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Cobra, el brazo fuerte de la ley

Título original: Cobra
  • 1986
  • 18
  • 1h 27min
PUNTUACIÓN EN IMDb
5,8/10
84 mil
TU PUNTUACIÓN
POPULARIDAD
3990
973
Sylvester Stallone in Cobra, el brazo fuerte de la ley (1986)
Trailer for Cobra
Reproducir trailer1:27
1 vídeo
99+ imágenes
¿CrimenAcciónAsesino en serieThriller

Un policía debe proteger al único testigo superviviente de un extraño culto asesino con planes a gran escala.Un policía debe proteger al único testigo superviviente de un extraño culto asesino con planes a gran escala.Un policía debe proteger al único testigo superviviente de un extraño culto asesino con planes a gran escala.

  • Dirección
    • George P. Cosmatos
  • Guión
    • Paula Gosling
    • Sylvester Stallone
  • Reparto principal
    • Sylvester Stallone
    • Brigitte Nielsen
    • Reni Santoni
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,8/10
    84 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3990
    973
    • Dirección
      • George P. Cosmatos
    • Guión
      • Paula Gosling
      • Sylvester Stallone
    • Reparto principal
      • Sylvester Stallone
      • Brigitte Nielsen
      • Reni Santoni
    • 339Reseñas de usuarios
    • 136Reseñas de críticos
    • 25Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 6 nominaciones en total

    Vídeos1

    Cobra
    Trailer 1:27
    Cobra

    Imágenes199

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    + 193
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    Reparto principal54

    Editar
    Sylvester Stallone
    Sylvester Stallone
    • Marion Cobretti
    Brigitte Nielsen
    Brigitte Nielsen
    • Ingrid
    Reni Santoni
    Reni Santoni
    • Gonzales
    Andrew Robinson
    Andrew Robinson
    • Detective Monte
    Brian Thompson
    Brian Thompson
    • Night Slasher
    John Herzfeld
    John Herzfeld
    • Cho
    Lee Garlington
    Lee Garlington
    • Nancy Stalk
    Art LaFleur
    Art LaFleur
    • Captain Sears
    • (as Art La Fleur)
    Marco Rodríguez
    Marco Rodríguez
    • Supermarket Killer
    • (as Marco Rodriguez)
    Ross St. Phillip
    • Security Guard
    Val Avery
    Val Avery
    • Chief Halliwell
    David Rasche
    David Rasche
    • Dan
    John Hauk
    • Low Rider
    Nick Angotti
    • Prodski
    Nina Axelrod
    Nina Axelrod
    • Waitress
    Joe Bonny
    • Policeman #1
    Brad Bovee
    Brad Bovee
    • Innocent Bystander
    • (as Bradley Bovee)
    Kevin Breslin
    Kevin Breslin
    • Supermarket Kid
    • Dirección
      • George P. Cosmatos
    • Guión
      • Paula Gosling
      • Sylvester Stallone
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios339

    5,883.5K
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    Reseñas destacadas

    6Wizard-8

    Awesomely bad (and hilarious)

    What was Stallone thinking of when he wrote this? Everyone in this movie is an idiot, and there's no one sympathetic. Robinson's liberal character just seems to be in the movie so he'll get punched at the end. Cobra is a particularly repulsive character - the first glimpse of him shows a close up of his five o'clock shadow, uncombed hair, and a match in his mouth - ugh! Stallone has an acceptable voice in real life, but he gives Cobra a low, sometimes hard to make out, groan in his voice that makes it sound like he's talking in his sleep. The bikers are stupid even for bikers - why do they clank axes over their heads? Why don't they get out of the way when Stallone machine guns from the truck near the end? Movie also contains some of the most blatant product plugs in history, for Pepsi and "Toys R Us" (the latter by playing an _entire commercial_ on a TV Cobra watches.)

