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El prado

Título original: The Field
  • 1990
  • 13
  • 1h 47min
PUNTUACIÓN EN IMDb
7,3/10
7,2 mil
TU PUNTUACIÓN
Sean Bean, Tom Berenger, John Hurt, Richard Harris, Brenda Fricker, and Jenny Conroy in El prado (1990)
When a field (which has been farmed by the McCabe family for generations) goes up for auction, the patriarch of the McCabe family will stop at nothing to prevent a rich American from buying it.
Reproducir trailer2:22
2 vídeos
37 imágenes
DramaThrillerTragedia

Cuando el terreno que ha pertenecido a la familia McCabe durante generaciones sale a subasta, el patriarca de los McCabe no se detendrá ante nada para evitar que un rico estadounidense lo co... Leer todoCuando el terreno que ha pertenecido a la familia McCabe durante generaciones sale a subasta, el patriarca de los McCabe no se detendrá ante nada para evitar que un rico estadounidense lo compre.Cuando el terreno que ha pertenecido a la familia McCabe durante generaciones sale a subasta, el patriarca de los McCabe no se detendrá ante nada para evitar que un rico estadounidense lo compre.

  • Dirección
    • Jim Sheridan
  • Guión
    • Jim Sheridan
    • John B. Keane
  • Reparto principal
    • Richard Harris
    • John Hurt
    • Sean Bean
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,3/10
    7,2 mil
    TU PUNTUACIÓN
    • Dirección
      • Jim Sheridan
    • Guión
      • Jim Sheridan
      • John B. Keane
    • Reparto principal
      • Richard Harris
      • John Hurt
      • Sean Bean
    • 58Reseñas de usuarios
    • 13Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 4 nominaciones en total

    Vídeos2

    Trailer
    Trailer 2:22
    Trailer
    The Field
    Clip 3:08
    The Field
    The Field
    Clip 3:08
    The Field

    Imágenes37

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    + 31
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    Reparto principal31

    Editar
    Richard Harris
    Richard Harris
    • 'Bull' McCabe
    John Hurt
    John Hurt
    • 'Bird' O'Donnell
    Sean Bean
    Sean Bean
    • Tadgh McCabe
    Frances Tomelty
    Frances Tomelty
    • Widow
    Brenda Fricker
    Brenda Fricker
    • Maggie McCabe
    Ruth McCabe
    Ruth McCabe
    • Tinker Woman
    Jer O'Leary
    Jer O'Leary
    • Tinker Girl's Father
    Noel O'Donovan
    • Tomás
    John Cowley
    • Flanagan
    Ronan Wilmot
    Ronan Wilmot
    • Tinker
    Jenny Conroy
    Jenny Conroy
    • Katie - The Tinker Girl
    Joan Sheehy
    • 2nd Tinker Woman
    Sean McGinley
    Sean McGinley
    • Father Chris Doran
    Malachy McCourt
    Malachy McCourt
    • Sergeant
    Frank McDonald
    • Quarryman
    Brendan Gleeson
    Brendan Gleeson
    • Quarryman
    Tom Berenger
    Tom Berenger
    • Peter - The American
    Eamon Keane
    • Dan Paddy Andy
    • Dirección
      • Jim Sheridan
    • Guión
      • Jim Sheridan
      • John B. Keane
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios58

    7,37.1K
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    Reseñas destacadas

    99735062

    A much overlooked classic

    The Field is film which carries a universal message about the ongoing struggle between modernity and traditionalism. It is also a uniquely Irish film which may make some of the scenes lack relevance for an international audience. The meaning of such scenes as the "American Wake", which was essentially a death wake which was held for young Irish people up until as recently as the 1960s on the night before they left for America never to be seen again, might be missed by non-Irish people. However the final scene where the Bull McCabe aka Richard Harris attempts to push back the incoming Atlantic tide speaks of the universal futility of man's attempts to control nature or indeed, inevitable progress.An excellent movie.
    9raymond_chandler

    Richard Harris - Incredible!!!

