Capitán EO

Captain EO is a much better film than anyone could have hoped. First off, I wish to remind people this a Disney-produced film. It was released into Epcot in 1986.

Epcot was a complete bore in 1986. Except for the area with the countries, nothing deserved the attention that Captain EO did. When I visited Epcot, this film was so fun, I went back to see it in the first day seven times. It's only 17 minutes long, so I had enough time to see it seven times. It's an exciting film: very immersing and fun.

It was directed by Francis Ford Coppola, and this film is as masterfully directed as Apocalypse Now and The Godfather, or anything else he's directed. It stars Michael Jackson.

It released in 1986, which was about six years into the Reagan Administration and "the moral majority." This film crashes right through that mentality to fulfill a much-needed statement about the future of the human race, and also of human enlightenment. It pits a contrast of meaningful and non-prejudiced life against a black-and-white drone mentality. The meaningful, non-prejudiced, and enlightened perspective is symbolized by the film's protagonist philosophy: the loudness of the film in its multi-racial (or rather multi-species) dance routines, the rainbow on the lead character's shirt, and the lead character dressed in a white uniform. The lead is played by Michael Jackson. The protagonist philosophy depicts the good, while the antagonist's philosophy is symbolized as the evil aspects of humanity, the drone mentality: the spider-appearance of the antagonist leader mostly in black is similar to H.R. Giger's Alien from a few years before, the black-and-white and gray color pallet, the German expressionism, the robots symbolizing the drone mentality and fascism, and the planet's metallic-refused surface for industrial advancements. The antagonist leader is played by Angelica Huston, a white woman.

Although this film appears to be a science fiction, it is similar to Star Wars in that they are both disconnected Westerns to some degree: the subject here is good versus evil as laid out by symbolism. This gives the film its weight. Or, it could be construed loosely as what happens to the inner universes of two people who fall in love, which could be symbolized by the protagonist being played by a black male star and the antagonist being played by a white female, although this idea isn't as developed as the former; but, both of them probably fit together somehow. It probably exemplifies the possibility of how the two could fit together when endured by love over hate. Love, not money, makes the world go 'round.

The reason Captain EO is a very good film is half because of the importance of its statement to all enlightened existences and half because of the quality in its direction, its expression, its submersion, the technicality of its cinema. The special effects rival films like this one showcased by theme parks today, and according to one source is the most expensive film ever made, by the minute, estimated at over one million dollars per minute of the movie.

Jackson performs two songs in the movie, "We are Here to Change the World" and "You're Just Another Part of Me." The latter track is on Jackson's music album "Bad" (1990) virtually the same way it is performed in the film. The other song does not exist in that form anywhere else; however, there is a song with this exact title on the album "Victory" (1984) by the Jacksons, an album on which Michael performs.

Although I have not seen the film in at least the thirteen years since Disney withdrew the film in 1994, I remember being wooed by it during my teenage years. Epcot was very boring, and this film amazed me: I saw it seven times that day I first saw it. It's in "3-D." The room had special effects. When Jackson's space vehicle lands on the planet, fog fills the audience and stage under the screen image. When a character shoots a laser gun, the explosions occur on the ceiling of the theater. When the spaceship travels through space, the entire room is filled with stars. Even though I haven't seen the film for a very long time, I remember it, and I remember what sitting the auditorium was like: I felt excited by all of it.

I think this is an excellent movie, especially that George Lucas was part of it, I enjoy his work such as Star Wars. The music was great especially when the song "We Are here to Change The World" the best part I liked was the funky slap bass thing the reason is because I play bass and I'm learning that :) Too bad Captain EO isn't playing in Disneyland anymore oh well I have it on tape when it was on MTV :)

Let's look at the talent involved with this movie: Michael Jackson, Angelica Houston, Francis Ford Coppola, James Horner, Industrial Light & Magic, Dreamquest Images...the list goes on.

So one can only wonder *why* we don't have an official DVD Release of this title? It wowed audiences for years at Disney Amusement Parks around the world, yet it no longer does so. Normally when a movie is "finished" in theatres, it moves on to a Home DVD Release. Logic would suggest that this is what the future holds for "Captain Eo."

OK Disney, get off of your butt and put this puppy on DVD!!!! Forget about entertaining new generations of children, it's an opportunity for you to make more money!! ...just thought I'd speak in words that Disney could understand.

Some of the reviews here come off strangely, because to review this film in the same context you would review a movie or a short film is to review it outside of the context for which it was created. Because it wasn't made to be a Feature length or even a short film, it was made to be a ride at an amusement park.

Someone riding a roller-coaster is better served enjoying the twists and turns of the ride than wondering why the ride turned left THEN right, a ride is really just a combination of things that thrill.

And it does thrill, it's a 17 minute tour of the trade-mark styles of some of the most popular artists of the time, and because it was pulled so many creative forces it goes in a direction unexpected and for me is a refreshing and fantastic experience.

It scratches allot of itches I didn't know I had- It's a long form music video, it's MJ creating a character in the same way David Bowie would, it's an answer to the question 'what would it be like to take the most sought after performer and director and have them work together', and much more.

It ages extremely well, I enjoyed it as much on my most recent trip to Disneyland as I did as a kid before it's initial closing. I love the strange 'analog future' setting that is Lucas's trademark, the outlandish music video story and dancing of Michael Jackson, it has the family friendly cutesy hand of Disney in it and the directing of Coppola.

It is so, so much fun when viewed in the proper context. I'm not saying that we shouldn't analyze the parts of this story, but if you frame it in the right context, it is a masterpiece.

It is truly some sort of horrendous cultural crime that this ultracool Michael Jackson film was yanked out of the Magic Eye theatres from Disney Parks around the world and replaced with the completely stupid "Honey, I Shrunk The Audience"!

The music is HOT! Michael Jackson is GREAT in it! The characters are fun, it has a great message AND its effects are gorgeous! Heck, MY COUSIN DEBBIE LEE CARRINGTON IS IN IT!!!

But Disney yanked it out of the parks due to the infamous and ridiculous accusations against Michael which I will not go into here (and of which I still strongly believe him to be completely innocent of) due to cowardice.

It deserves a re-release, and its fantastic theme song--one of the best things Michael ever wrote and performed--remains unreleased as well. COME ON, DISNEY!!! Have a little GUTS, RELEASE IT! (But what am I saying?! They're still too cowardly to re-release Song Of The South...!!!)