Cuando el terreno que ha pertenecido a la familia McCabe durante generaciones sale a subasta, el patriarca de los McCabe no se detendrá ante nada para evitar que un rico estadounidense lo co... Leer todoCuando el terreno que ha pertenecido a la familia McCabe durante generaciones sale a subasta, el patriarca de los McCabe no se detendrá ante nada para evitar que un rico estadounidense lo compre.Cuando el terreno que ha pertenecido a la familia McCabe durante generaciones sale a subasta, el patriarca de los McCabe no se detendrá ante nada para evitar que un rico estadounidense lo compre.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 4 nominaciones en total
Reseñas destacadas
"The Field" is a study of a very specific time and place, with plot developments that seem lifted straight out of the Old Testament. Sheridan does an excellent job of opening up the story, which was adapted from a stage play. The action takes place all over the village and surrounding areas. The cast is composed of Irish and English actors (except for - ahem - 'The American'), which really gives the film a strong sense of authenticity. Each character has a story, and the gradual unfolding of the various conflicts and secrets builds an ominous sense of impending disaster.
John Hurt gives another in a long line of outstanding performances, but this film belongs to Harris. The only thing that keeps it from becoming an all-time classic is Tom Berenger. We get no sense that he wants the field for any reason other than the script requires him to, and it seems that director Jim Sheridan knew it. When a central character (Berenger) in a film delivers his most important dialogue FACING AWAY FROM THE CAMERA (looking out a window), it is the directorial equivalent of punting. Even so, Berenger is not in enough scenes to ruin the movie. It is just that it could have been so much better if he brought something to the part that could match up with Harris' primal force.
The script is superb, particularly in that use of language at which the best Irish writers are unsurpassed. But the real strength of the movie lies in the amazing performance of Richard Harris, surely one of the all-time great movie performances. He should easily have won the Oscar over Jeremy Irons in Reversal of Fortune, brilliant though Irons is; perhaps Irons only won because too few people had seen The Field. Bull McCabe is a great character who is being torn apart by conflicting emotions: his love for the land, his love for his son, his love for God and for the Church, and his frustration at never being able to achieve what is important to him. His devastation at the end reminded me a lot of King Lear, and indeed this movie has a power like one of the best of Shakespeare's tragedies. As one reviewer has already noted, the only weakness is the poorly-sketched character of the American and its lack of a believable motivation. Even with that weakness, it rises far above most of what passes for serious drama these days.
Coincidentally, Richard Harris died last October. This film is a fitting tribute to him as it is in my humble opinion one of his finest performances and one of the finest in film history. Truly great actors show their colours in this film and what it means to be able to act. I am glad to say that Sean Bean gives an outstanding performance in a very unfamilar role as Tadhg. John Hurt is also outstanding in a difficult role.
¿Sabías que...?
- CuriosidadesWriter and director Jim Sheridan described Richard Harris "as mad as a brush", and that he found him very difficult to control.
- PifiasDuring the opening scene when the donkey is thrown off the cliff, as it hits the water its legs collapse into it. This shows that the donkey was a stuffed animal.
- Citas
"Bull" McCabe: Why're you interfering, Father? This is none of the Church's business.
Father Doran: It's the Widow's field. She has the right to sell it.
"Bull" McCabe: No. It's my field. It's my child. I nursed it. I nourished it. I saw to its every want. I dug the rocks out of it with my bare hands and I made a living thing of it! My only want is that green grass, that lovely green grass, and you want to take it away from me, and in the sight of God I can't let you do that!
Father Doran: Can't you find another field?
"Bull" McCabe: Another field? Another field? Jesus, you're as foreign here as any Yank. Another field? Are you blind? Those hands, do you see those hands? Those rocks! It was a dead thing! Don't you understand?
Father Doran: This is the Widow's field. That's the law. The common law.
"Bull" McCabe: There's another law, stronger than the common law.
Father Doran: What's that?
"Bull" McCabe: The law of the land. When I was a boy, younger than Tadgh there, my brothers and sisters had to leave the land, because it couldn't support them. We wasn't rich enough to be priests or doctors, so it was the emigrant ship for all of them. I were the eldest, the heir. I were the only one left at home. Neighbours were scarce. So my father and I, we had our breakfast, dinner, and tea, working in that field without a break in our work. And my mother brought us the meals. One day, one day my father sensed a drop of rain in the air and my mother helped us bring in the hay before it was too late. She was working one corner of the field, and I was working in the other. About the third day, I saw her fall back, keel over so to speak. I called my father, I run to her. My father kneeled beside her. He knew she... he knew she was dying. He said an act of contrition into her ear and he asked God to forgive her her sins. And he looked at me, and he said, "Fetch a priest." Fetch a priest... And I said, "Let's - let's bring the hay in first. Let's bring the hay in first." My father looked at me with tears of pride in his eyes. He knew I'd take care of the land. And if you think I'm gonna face my mother in Heaven or in Hell without that field, you've got something else coming. No collar, uniform, or weapon will protect the man that stands in my way.
Selecciones populares
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Detalles
Taquilla
- Presupuesto
- 5.000.000 IEP (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.494.399 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 27.948 US$
- 25 dic 1990
- Recaudación en todo el mundo
- 1.494.399 US$
- Duración1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1