse to the various people he asks for help. The second person to get swallowed up in Ben's nightmares is a teaching assistant Eric Baxter, played by Rick Kesler, who early on is posed a question by Noxx about what he would do if confronted with a life or death question -- and through the course of the film, is allowed to truly answer it. Baxter's initial reasons for helping Ben, and his later insistence that "It's not my problem" point to a screenplay not constructed to fit a formula, rather, the real actions of a three dimensional character. Also aiding Ben on his quest for answers is D.F. White (Daniel White) who died nearly twenty years earlier, and appears to him in the form of a ghostly apparition, or guardian angel, as one friend in college put it. The enigmatic White offers up cryptic words of advice, while leading Ben through the land of the dead and into the proverbial "light".

Visually the film is stunning, and the usage of color as a means of depicting the various character's motivations, is amazing. Personally, it was the first time I had ever seen it used before in film. Woelfel's insistence on telling the story in a non-linear format means a lot of jumping around, back-tracking, and various other things that will make for fun multiple viewings. Woelfel also avoids spoon-feeding his audience. Rather than pointing out the obvious, he allows the viewer to make up their own mind about what they are seeing. In my opinion, the film is much more effective because of this fact. The musical score, also composed by Jay Woelfel, is very good as it helps to add some genuine atmosphere to the film.

A few people have complained that the acting was stiff, but I felt it fit perfectly with the tone of the film, which is easily one of the more somber pieces one is likely to see. The special effects were lacking for the most part, but that doesn't take anything away from the piece as it becomes abundantly clear that this film is not about the boogeyman-in-the-closet but rather the psychology behind the boogeyman-in-the-closet.

Beyond Dreams Door is a cult film that has earned its status. It garnered much discussion and many long debates from my various friends in college, each with a differing theory one what, or who, Benjamin Dobbs is, and what actually lied beyond 'The Beyond'. I personally believe that Beyond Dreams Door should be mandatory viewing by anyone with a true interest in film. I highly recommend it.

Low-budget film-making at its absolute best!

College student, Ben, has been having problems with his frightening dreams, but they only get worse and start to take over his entire life and the lives of those around him.

For a low budget, regional horror film without a lot of resources, Beyond Dream's Door is jaw-droppingly well made with an almost David Lynch-ian quality at times with some really great creature and makeup effects. The acting is a mix of good, bad, and lobotomized, but it's the script that's the film's biggest downfall and kills a lot of goodwill built up by the imagination on display elsewhere. The narrative does feel like a dream in the sense that nothing really ever gels and things just happen without any explanation. It's intriguing for 20 minutes or so, but after that, you start hoping there might be a little bit more to it.

Hopefully Jay will get this film re-released. I personally very much enjoy it. It has a certain quality that most modern horror films do not have--the ability to watch it more than once or twice and still have it perk your interest. A film doesn't have to have dazzling modern special effects or top Hollywood actors in it to be good. What I look for in a film is an interesting story and an overall enjoyable viewing experience. This film certainly meets that criteria. I came across this film in an independent video store that (sadly) has closed down a few years ago because they were bought out by a large chain. Support your local independent video stores and support independent film!

A dark, complicated horror flick with the "cultability" of Phantasm! Jay Woelful's best effort and casting the absolutely beautiful Darby Vasbinder as the Dream Babe is perfect! She's a dream come true. Done on a shoestring budget, this movie is still able to conjur up enough imagination to give you night mares, or dreams of Darby Vasbinder!

I honestly think there are a few good ideas and worthwhile moments to enjoy in "Beyond Dream's Door", and I know for a fact that there was a lot of spirit and goodwill from writer/director Jay Woelfel and his entire cast & crew. So, hence, I can't bring myself to be harsh in my rating and comment.

The plot revolves around a young man, named Ben, who suffers from continuous and petrifying nightmares involving slimy monsters, being trapped in a sort of facility with a large basement, and a little kid (his brother?) whose eyes are popping out his skull. Whenever Ben seeks help, though, from doctors or professors at the Ohio university, these people are sucked into the story of Ben's nightmares and the horror manifests itself while they are awake.

Sounds vaguely familiar? Sure, whenever you read about dreams and then dying in real life, you automatically think about "Nightmare on Elm Street" and its sequels, but I can assure you "Beyond Dream's Door" doesn't feel like a rip-off. The script is too convoluted for its own good, the acting performances are hammy, and there were several times when I really didn't have a clue about what was going on, but the film also has good elements worth mentioning. It's very gore, albeit often with very cheap and cheesy looking effects, and the monsters designs look admirably H. P Lovecraftian.