El cadillac rosa

As mentioned in another comment, this film is very, very similar to the brilliant De Niro movie Midnight Run which came out a year before this one. This one pales in comparison unfortunately. I wouldn't have thought it was a deliberate move by Eastwood to cash in on the success of Midnight Run, because I don't think Clint has to ride on anyone's coat tails, and was Midnight Run a big hit anyway? Actually this must be one of Clints least known films, its very rarely shown on TV here in Great Britain, in fact I think it went straight to video, a Clint Eastwood film straight to video! It must be really bad yeah? well no, not really, but not exactly great either. Its a pleasant enough way to spend a couple of hours, and does show Clint doing different things. He takes on different personas in his Bounty hunter role to catch the crooks including a DJ and a redneck, which I thought was hilarious, really funny. Bernadette Peters was really good in this I thought as well, bright and quirky. What really let it down was the gang of Nazi redneck bikers (or whatever they were meant to be), they bordered on comedy villains, in fact I kept waiting for Clyde the Orangatun to wander on screen and punch them out and drink all their beer! So one for Clint fans only I'm afraid (like me!) P.S See if you can spot Jim Carrey AND Canadian rocker Bryan Adams in the film.

Pink Cadillac has Clint Eastwood playing a skip tracer who most assuredly is not Dirty Harry. But he's a guy who's good at his job and is most clever at arresting subjects, catching them off guard with all kinds of cons and disguises.

He also likes a challenge so he's not terribly thrilled with getting an assignment to track down Bernadette Peters who simply has the bad misfortune to be married to a real loser in Timothy Carhart. He's done some jail time and made some real friends with the birth righters, a white supremacist neo Nazi gang who work on the outside as well.

And what they're into is counterfeiting and when Peters walks out on Carhart taking their baby and the Neo Nazi loot with both real and bogus bills, she's got them after her as well.

This film which will please die-hard Clint Eastwood fans didn't rise to any occasion for me. I just could not quite accept the neo-Nazis as even comic villains. And the film seemed to be a one note joke about the Pink Cadillac that hovered over the film. That no one would expect Clint Eastwood to be driving in such a conspicuous and flamingly effeminate ride. Even if it is Peters' car which they have to use out of necessity.

Clint and Bernadette never quite connected either. Funny thing that with a different leading lady and a more serious treatment this might have been an Eastwood classic.

But they would have to get rid of the Pink Cadillac as well.

Someone who, as the result of long military deployment at the end of the Cold War, saw nearly every theatrical release of the time is familiar with the Eastwood Mayoral Late Bubblegum Period. Scholars define this as Clint's tenure as mayor of Carmel, between the Marine anthem "Heartbreak Ridge" in 1986 and Clint's Western opus "Unforgiven" in 1992. In 1988 he put a belated end to Dirty Harry in the "Dead Pool," in 1990 he had a PG-13 bondage scene with Sonia Braga in "The Rookie," and in between there was this streetwise chase caper that was, to our loss, his only work with Bernadette. Bounty hunter Tommy (euphemistically a "skip tracer" since he's chasing a girl) captures bail jumper Lou Ann in Las Vegas and becomes caught up in the chase for a cash stash hidden in her pink '59 Caddy convertible by her drug-addict husband & his white supremacist, counterfeiting friends. Clint is at his most likable in these average-Joe tough-guy roles, men who survive only by their wits in seedy jobs (bounty hunter, bank robber, detective, street boxer) & take their lumps when they fall for lost causes or damsels in distress. Peters is fantastic in a humdrum role, going from sullen to sassy to sexy to sensitive without letting us down for an instant. The film is pure fun for its first two thirds, featuring little besides the two stars (Clint mimicking Bernadette's unique soprano is not to be missed). Geoffrey Lewis, an essential in all Eastwood movies like this, is entertaining as ever, this time as an addled hippie forger. The story follows the formula of several movies of this period, the best of which was "Midnight Run" (Cop/bounty hunter finds initial quarry, who's a patsy holding the key to bringing down a really nasty criminal/terrorist outfit). Unfortunately, the bad guys are too psycho-nasty for the light-hearted script, which also features Lou Ann's baby as a hostage. The pre-"Sopranos" mob bad guys of "Midnight Run" brought just the right amount of humor to distill their menace, but if you can find anything funny about neo-Nazi redneck drug addict survivalist militiamen who kidnap babies, please seek therapy. Clint actually gives it a shot near the end, so never let it be said he's not up for a dramatic challenge. "Pink Cadillac" isn't worthy as the only vehicle for the Broadway star and the greatest tough guy of his day, but it was a pleasant way to spend a couple of hours at sea. Compliments to "Speed Channel's" Lost Drive-in for bringing this & other forgotten car movies back to the small screen.

I don't consider Pink Cadillac a terrible movie, just one I didn't care for. It is a well made movie, with a beautiful car, a good soundtrack, a few witty quips in the script, Clint Eastwood giving his all to the role and Bernadette Peters all bubbly and fun. On the other hand, I find the film rather dull, with a very sluggish first half, a mostly incoherent plot, characters that don't have much substance and you don't care much, some jokes that feel forced and lethargic direction.

Overall, Pink Cadillac was not as bad as I thought, but considering how much I respect Eastwood, both as an actor and a director and a large body of his films, it could have been better. 4/10 Bethany Cox

"Pink Cadillac" is a fairly dull action comedy (long on runtime, short on laughs), but it's worth a look-see for Clint Eastwood in a comedic role. He really goes all out in those goofy disguises and it's always something to see when he plays against type. Also, for the very cute Bernadette Peters and the curious bit parts (James Cromwell, Jim Carrey and Bryan Adams).

But I don't see myself coming back to this; I don't remember making with any ha-has. If you want to see a movie star in the sick-of-bounty-hunting role, stick with "Midnight Run", no question.

5/10