    However, I will freely admit that I enjoyed COBRA - as a so-bad-its-good movie. Sure you'll groan several times - but you'll also find a lot of unintended laughs and giggles. It's even funnier than it could have been, because Stallone writer/star and director Cosmatos take the movie incredibly seriously. Plus, the fact Menahem Golan and Yoram Globus produced it makes it a must see. It should be noted, however, that the cinematography isn't bad, and a few action sequences are acceptable as well.
    5fertilecelluloid

    Some brilliant sequences jammed between the mediocrity

    George Cosmatos, the director of the dim-witted RAMBO: FIRST BLOOD PART 2, directs this schizophrenic exercise in style with some aplomb.

    The title sequence is simply stunning. DOP Ric Waite's images exist in some sort of surreal world that the film can't possibly contextualize. At magic hour, a bad guy on a motorcycle is intercut with ludicrous but gorgeous images of other bad guys (in suits, no less) ritualistically banging axe handles together in some underground warehouse in Los Angeles in time with a dark, brooding synth score

    The sequence that follows, a madman's bullet-ridden assault on a supermarket, is again stunningly shot and staged and a triumph of style over anything you want to name.

    Once these bravura sequences have passed, mediocrity and Hollywood Plotting 101 cuts in and we're pulled back into a dull reality.

    But don't fret. Sit tight for long enough and you get an enthusiastically staged car chase with ducks, machine guns, classic cars bursting from buildings, a Santa who comes close to being roadkill and badly uttered Stallone lines.

    Fast forward then to the film's climactic shootout on motorcycles and you're left with an action film that spends forty minutes doing everything right.

    Stallone emotes with cruise control and his wife-at-the-time Brigitte Nielson just wears the clothes and moves from first position to second.
    7damianphelps

    I Actually Hate Myself For Liking This Movie So Much

    Fundamentally, this is, for all intensive purposes, a pretty awful movie.

    The acting is deplorable and the story is not much better.

    I like the persona of Cobra and the gun and I LOVE the car. I could have watched 90 minutes of the car, it would have been a much better version of the film.

    I own a copy of this movie! I have never recommended it to anyone, ever.

    Best scene, the supermarket assault.
    SuperfluousChap

    Do you have a lifejacket?

    This picture is classic 1980s action at its best and most cliche. My favorite scene is right at the top of the movie. Cobra is in a supermarket, on the trail of a guy who's killing safeway employees for fun. Cobra's in pursuit. He passes a 6-foot display case of Coors light. Stops. Cracks a can. Takes a sip. Tosses it on the floor. Continues in pursuit.

    It reminds me of another 80s action flick few will remember called the Punisher with Louis Gossett Junior. Some dufus is carrying pizza into the torture chamber where LGJ is getting it. EXCEPT HE'S NOT GETTING IT, guys. He's already knocked the guy out with a punch and a pressure point maneuver. Then, Gosset neutralizes the pizza guy. But rather than let the pizza, which is all over the floor, go to waste, he kneels down, takes a couple of pieces, bites, then leaves the room as though nothing has happened.

    I learned a lot from Cobra and Stallone's character, Marion Cobretti. First, I need to get a "nitro" option on my car so I can go as fast as he did. Second is a great line to reel in the girl, next time you're out on a date and she's using too much catsup on her fries.

    "Do you have a lifejacket?" "Why" "To save all the french fries that are drowning."

    This movie is a classic for 80s action lovers. I own the DVD and highly recommend it.
    7Cobra2003

