Arma letal 2

Riggs and Murtaugh now face a bunch of south African criminals hiding behind their diplomatic immunity. The duo have to fight for their right to fight back, as the criminals declare war on the cops, and arouse the lethal weapon in Riggs.

The introdction of Joe Pesci's character is a little annoying at first but it soon grows on you and he adds a focus for the comedy element.

Richard Donner again directs the cop duo and again we have a movie well worth watching.

Plenty of action, a few more laughs and a lethal weapon that is still just as sharp, all combine to deliver another great outing for Riggs and Murtaugh.

8/10

With the possible exception of Martin Rigg's mullet, which actually looks like it's been given a bit of a trim, everything about Lethal Weapon 2 is bigger than the first movie: the explosions are more explosive, the shoot-outs more shooty, the car crashes more crashy, the widdly guitar more widdly, and the warbling sax more warbly. As 80s action flicks go, this is definitely one of the best for spectacular vehicular chaos, ballistic mayhem, random acts of death and destruction, and tuneless music.

Jeffrey Boam's script delivers on all counts, matching Shane Black's original in terms of wit, pathos, and excitement, and although it does introduce what would become one of the most irritating characters in cinematic history—fast talking money launderer Leo Getz (Joe Pesci)—at least Boam has the good sense to inflict a lot of pain and suffering on the guy in the process, Leo getting more than a few bruises as the story progresses.

Seasoned Hollywood director Richard Donner handles proceedings well, balancing the light-hearted moments and the gritty action just right (a trick he seems to have forgotten come part 3), and with the benefit of a bigger budget than before, he gets to pull off some truly impressive action scenes, including the amazing destruction of an entire house on stilts.

Part 2 also benefits immensely from a pair of memorable villains—South African diplomat Arjen Rudd, played by Joss Ackland, and his truly wicked henchman/assassin Pieter (Derrick O'Connor), and the welcome presence of the wooden but still very lovely Patsy Kensit, who very kindly strips off for a sex scene (the price we must pay for that pleasure is yet another Mel Gibson ass shot, but at least it's only a side view— not a full on crack shot like in the first film!).

Many action flicks over the years have been called loud and dumb. This is no exception. The "Lethal Weapon" series has never been especially noted for its intellect but it has something that a lot of action films lack: heart. Mel Gibson and Danny Glover's winning chemistry created some of the most tender moments in the series and "Lethal Weapon 2" excels because they make the audience care about their characters. This movie is by far the best in the series with tones of moments registering directly to the viewer. Gibson and Glover provide these characters with depth that could easily have been lacking and the ending of this film leaves the audience actually feeling the love these two men have for each other. And, as a bonus, "Lethal Weapon 2" digs even deeper into one of the protagonist's past, shedding even more light as to why he is the way he is.

Lethal Weapon 2 (1989)

The first half hour of this movie is such an empty mixture of very fast chase scenes and some dull talking between supposed bad guys you might not get to the final hour which is fun and funny and as good (in a way) as the first Lethal Weapon from two years earlier. Same cast, same crew, same assets.

The problem at first is partly that we don't know who the bad guys are. We have no reason to fear or hate them. We just know that Mel and Danny have to be in on some new awful crime situation. That requires faith, so okay, we keep watching. The opening chase is highly kinetic and violent and spectacular, if you like that kind of thing. It is also a heads up for a couple scenes later that are also really spectacular —a ridiculous machine gun festival from a helicopter (if they have helicopters that have rocket grenades and boom, that's that), and a really ridiculous yanking down of a spectacular building with a GMC pickup truck (an amazing highlight of the movie).

Yeah, it's a wonderful mixed bag. By the end I was loving it the way you love things like this—not as film studies, but as a lowbrow good time. There are some classic scenes, also ridiculous—like the great toilet one—and some filler, of course, but it clicks along and is a worthy sequel. If you liked the first, you'll like the second.

However, it's worth saying the first one has an elegance at times that makes it not just more artful (who cares?) but more compelling. Just the way the first scene is handled (in the first movie) makes you want to know what's happening, and you worry about the next few scenes because of the first one. Here, it's more a continuation of affection—which means you might have to see the first one before this, in case you haven't!

A worthy sequel. In fact, I think it's a bit of an improvement, with tighter plotting and more kinetic action sequences. I also liked, to my surprise, the addition of Joe Pesci as a witness Riggs and Murtaugh are protecting. Yes, he's more than a tad annoying, but he's annoying in a mostly funny way. I also very much liked Mel Gibson's love interest, played by the cute Brit Patsy Kensit, who unfortunately never made it very big. The sequence with the bomb attached to Murtaugh's toilet is classic, and the shot with the woman cop getting blown off her diving board is (unintentionally) hilarious. Also side-splitting: the aging henchman played by Derrick O'Connor, who becomes a master of kung fu whenever the shot gets dark enough for a stunt double to take his place.