PUNTUACIÓN EN IMDb
4,7/10
851
TU PUNTUACIÓN
Un asesino en serie anda suelto en un colegio femenino, donde estrangula a las niñas con un trozo de alambre de espino.Un asesino en serie anda suelto en un colegio femenino, donde estrangula a las niñas con un trozo de alambre de espino.Un asesino en serie anda suelto en un colegio femenino, donde estrangula a las niñas con un trozo de alambre de espino.
- Premios
- 1 nominación en total
Christopher Uhlman
- Chip
- (as Chris Uhlman)
Reseñas destacadas
Those were the days... Where this kind of slashers were a reason for staying home on a Friday night when being 12 or 13 years old.
I remember this movie airing on USA NETWORK almost every 6 months, but it wasn't until the 10th time it aired that I decided to watch it. The first 10 minutes are kind of creepy, then the movie gets boring until the expected end. The killer is no way scary, and even the plenty of gore and hot girls doesn't help "BLOODMOON" being a slasher to be remembered.
Just for die hard fans of the genre.
I remember this movie airing on USA NETWORK almost every 6 months, but it wasn't until the 10th time it aired that I decided to watch it. The first 10 minutes are kind of creepy, then the movie gets boring until the expected end. The killer is no way scary, and even the plenty of gore and hot girls doesn't help "BLOODMOON" being a slasher to be remembered.
Just for die hard fans of the genre.
If you want to see the worst Australian movies have to offer then watch this one. This show was launched in Australia with a brilliant promo that worked.... with dire warnings of possible heart problems from viewing and working on fear of public humiliation, the distributors dared viewers that if they were too scared to watch the last half hour of this "the most scariest, frightening, goriest film ever made", they would be refunded their ticket money, the only catch was they had to remain in a roped off area in the lobby signed "I was too chicken to watch". The movie was sheer torture to watch and I'm embarrassed to say the promo sucked me in. If only I had of gone for the refund, as its a 100 minutes of my life I'll never get back. Awful acting, bad scripting, very poor special effects. Some movies are fun to watch because they are awful, this stinker doesnt even entertain and cant even be considered B grade. 0 out of 10
Teenagers on a college campus are brutally murdered while doing the dirty. This starts out as a typical crap 80s slasher snoozer. For the first 40 minutes I kept thinking to myself "Wow, the late 80s/early 90s was an even WORSE time for style and horror in Australia than it was in the US!" Teenagers with side-ponies stripping out of their stonewash jeans are everywhere! The theme of this slasher seems to be a killer with a circular barbed wire thingie that he uses to choke, causing his victims to see a, um, bloodmoon? I have no idea. What I DO know is that about halfway through, this movie turns from a below-average slasher, to a fabulously trashy episode of "Dynasty Down Under," thanks to the camped-out performance by the hilarious Christine Amor (who was likewise the only good thing about the Linda Blair crapfest "Dead Silence". Oh yeah, be careful because most reviews (and even the Netflix envelope) feature spoilers, but it doesn't really matter because the movie is only worth watching for the soap operatics in the second half.
Not to be confused with Bloody Moon, Jesus Franco's gore feast of 1980; this Australian lensed slasher imitates the popular killer on campus' plotline that's so frequently used by its US counterparts. It's fairly amusing just how much Alec Mills tries to make this as American as he possibly can, but thankfully he refrains from asking the cast to perform unconvincing accents. As a matter of fact, the characters that are actually supposed to be from the States still speak in flawless Aus! Hmmm!
In the small town of Coopers Bay, there are two Hi-schools situated right next door to each other. There's Winchester, an all boys comprehensive and St Elizabeth's, a girl's only Catholic faculty. They are separated by woodland where pupils from both can meet and engage in things that they'd rather their teachers didn't witness! An unseen killer begins murdering the youngsters as they fornicate, strangling them with a length of barbed wire before removing their eyes and burying them under the soil. Mary, the daughter of a Hollywood movie actress, becomes involved when the killer targets her and Kevin, her boyfriend. But who is this twisted psychopath and why does he want to kill all the kids?
Blood Moon opens with a terrific score courtesy of Brian May and some superb cinematography. The dense woods in which the kids are pursued is brilliantly lighted and I was immediately rather impressed by the general production. After a couple of murders, were introduced to a predictable troupe of troublesome teens and our obvious final girl. There's an interesting subplot that sprouts as one of the local poor kids falls for Mary, the daughter of an actress. The rich Winchester boys hate the local working class, so it's almost like a homage to Romeo and Juliet or West side story but without the Rock and Roll (Instead we get reach for the earplugs' Heavy Metal!). Shakespeare and the slasher genre, what a combination! I bet the poor author would turn in his grave!
There's one really gruesome if not graphic murder, involving a desk, a young girl's head and a deranged killer! But aside from that, there's hardly any gore and most of the killings are left to our imagination (boo!). The performances are fairly poor throughout, although Leon Lissek gives a decidedly nasty portrayal. Although it mostly keeps things directly by the book, there are a few twists that you probably won't guess and we also get some background on the reasons for the killer's insanity.
British born Alec Mills' lackadaisical direction left a lot to be desired and he failed to generate as much suspense as was needed. He's better when he works as a camera man as he did on Return of the jedi and various James Bond movies through the seventies and eighties. It's a fairly slow-moving story, but when the killer is revealed things begin to perk up right up until it ends rather suddenly leaving one or two unanswered questions. Like what happened to Kevin? Did he survive? Even though the bodies start piling up toward the finale, the story certainly could have benefited from a few more excursions into the well-lighted woodland with the killer and his length of deadly barbed wire. As it stands, there was too little horror and an excessive amount of teen frolics that didn't really do the movie any favours.