    Where Rambo stops, Cobra Begins

    With two Rambo movies, First Blood (1982) and Rambo : First Blood part II (1985) under his commando belt, Sylvester Stallone had confidently confirmed himself as the Box Office king of the Action Thriller genre. With all the gingoism and American flag waving that went with the comic strip adventures of the worlds favourite fictional viet nam vet, Stallone steps up a gear into Cobra (1986), one of the tightest, exciting, well written and under-rated action movies of the past few decades. Stallone takes British crime novelette Running Duck (US - Fair Game} from celebrated writer Paula Gossling and gives it the full Rambo gloss treatment. Gone from the novel is the alcoholic schizoid lead character and in his place is Marion Cobretti, the typical, four square Stallone character, and the story is all the better for this. Stallone' screenplay is pretty simple, and so is the under lying message that evil is a force that must be met on its own terms. So what we have is a violent actioneer chock full of punch ups, car chases and shooting. Sadly, the script isn't developed enough, and the Rocky elemnts so typical of Stallone's movies at this point, IE, the underdog hero who everyone is against, is used to the maxim here. Unlike the Rocky movies, the glare of humour isn't up to scratch, and so a great many of the lead characters are unlikeable. So what? Wasn't this the case with thrillers such as Seven or Resovoir Dogs? However, Rambo Director George Pan Cosmatos gives a fresh coat of paint to this particular movie, adding stylish touches of film noir to the action genre in a way that precceeds Face/Off (1997) and a whole host of successors. Bridgette Nielsen is the movies real surprise, giving a likeable and sincere performance as Helgar, under the watchful eye of her then Husband. What is really surprising is that Cosmatos manages to succesfully blend into the action genre touches of classic and contemporary horror movies such as Friday the Thirteenth and John Carpenters Halloween with the chilling depiction of the Night Slashers. The movie also contains some of the most exhilerating action and chase sequences, particularly in the movies climax, where Cobra lets rip unto the Night Slashers men. This is an under-rated gem, a very efficient Stallone/George Pan Cosmatos vehicle, and very possibly the best ever Menahem Golan, Yoram Globus/Cannon Film Group picture ever produced. .......................................................................

    8/10

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      A very rare workprint of the movie has circulated among fans. Although most copies are poor quality, it has 30 to 40 minutes of footage not available in any other version. It also has all of the X-rated material removed from the final release.
    • Pifias
      In the scene where he bumps the "hispanic gangsters" car to park his car and he argues with them, and tell them "he's bad for their health" he rips the mans white undershirt and a taped lapel mic is clearly visible on the mans chest, and again in a subsequent scene
    • Citas

      Marion Cobretti: You're a disease, and I'm the cure.

