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Her Alibi is a very enjoyable movie with a little intrigue and the most beautiful girl in the world. I have been madly, passionately in love with Paulina Porizkova since seeing her in Vogue in about 1985. I envy Tom Selleck. Paulina can cut my hair any time. The thing I like is how natural she acts. She seems more relaxed than some of the other more experienced actresses. I have seen other models try screen acting with disastrous results. Tom Sellick plays his part well; that of a man so besotted with this heavenly creature that he finishes up doing silly things. That happens to many men in the same situation.

A good movie topped off with a divine woman.

Her Alibi (1989) directed by Bruce Beresford, is a very funny, but totally predictable, murder mystery. Tom Selleck plays Phil Blackwood, a mystery writer whose stories are as predictable as the film's plot. Phil has run out of creative steam and his reputation is diminishing.

Paulina Porizkova plays Nina, who is a beautiful (very) Romanian who may or may not be a murderer.

From the moment Phil sees Nina, we can guess where the movie is going. In other words, Her Alibi isn't really a mystery. What makes the film enjoyable isn't the plot, but the technique Beresford utilizes. We see a scene, and hear Selleck's voice- over as he writes the scene into his novel. Of course, what we see and what we hear are two totally different versions of reality. The contrast really is very funny.

William Daniels does well as Sam, Selleck's long-suffering publisher. Porizkova can't act, but nobody will notice. Selleck plays Selleck.

If you want to see fine film-making, rent Beresford's Breaker Morant. If you want to laugh at a film with no social significance at all, rent Her Alibi.

Okay, I can admit that this was a fairly dumb movie, but that didn't stop me from enjoying myself. Tom Selleck was a good choice for this silly film, and Paulina Porizkova shows that she's more than just a pretty face. Sometimes it did get too stupid for my tastes, but it was still a good way to kill an hour-and-a-half. Yeah, it's not Shakespeare, but it's a lot more fun than Shakespeare.

It's true that this film is rather undeep and not particularly demanding. But still, in my opinion, it's charmy. From this point of view, the film is stylistically correct because the books Philip Blackwood writes are also romantic thrillers with exaggerated characters and no attempt to be serious or even world class. We're in the world of trash. Of course, the movie can be understood as kind of a parody on the book that's being written during the film. But on the other hand, it corresponds to it.

Tom Selleck's humour or maybe only the humour around his role keeps the movie alive. Like in „Folks!`, he is the poor guy, damned to passiveness, who desperately tries to cope with what is happening to him. But here the humour doesn't arise only from his mishaps but also from the way he falsifies them when transferring them into his novel. Paulina Porizkova is not a convincing actress but in this movie this doesn't matter because her inflexible face makes her character unfathomable, unpredictable, unlike Philip Blackwood's stories.

If you want to see a trashy little comedy about trashy little thrillers, this is the right one for you!

Always likable Tom Selleck is well cast as a mediocre mystery writer (VERY mediocre, based on the samples of his writing we get in the voice-over narrations, which are one of the funniest parts of the movie). He's looking for a plot for his next book and finding it in the person of a beautiful Romanian college student (Paulina Porizkova) who seems to be hiding some big secret. The movie plays like the plot of a bad detective book, with perceptions of the female character shifting from dangerous to trustworthy to suspicious and back. The chemistry between the characters works very well romantically as both characters begin to fall in love despite being wary and suspicious of the various goings-on, and the Romanian KGB agents on Paulina's trail make for useful comic villains.