You can ignore most of the bad reviews that slate Blood Moon; it really isn't all that bad. Its just that its not particularly memorable, the sort of film that you'll watch once and forget about immediately after. Perfect for some late-night slicing shenanigans on the TV, but hardly worth the effort of hunting down. As far as Australian slashers go, it manages not to feel as cack-handed as Houseboat Horror, To Become One or the over-rated Cut, but then that's still not much of a worthy compliment. Oh and make sure to place them earplugs back in as soon as you see the end credits. The last songs a killer: `Blood moon is rising, stay home tonight' and `Blood Moon arising over building and over hill, take care if you will!' You get the picture!
In the small town of Coopers Bay, there are two Hi-schools situated right next door to each other. There's Winchester, an all boys comprehensive and St Elizabeth's, a girl's only Catholic faculty. They are separated by woodland where pupils from both can meet and engage in things that they'd rather their teachers didn't witness! An unseen killer begins murdering the youngsters as they fornicate, strangling them with a length of barbed wire before removing their eyes and burying them under the soil. Mary, the daughter of a Hollywood movie actress, becomes involved when the killer targets her and Kevin, her boyfriend. But who is this twisted psychopath and why does he want to kill all the kids?
Blood Moon opens with a terrific score courtesy of Brian May and some superb cinematography. The dense woods in which the kids are pursued is brilliantly lighted and I was immediately rather impressed by the general production. After a couple of murders, were introduced to a predictable troupe of troublesome teens and our obvious final girl. There's an interesting subplot that sprouts as one of the local poor kids falls for Mary, the daughter of an actress. The rich Winchester boys hate the local working class, so it's almost like a homage to Romeo and Juliet or West side story but without the Rock and Roll (Instead we get reach for the earplugs' Heavy Metal!). Shakespeare and the slasher genre, what a combination! I bet the poor author would turn in his grave!
There's one really gruesome if not graphic murder, involving a desk, a young girl's head and a deranged killer! But aside from that, there's hardly any gore and most of the killings are left to our imagination (boo!). The performances are fairly poor throughout, although Leon Lissek gives a decidedly nasty portrayal. Although it mostly keeps things directly by the book, there are a few twists that you probably won't guess and we also get some background on the reasons for the killer's insanity.
British born Alec Mills' lackadaisical direction left a lot to be desired and he failed to generate as much suspense as was needed. He's better when he works as a camera man as he did on Return of the jedi and various James Bond movies through the seventies and eighties. It's a fairly slow-moving story, but when the killer is revealed things begin to perk up right up until it ends rather suddenly leaving one or two unanswered questions. Like what happened to Kevin? Did he survive? Even though the bodies start piling up toward the finale, the story certainly could have benefited from a few more excursions into the well-lighted woodland with the killer and his length of deadly barbed wire. As it stands, there was too little horror and an excessive amount of teen frolics that didn't really do the movie any favours.
You can ignore most of the bad reviews that slate Blood Moon; it really isn't all that bad. Its just that its not particularly memorable, the sort of film that you'll watch once and forget about immediately after. Perfect for some late-night slicing shenanigans on the TV, but hardly worth the effort of hunting down. As far as Australian slashers go, it manages not to feel as cack-handed as Houseboat Horror, To Become One or the over-rated Cut, but then that's still not much of a worthy compliment. Oh and make sure to place them earplugs back in as soon as you see the end credits. The last songs a killer: `Blood moon is rising, stay home tonight' and `Blood Moon arising over building and over hill, take care if you will!' You get the picture!
A very weak Australian slasher. I had also the chance to watch it on USA Network, in fact, it was played very often. For coming out in the late 80's BLOOD MOON doesn't offers anything you haven't seen. The box cover fooled me as it seemed to be a straight slasher. I consider this as a soap opera with slasher elements.
An unknown prowler wanders the territory of a private a school for women and the school next to it of men. This prowler kills people from both schools using a barb wire.
There's a subplot of romance and some conflicts between teachers. Nothing interesting from this movie to be saved.
Almost no gore, scary scenes, annoying characters, and a lame killer. Don't expect nothing from this movie. BLOODMOON is boring even for the gorehounds. Only die hard fans of the genre could watch it completely.
3/10.
An unknown prowler wanders the territory of a private a school for women and the school next to it of men. This prowler kills people from both schools using a barb wire.
There's a subplot of romance and some conflicts between teachers. Nothing interesting from this movie to be saved.
Almost no gore, scary scenes, annoying characters, and a lame killer. Don't expect nothing from this movie. BLOODMOON is boring even for the gorehounds. Only die hard fans of the genre could watch it completely.
3/10.
¿Sabías que...?
- CuriosidadesWhen this film was released theatrically in Australia, it included a William Castle-like "Fright Break", a short intermission which gave audiences a chance to walk a yellow line to the cinema's exit if the film was too frightening for them, giving those who took the so-called "Chicken Walk" to the exits their money back. The "Fright Break" sequence is included on the Australian video release.
- Versiones alternativasThe film received an R rating in Australia by the board of film censors. The distributor, anxious for as wide an audience as possible, decided to trim a majority of the onscreen violence and some of the raunchier sex scenes to obtain a more commercially friendly M rating. The subsequent VHS release a few months later was the uncut version.
- ConexionesFeatured in La prueba (1991)
- Banda sonoraBloodmoon
Music by Brian May
Lyrics by Hunt Downs
Arranged by Alan Slater
Performed by Vice
Recorded at Starsound
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