Stingray

I got hooked on the late night reruns of the show during the late 80s. The show had interesting storylines, an intriguing main character, and some beautiful songs. My favorite songs being "I'll Fly Away", "Ether", and the song from the episode featuring the construction project over the sacred Indian burial ground. I just love rewatching those episodes and I never get sick of those songs.

For a few years in the late '80s, when I was just starting high school, "Stingray" was a regular fixture of my Friday nights. I used to stay home to tape it and "Crime Story" every week, so I got to see many episodes, and I think they still exist on ancient videocassettes somewhere in my brother's house. What can I say? This was easily one of the most stylish of the prime time dramas of the day, kind of Film Noir meets MTV, complete with quasi-music-video segments (all Post/Carpenter compositions, of course), disorientating quick-cuts in time with dramatic bursts of electronic drums, lots of shadows and glistening wet nighttime streets. Very moody and atmospheric at times, especially the episodes directed by David Hemmings (the same one who starred in Blow-Up and other movies). Being a sci-fi geek at the time, probably my favorite episode of all was the implausibly silly but neat-looking "Playback" (the "Desert Dome episode" as I call it, directed by Hemmings and co-starring Eugene Roche). Great series. Bring it back. Not that they ever will. Did I mention the '65 Vette?

I always liked the show and it was far better than all the other hits of that decade, like Knight Rider, A-Team or ... Simon&Simon. Correct me if I`m wrong, but ... isn`t Stingray somekind of ... the original PRETENDER? Think about it.

One of the things I admired about the show was the quality of the scripts. Not only did the plots vary considerably as to genre (mystery, science fiction, crime drama, psychological drama) but there appeared to be a concerted effort to explore different writing styles and devices.

For example: I recall one episode that was a 'Mission Impossible'-style caper with a unique twist-- the first half of the show was how the caper was SUPPOSED to come off, while the second half was how disastrously wrong it (nearly) turned out. Another show featured a mystery writer who appeared to write what was happening to Ray as it was happening-- that Ray's actions and the plot were under the writer's control, not Ray's.

This show had a sleek, polished feel to it and was very artistic in its camera techniques, yet at the same time was accessible and fun. Ray was a very heroic figure and at the same time endearingly vulnerable. You knew if he were real you could trust him, and if you were female you hoped he might spend a little intimate time with you before disappearing again into his nameless existence. I hope desperately that someone will rerun the meager few shows that got made, but until then I cherish my few episodes on tape.