Implicación criminal

A Gripping True-Crime Drama with a Stellar Lead Performance

Based on the true story of a shocking murder in a tight-knit Texas community, A Killing in a Small Town (1990) is a riveting exploration of human psychology and small-town secrets. Directed by Stephen Gyllenhaal, this made-for-TV movie transcends its format with a deeply compelling narrative and a standout performance from Barbara Hershey.

Hershey delivers a career-defining turn as Candy Morrison, a seemingly ordinary housewife whose involvement in a gruesome crime unravels a dark and complex story. Her portrayal is nuanced and chilling, capturing Candy's internal conflict and the simmering emotions beneath her outwardly composed demeanor. Hershey's performance earned her an Emmy Award, and rightfully so-it anchors the film and elevates it to a must-watch drama.

The screenplay is expertly crafted, peeling back layers of the crime with a slow-burn intensity that keeps the audience engaged. The film explores themes of repression, moral ambiguity, and the facades people maintain in seemingly idyllic communities. Gyllenhaal's direction enhances the tension, using stark visuals and deliberate pacing to emphasize the suffocating atmosphere of small-town life.

Supporting performances are equally strong, with Brian Dennehy as the defense attorney who crafts a controversial yet compelling case for Candy. His dynamic courtroom scenes inject energy into the narrative and highlight the moral complexities at play. The film also benefits from a haunting score that underscores its eerie and unsettling tone.

While A Killing in a Small Town occasionally feels constrained by its TV movie roots, its powerful performances and thought-provoking themes more than compensate. It's a gripping and emotionally resonant depiction of a true-crime story that leaves a lasting impression.

Final Thoughts: A Killing in a Small Town is an exceptional example of a true-crime drama done right. With Barbara Hershey's unforgettable performance and its exploration of the darker side of human nature, this film remains a standout in the genre.

Rating: 7/10 A haunting and compelling portrayal of crime, psychology, and the secrets that fester beneath the surface of small-town life.

"Killing In A Small Town" looked every bit as ordinary as a regular made for TV fare but as the story unfolds; with the first frame of Barbara Hershey as Candice Morrison defining her sense of self to a therapist; you are instantly hooked until the end credits roll. Accused of her murderous crime in a small middle American town, Candice or Candy was initially in shock and subsequent denial. But as the horror washed over the community and all evidence point toward the mousy housewife, she starts to unravel albeit in calm revelation. Barbara Hershey is definitely one of the most underrated actress of her era, her portrayal of a strong, self- controlled, stoic yet sensitive and vulnerable woman make her a character of infinite contradiction. She pulled out all the stops in her courtroom scenes on cross examination and her hypnosis session with a doctor is unforgettably chilling. When Candice was on the stand recounting the day of the murder, the scene plays out ordinarily and then take a turn for the macabre when Peggy (victim) accused Candice of having an affair with her husband. Peggy then goes back to kitchen to fetch an axe and begins to taunt Candy. The two of them had words and then a fight ensues. Candy was desperately trying to get away but finally she turns the table and hacks Peggy over 41 timesin self defense. The entire scene was riveting like your inability to look away from a car wreck. An American tragedy played with unrelenting passion by Barbara Hershey who incidentally won an Emmy and Golden Globe for her searing performance.

does quite well in this film. She lives in a stark Texas town, has her children, attends church, but something is missing. She enters into an affair with her best friend's husband well-portrayed by John Terry.

Lee Garlington is her neighbor with John Terry the faithless husband. This does not wind down however, into histrionics and cheap drama. The film depicts the rage and cold anger Hershey feels, and the explosive results. Dennehey is her defense lawyer, but the courtroom segments are thankfully minimal.

The real credit goes to director Gyllenhall, who creates the Texas suburbs, showing the starkness, both of the housing developments they live in ,the small church atop a deserted hillside, and the small "Main Street USA" town this woman actually lived in. Well done.

One of my all time favorite books and one of the best TV movies besides The Deliberate Stranger about Ted Bundy starring Mark Harmon. Very haunting murder case, a mother is brutally murdered in her laundry room while her baby cries in its crib down the hall. The small mundane Texas town was turned upside down with the swing of an ax.

The film Evidence of Love (UK title) is contextualised within a small-town community. Within this community, their lives are prescriptive, mundane and conservative, (at least from a liberal perspective). This conservative attitude is highlighted in Evidence of Love as a destructive force as it restricts and represses natural human feelings all in the name of stability.Such conditions provide for an undercurrent of extra-marital affairs, lies, denial, and anger, culminating in a (self-defence) killing to emerge like an uncoiling spring.

As to the acting in Evidence of Love, it is a superb (some might argue stereotyped) portrayal of a mid-American suburban home - maker by Hershey. It seems that Hershey uses method acting to achieve her goal in this film. As for the directing, it comes across as very considered and intelligent. This is because the issue is handled without the histrionics that such an explosive subject matter has the potential to cause. Of course the calm direction is helped by the limited budget for the film.

The film itself exposes an interesting moot point of what is perceived as guilty. It seems in Evidence of Love that there is some confusion in the court as what constitutes 'murder'. Self defence using a gun is not considered murder, but an axe that is wielded 41 times to slay an attacker is a matter of contention is this particular murder charge.

For this moot point alone as to what constitutes self defence in a killing Evidence of Love is worth watching.