    • Versiones alternativas
      In early 1990's, a different version of Cobra was broadcast on TV. Here is the list of differences between normal version and TV edit: 1.Opening hostage scene: Alternate shot when gang member shoots with his shotgun. He shoots 2 times on fruits, but in TV cut one of these is close up shot of fruits exploding. Alternate dialogue. TV Cut - "You lookin at the brave hunter!" DVD Uncut - "You lookin at the fuckin hunter!" Close up of knife in gang members belly is cut. Line: "Don't listen to this asshole" from Gonzalez is cut. 2.Cobra arrives home: Extra few seconds dialogue scene during the Cobra's argument with low rider. Cobra turns around and says something like: "Don't dirty America, keep it clean." Cobra talks briefly with old janitor: "How you doin'? You're doing really good job here," then crosses woman coming down the stairs with her dog, checks his mailbox and goes to his apartment. Song "Suave" is playing longer in this extended scene. 3. Aftermath of first murder: Extra scene after the first Nightslasher murder in which young Asian kid brings box in police station. Cop tells the kid to stay inside and go pick himself one of the toys from the box on the other side of the room. While kid is checking the toys, cop takes the box and sees blood dripping from bottom. He then receives a phone call in which Nightslasher says something like: "Her hands are with you, but her soul is in the new world." Cop tells some other cop to trace the call and scene cuts to the regular autopsy scene. 4. Gang during the day: After Cobra shoots paper target, an extra scene is shown. Nightslasher is at his day job cutting fish in some factory, sniper guy is working in some garage and there is a shot of him looking at electric wires. In the police precinct where Cobra shoots the target, a side view of some police officers' hands and forearms is shown while they are shooting paper targets. One of them is shown with the gang's tattoo, a skull with axes, on his forearm. Couple shots of gang performing their "axes and hammers" ritual are also shown. Music during these scenes is the same one that was used for opening credits. 5. Ingrid in the studio/parking lot attack: In the photo studio, Ingrid is asked to go to a party, but she refuses. Rashe, the photographer, talks with her a bit, and Ingrid requires a security guard to go with her to her car because she feels nervous. Death scene of guy with the glasses is cut. Death scene of security guard is cut. He is not shown getting hit by the van. 6. Slasher's place/Hospital: Shot of Nightslasher cutting his finger is cut. Alternate dialogue: TV Cut - "Friggin' liar." DVD uncut - "Fucking liar" 7. Attack on Cobra: Extended version of apartment attack. Sniper arrives in the car, guy on the street looks at Cobra's place and puts his mask on. Two shots of two guys climbing up the stairs armed with axes are shown. They continue to climb and then cut the light while sniper is looking from his car. Later when he sees one of the guys shot by Cobra falling down, sniper starts the car and escapes. Some violence and blood are cut during the fight between Cobra and gang members. 8. Hospital attack: Shot of Nightslasher walking across the hallway with blood on his glove holding the knife is cut. Alternate shot of Cobra's arrival. Close up of Slasher's bloody glove is cut. 9.After the attacks: Alternate dialogue: TV cut - "Damn." DVD Uncut - "Goddamn." Line "Enough of this bullshit" from one of the cops is cut, instead he talks longer with Cobra. 10. After the chase: Extended scene where Cobra says that there is leak in the police, bald cop asks him a question. 11. "Feel The Heat": Extended dialogue between Cobra and Ingrid during the drive where he says that he never left California, and after some more dialogue, Cobra says some joke about football that ends with line "Have you seen my legs?" In restaurant, Gonzalez asks Stalk will she sexually assault him afterwards. After Cobra and Ingrid start to kiss, there is extra shot showing some old guy watching the motel from his house across the street and pulling the curtain. 12. Town attack: Extra scene where old guy is watching "DIAL M FOR MURDER" on TV. Some wires are shown being cut. Woman is washing dishes in a kitchen. Sniper is shown behind the window. Somebody catches women's hair from behind. Shots of old man watching TV and smoking pipe are shown, woman's shadow is shown while she is killed and the killer's shadow, considering the haircut, implies that killer is Nightslasher. Sniper breaks window with axe, old guy is strangled quickly, his pipe falls down to the ground, close up shot of a parrot getting nervous is shown, and then zoom on sniper face. 13. Final showdown: Death scene of sniper is cut. Shots of him burning alive are cut. Nightslasher's death scene is cut. He is only shown impaled for a few seconds, but the parts of him hanging on hook, screaming, going into fire and getting burned are cut. Extra scene after the shootout. Cobra and Ingrid are walking out of the factory when three cops show up and point shotguns at them. Cobra then says: "You guys missed the hell of a party." He also tells them that he is a cop, and when one of the other cops says that he wants answers now, Cobra says something else and then leaves.
    • Conexiones
      Featured in Jean Beauvoir: Feel the Heat (1986)
    • Banda sonora
      Feel the Heat
      Produced, Arranged, Composed and Performed by Jean Beauvoir

      Courtesy of Columbia Records and Virgin Records

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    Preguntas frecuentes22

    • How long is Cobra?Con tecnología de Alexa
    • Was this really originally supposed to be "Beverly Hills Cop"?
    • What are the differences between the British BBFC 18 DVD and the uncut version?
    • What are the differences between the workprint and DVD version?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de mayo de 1986 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Israel
    • Sitios oficiales
      • Facebook
      • Warner Bros. (United States)
    • Idiomas
      • Inglés
      • Español
    • Títulos en diferentes países
      • Cobra
    • Localizaciones del rodaje
      • Piru, California, Estados Unidos
    • Empresas productoras
      • Warner Bros.
      • The Cannon Group
      • Golan-Globus Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 25.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 49.042.224 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 12.653.032 US$
      • 25 may 1986
    • Recaudación en todo el mundo
      • 49.044.608 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 27min(87 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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