    If you are interested in acting, do yourself a favor - see this movie. Richard Harris' performance is as good as film acting gets. His character, Bull McCabe, is not a man so much as a force of nature. In the opening sequence, he and his son, Tadgh, who is 30ish to Bull's sixty-something, are carrying heavy loads of seaweed from the ocean back to their farm. Bull casually strolls along, seemingly without effort, while Tadgh struggles and stops periodically to rest. This scene sets the tone for the rest of the story. No one in the village ever opposes Bull - it would be futile, as well as unwise. But when the land his family has tended for generations as tenant farmers is purchased by an American bent on developing it, Bull must confront something he cannot defeat with will and sinew - progress.

    "The Field" is a study of a very specific time and place, with plot developments that seem lifted straight out of the Old Testament. Sheridan does an excellent job of opening up the story, which was adapted from a stage play. The action takes place all over the village and surrounding areas. The cast is composed of Irish and English actors (except for - ahem - 'The American'), which really gives the film a strong sense of authenticity. Each character has a story, and the gradual unfolding of the various conflicts and secrets builds an ominous sense of impending disaster.

    John Hurt gives another in a long line of outstanding performances, but this film belongs to Harris. The only thing that keeps it from becoming an all-time classic is Tom Berenger. We get no sense that he wants the field for any reason other than the script requires him to, and it seems that director Jim Sheridan knew it. When a central character (Berenger) in a film delivers his most important dialogue FACING AWAY FROM THE CAMERA (looking out a window), it is the directorial equivalent of punting. Even so, Berenger is not in enough scenes to ruin the movie. It is just that it could have been so much better if he brought something to the part that could match up with Harris' primal force.
    8ariostel

    Terrific performances, scenery, tragic, tragic, tragic

    Riveting performances by Richard Harris, Sean Bean, and John Hurt (nearly unrecognizable!) in a dark, tragic tale of life in post-famine Ireland. This is the perfect film to launch a film discussion group with. There's plenty to talk about after viewing it, that's for sure. It's not what I'd call an "intellectual" film, but it's definitely memorable. If you're an American, like me, and you saw John Hurt as Caligula in the PBS series "I, Claudius"--you won't believe his performance in "The Field". Amazing. (Note from my wife to Beanstalkers: There are a couple of scenes...) Details? The horses pulling the gypsy wagons are the right breed. And in the pub scenes, you can almost taste the beer.
    9hitchs

    Stunning and unforgettable

    I had never heard of The Field before, and I could hardly believe how good it is. What a shame that it is so little known. The story starts out slowly but builds up to a climax that is perfectly logical, totally based on character, and awesome in its intensity.

    The script is superb, particularly in that use of language at which the best Irish writers are unsurpassed. But the real strength of the movie lies in the amazing performance of Richard Harris, surely one of the all-time great movie performances. He should easily have won the Oscar over Jeremy Irons in Reversal of Fortune, brilliant though Irons is; perhaps Irons only won because too few people had seen The Field. Bull McCabe is a great character who is being torn apart by conflicting emotions: his love for the land, his love for his son, his love for God and for the Church, and his frustration at never being able to achieve what is important to him. His devastation at the end reminded me a lot of King Lear, and indeed this movie has a power like one of the best of Shakespeare's tragedies. As one reviewer has already noted, the only weakness is the poorly-sketched character of the American and its lack of a believable motivation. Even with that weakness, it rises far above most of what passes for serious drama these days.
    jjkeaney521

    In Memory of John B.Keane

    I am glad to see from the previous comments that there is much appreciation from around the world on this film. However there has been no comment on this site (that I have seen) about the writer, John B.Keane. John B (as he was more commonly known) is a legend in Irish literature and unlike so many others I had the pleasure of reading much of his work while he was still alive. John B lived all his life in Listowel, Co.Kerry where he ran a pub. He has been writing for many years mainly about the characters that he knew and grew up with. Much of his work was based on these people and adapted for fiction. If you walk into any good bookstore I am sure that you will come across plenty of his work. If you like The Field then I recommend that you read The High Meadow, Durango & Under The Sycamore Tree. John B wrote several plays along with The Field including Sieve and Sharons Grave These are fascinating novels and give a brillant insight into Ireland in the 1950's & 60's. But for those of you who know nothing of Ireland, it is not the Ireland of today. John B Keane died last year (summertime I think). May he rest in peace.

