Juguete mortal

I don't know why, but this movie has a strange fascination that makes me want to watch it. Not a great movie, but passable. But as far as Before They Were Stars, someone needs to realize that the highpoint of John Lithgow's career is NOT a stupid TV show about aliens. He was a big star WELL before this movie came out. He had two Oscar nominations and won an Emmy. Meanwhile, the other two known stars in this movie, John Mahoney and Cynthia Nixon were also quite well known before their TV roles, each with over 10 movies under their belts by 1986.

Other reviewers have suggested they added the hole-in-the-wall laser and RC car only to add lasers & complications to the plot. But the reason is obvious to me: I'm sure there was a radiation detector at the front door, and he'd sound the biggest alarm in the place if he tried to carry it out the front.

That said, the kid is remarkably lucky to have his plan(s) work perfectly on the first try, without much access to make the plans.

This is a fun movie, just humorous enough and very smart, and if you always wished you were a nuclear physicist as a kid, you will enjoy it!

Scientist John Mathewson (John Lithgow) has improve the purity of plutonium. The military sends him to Ithaca to perfect the process. He likes his real estate agent Elizabeth Stephens (Jill Eikenberry) and tries to befriend her son Paul (Christopher Collet) by showing him around the lab. Paul is a smart inventive teenager who decides to steal some plutonium and make a nuclear bomb for his science fair project. Jenny Anderman (Cynthia Nixon) is the girl and the friend.

This has a bit of WarGames but the lead kid doesn't have the charm of Matthew Broderick. Of course who has the charm of Ferris Bueller. The lead is a teen brat stereotype without the funny sensibility. It spends too much time with montages and slow action. It also makes the mistake of concentrating a bit too much time on the adults. John Lithgow is such a great star that this mistake is understandable. As in many of these 80s caper movies, there is a lot of unreal unbelievability but one must accept such things. The movie struggles mostly with the pompous teen. He is a spoiled teen without any of the comedy. However it is fun to imagine a teen building a nuclear bomb, and defusing the bomb in the end is kinda exciting.

My review was written in May 1986 after a screening at the Cannes Film Festival Market.

Marshall Brickman's "The Manhattan Project" is a warm, comedy-laced doomsday story which packs plenty of entertainment for summer audiences, but falls short of its potential as a thriller.

Topical premise has 16-year-old student Paul Stevens (Christopher Collet) tumbling to the fact that the new scientist in town, Dr. Mathewson (John Lithgow) is working with plutonium in what fronts as a pharmaceutical research installation. While Mathewson is romancing Stevens' mom (Jill Eikenberry) -the husband having split years ago -the genius kid is plotting with his helpful girlfriend Jenny (Cynthia Nixon) to steal a canister of plutonium and build an atomic bomb. Their goal: to expose the danger of the secret nuclear plant placed in their community in the strongest possible terms.

Using clever one-liners and many humorous situations (particularly when Lithgow is clumsily coming on to Eikenberry early in the film), Brickman manages successfully to sugarcoat the story's serious message concerning the ongoing folly of arms buildup and reliance upon nuclear deterrence for security. What keeps the film from being a thriller is his matter-of-fact direction, extremely sluggish in many scenes early on. Only a very interesting "Rififi ''-style silent (background sound only) reel in which the hero steals the plutonium from the well-secured lab is strong enough to keep interest from wandering. Fortunately, later situations regain the story's momentum and lead to a rousing climax.

Collet is very appealing as the brilliant hero, almost convincing in situations that require him to be more resourceful than is truly possible. Lithgow adds quirky personality and charm to what might have become a standard "bad guy sees the light" assignment. As their respective sounding boards, Nixon and Eikenberry both contribute to the film's emphasis upon human values over mere hardware in a genre which has increasingly been upstaged by its special effects work.

Those special effects here are entirely realistic rather than showy, another feather in the cap of wiz Bran Ferren, who also appears in an opening reel cameo as a lab assistant. Philip Rosenberg's production design and Billy Williams' camerawork are exemplary.

Feature was financed by Thorn EMI Screen Entertainment, but print caught already had the Cannon logo at introduction, reflecting Cannon's recent buyout of what was once TESE.

Not quite understanding the bad reviews here. Going in it's easy to see immediately that this movie was going to be flippant and a bit of a fairy tale. How can anyone take it seriously? Instead, just sit back and enjoy the ride.

This movie is basically a series of unlikely events strung together. Can they happen, sure but probably in another dimension. But still, I found this film a guilty pleasure. It's best to just put your mind on hold for a bit and just have fun.

On a side note, I really miss the 80's version of John Lithgow. He is such a great actor and back then he was at his prime.