PUNTUACIÓN EN IMDb
4,8/10
2,2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaIn a post-apocalyptic America, She, a fierce warrior who leads a women's cult, teams up with two brothers searching for their kidnapped sister. They come across weird cults before standing a... Leer todoIn a post-apocalyptic America, She, a fierce warrior who leads a women's cult, teams up with two brothers searching for their kidnapped sister. They come across weird cults before standing against the odds to defeat the evil Norks.In a post-apocalyptic America, She, a fierce warrior who leads a women's cult, teams up with two brothers searching for their kidnapped sister. They come across weird cults before standing against the odds to defeat the evil Norks.
- Dirección
- Guión
- Reparto principal
Maria Cumani Quasimodo
- Moona
- (as Maria Quasimodo)
David Kirk Traylor
- Xenon
- (as David Traylor)
Rossana Canghiari
- Self - Flagellating Follower of Godan
- (sin acreditar)
Reseñas destacadas
Mix together sword-and-sorcery and post-apocalyptic elements, add a dose of political allegory (note the Communist and Nazi symbols), a contemporary music score and some surreal moments that seem to have come straight out of Monty Python (a bridge guard who multiplies every time you chop off one of his limbs) and you have this bizarre film that is neither a straight adventure nor exactly a spoof. It suffers from an overly episodic structure, but it benefits from Sandahl Bergman and Quin Kessler as the two muscular, beautiful Amazon warriors who are as proficient with a sword as with any other weapon. Both actresses are perfectly cast and do their roles justice, capturing the right "always-ready-for-a-fight" mentality. How anyone can give this film a "1" when there are, at the very least, these two amazing women to look at is beyond me! (**)
If Monty Python threw together a Road Warrior spoof after a 3 day binge using a paint sprayer weilded by a rhesus monkey as their key script writing tool...
Nah, not quite fair. As many other reviewers have said, this movie manages to be class A cheese. It manages to be sufficiently entertaining to not deserve shredding by Mystery Science Theater 3000 - one needs to hear the incredibly ridiculous dialog without interference!
There is a pretty reasonable supply of eye candy headed up by Sandahl Bergman and her trusty Amazon lieutenant, who also seem to be the only people with any fencing training. Most sword fights involving men are basically aimless waving of cheesy looking weapons.
But the true charm of this effort is the degree of "OMG how can they POSSIBLY top the sheer ludicrousness of THIS bad guy encounter with the next one?" The writers consistently fail to disappoint!
The ending did kind of tick me off - something is left unresolved in direct violation of a prediction from an oracle type near the beginning.
And the landscapes totally violate the Law of Post Apocalyptic Uninhibitable Desert - everything is either small cities or dense forest, a couple of decades after a mutation inducing nuclear holocaust!
Oh - Ms. Bergman's so-so acting in Schwarzenegger vehicles was orders of magnitude better than her sleepwalking through this role
But let such quibbles go. Acceptable outrageously awful mindless fun!
Nah, not quite fair. As many other reviewers have said, this movie manages to be class A cheese. It manages to be sufficiently entertaining to not deserve shredding by Mystery Science Theater 3000 - one needs to hear the incredibly ridiculous dialog without interference!
There is a pretty reasonable supply of eye candy headed up by Sandahl Bergman and her trusty Amazon lieutenant, who also seem to be the only people with any fencing training. Most sword fights involving men are basically aimless waving of cheesy looking weapons.
But the true charm of this effort is the degree of "OMG how can they POSSIBLY top the sheer ludicrousness of THIS bad guy encounter with the next one?" The writers consistently fail to disappoint!
The ending did kind of tick me off - something is left unresolved in direct violation of a prediction from an oracle type near the beginning.
And the landscapes totally violate the Law of Post Apocalyptic Uninhibitable Desert - everything is either small cities or dense forest, a couple of decades after a mutation inducing nuclear holocaust!
Oh - Ms. Bergman's so-so acting in Schwarzenegger vehicles was orders of magnitude better than her sleepwalking through this role
But let such quibbles go. Acceptable outrageously awful mindless fun!
I can sit through some pretty cheesy flicks, and I like Sandahl Bergman, but this movie is one of the most horrendous pieces of garbage I've ever been exposed to. I have apparently blocked most of the movie out of my mind, in order to save myself from ever having to remember the worst parts. But I do remember my reaction, which was, "Oh ... my ... gawd. I had no idea that anything could be so bad."
Ranks right down there on my "Avoid At Any Costs" movie list, alongside "Little Voice" and "Cattle Annie & Little Britches." Run, do not walk, far away from this film. In fact, run away screaming.
Ranks right down there on my "Avoid At Any Costs" movie list, alongside "Little Voice" and "Cattle Annie & Little Britches." Run, do not walk, far away from this film. In fact, run away screaming.
This is exactly what bad movies are supposed to be: a magnificent accident; bizarre; terrible dialog; insipid acting; but most importantly, uncontrived. Not like that Troma crap. Troma wishes its movies were bad, but all I see are contrivances: people who try to pawn off badly made bad movies as something special, like She. She is everything you want and more. Badly executed scenes for even more badly conceived plot points. Terrible costuming including spiked football helmets intended to look "post- apocalyptic". Male sexual fantasies enacted on screen, masquerading as female empowerment. But through all of it, an effortless "badness" that leaves one questioning, simply, "how?". How did this make it to film? How did it actually get made, and who actually looked at the final cut and said 'yep, it's just like I imagined it. Trust me, this is a golden turd. It's the reason we bother to watch terrible movies.
I must say that I am starting an unfortunate career of following Sandahl Bergman flicks. Don't get me wrong...I've enjoyed what I've seen of Ms. Bergman's acting in Hell comes to Frogtown and in this film She(the book is interesting by the way). As long as you're not looking for anything special it's cool. I personally enjoyed it but I was lynched by the 3 friends I made watch it with me. Especially since the whole movie we were waiting for the plot to resemble anything that the back of the movie box. It never did. There was supposed to be this whole plot about the all powerful "She" falling for a man who might kill her. As far as I can tell there was a woman...who was generally referred to as "She"...and indeed there was a lead male character. But they never so much as looked at each other crosswise. But hey the real reason to watch the movie is ghouls, the god "She"(who has no powers as far as I can tell), the other god they meet who actually has powers and wants to "study" our heroine, the weird dividable guy(my fav)...it's a labyrinth of weirdness. I dug it.
¿Sabías que...?
- CuriosidadesSandahl Bergman insisted on using real swords,
- ConexionesFeatured in De Kijk van Koolhoven: Post-apocalyptische film (2018)
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- How long is She?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- She - Eine verrückte Reise in die Zukunft
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 42min(102 min)
- Relación de aspecto
- 1.85 : 1
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