    Coincidentally, Richard Harris died last October. This film is a fitting tribute to him as it is in my humble opinion one of his finest performances and one of the finest in film history. Truly great actors show their colours in this film and what it means to be able to act. I am glad to say that Sean Bean gives an outstanding performance in a very unfamilar role as Tadhg. John Hurt is also outstanding in a difficult role.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Writer and director Jim Sheridan described Richard Harris "as mad as a brush", and that he found him very difficult to control.
    • Pifias
      During the opening scene when the donkey is thrown off the cliff, as it hits the water its legs collapse into it. This shows that the donkey was a stuffed animal.
    • Citas

      "Bull" McCabe: Why're you interfering, Father? This is none of the Church's business.

      Father Doran: It's the Widow's field. She has the right to sell it.

      "Bull" McCabe: No. It's my field. It's my child. I nursed it. I nourished it. I saw to its every want. I dug the rocks out of it with my bare hands and I made a living thing of it! My only want is that green grass, that lovely green grass, and you want to take it away from me, and in the sight of God I can't let you do that!

      Father Doran: Can't you find another field?

      "Bull" McCabe: Another field? Another field? Jesus, you're as foreign here as any Yank. Another field? Are you blind? Those hands, do you see those hands? Those rocks! It was a dead thing! Don't you understand?

      Father Doran: This is the Widow's field. That's the law. The common law.

      "Bull" McCabe: There's another law, stronger than the common law.

      Father Doran: What's that?

      "Bull" McCabe: The law of the land. When I was a boy, younger than Tadgh there, my brothers and sisters had to leave the land, because it couldn't support them. We wasn't rich enough to be priests or doctors, so it was the emigrant ship for all of them. I were the eldest, the heir. I were the only one left at home. Neighbours were scarce. So my father and I, we had our breakfast, dinner, and tea, working in that field without a break in our work. And my mother brought us the meals. One day, one day my father sensed a drop of rain in the air and my mother helped us bring in the hay before it was too late. She was working one corner of the field, and I was working in the other. About the third day, I saw her fall back, keel over so to speak. I called my father, I run to her. My father kneeled beside her. He knew she... he knew she was dying. He said an act of contrition into her ear and he asked God to forgive her her sins. And he looked at me, and he said, "Fetch a priest." Fetch a priest... And I said, "Let's - let's bring the hay in first. Let's bring the hay in first." My father looked at me with tears of pride in his eyes. He knew I'd take care of the land. And if you think I'm gonna face my mother in Heaven or in Hell without that field, you've got something else coming. No collar, uniform, or weapon will protect the man that stands in my way.

    • Conexiones
      Featured in The Tonight Show Starring Johnny Carson: Bob Hope/Richard Harris/Helen Thomas (1991)

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    Preguntas frecuentes

    • How long is The Field?
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    • When is "The Field" set?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de septiembre de 1991 (España)
    • País de origen
      • Irlanda
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • The Field
    • Localizaciones del rodaje
      • Gaynor's Pub, Leenane, Connemara, County Galway, Irlanda
    • Empresas productoras
      • Granada Television
      • Noel Pearson
      • Sovereign Pictures
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 5.000.000 IEP (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 1.494.399 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 27.948 US$
      • 25 dic 1990
    • Recaudación en todo el mundo
      • 1.494.399 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 47 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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