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IMDbPro

Adiós, muchachos

Título original: Au revoir les enfants
  • 1987
  • A
  • 1h 44min
PUNTUACIÓN EN IMDb
8,0/10
38 mil
TU PUNTUACIÓN
Raphael Fejtö and Gaspard Manesse in Adiós, muchachos (1987)
Ver Bande-annonce [VOST]
Reproducir trailer1:59
1 vídeo
70 imágenes
¿GuerraDrama

Un internado de la iglesia prosigue al margen de la segunda guerra mundial hasta la llegada de un nuevo alumno, que hace migas con su compañero de habitación.Un internado de la iglesia prosigue al margen de la segunda guerra mundial hasta la llegada de un nuevo alumno, que hace migas con su compañero de habitación.Un internado de la iglesia prosigue al margen de la segunda guerra mundial hasta la llegada de un nuevo alumno, que hace migas con su compañero de habitación.

  • Dirección
    • Louis Malle
  • Guión
    • Louis Malle
  • Reparto principal
    • Gaspard Manesse
    • Raphael Fejtö
    • Francine Racette
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    8,0/10
    38 mil
    TU PUNTUACIÓN
    • Dirección
      • Louis Malle
    • Guión
      • Louis Malle
    • Reparto principal
      • Gaspard Manesse
      • Raphael Fejtö
      • Francine Racette
    • 121Reseñas de usuarios
    • 64Reseñas de críticos
    • 88Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 2 premios Óscar
      • 28 premios y 12 nominaciones en total

    Vídeos1

    Bande-annonce [VOST]
    Trailer 1:59
    Bande-annonce [VOST]

    Imágenes70

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    + 63
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    Reparto principal35

    Editar
    Gaspard Manesse
    Gaspard Manesse
    • Julien Quentin
    Raphael Fejtö
    Raphael Fejtö
    • Jean Bonnet
    Francine Racette
    Francine Racette
    • Mme Quentin
    Stanislas Carré de Malberg
    Stanislas Carré de Malberg
    • François Quentin
    • (as Stanislas Carré De Malberg)
    Philippe Morier-Genoud
    • Père Jean
    François Berléand
    François Berléand
    • Père Michel
    François Négret
    François Négret
    • Joseph
    Peter Fitz
    • Muller
    Pascal Rivet
    • Boulanger
    Benoît Henriet
    • Ciron
    Richard Leboeuf
    • Sagard
    Xavier Legrand
    Xavier Legrand
    • Babinot
    Arnaud Henriet
    • Negus
    Jean-Sébastien Chauvin
    • Laviron
    Luc Etienne
    • Moreau
    • (as Luc Étienne)
    Daniel Edinger
    • Tinchaut
    Marcel Bellot
    • Guibourg
    Ami Flammer
    • Florent
    • Dirección
      • Louis Malle
    • Guión
      • Louis Malle
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios121

    8,037.6K
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    Reseñas destacadas

    bmwestlvld

    Wonderful movie

    This movies is one of those movies that you can love, but hate. It makes you hate what happens in the movie. You get so attached to the characters, and when things happen to them, you hate it. But the movie is powerful, wonderfully written and directed by Louis Malle and defiantly should be seen anytime one is studying WWII or the Holocost, or if you have free time, and are looking for a good heart-wrencher. I watched it in French, with subtitles, and that makes it all the better.
    10Sloke

    Lived-in feeling gives sad film great depth

    The movie was a project close to Louis Malle's heart (he was in tears when the film premiered at a film festival in 1987) and it shows in the multi-layered treatment he gives the central setting, this fascinating boarding school with its broad cast of characters. Because there are so many different strands and affecting moments tangential to the central plot, one is not entirely prepared for the finale even if you are expecting it. French film is characteristically digressive, often to a fault, but here it works to splendid advantage. It also lends itself to repeat viewings.

    I don't think you need to have lived in occupied Europe to appreciate this wonderful film; it speaks to all of us who have lived through childhood's quickly-passing parade and know its lifelong regrets. That last image of the stone wall is emblazoned in many consciousnesses, as it is in mine.

    There are many interesting choices Malle makes in this film. For example, while the central subject is the Holocaust, nearly all the Germans we actually see in the film are fairly decent if nonetheless menacing types. The real villains here are almost entirely French collaborators, which was done I think to call attention to collaboration during a period when the French were dealing with the Klaus Barbie trial. [Barbie was a Gestapo officer who was aided in his work rooting out Resistance leaders by many French collaborators.] But casting French people as the heavies also suggests the central evil of prejudice and oppression is not something exclusive to one nationality, and it broadens the scope of the movie.

    The tender treatment Malle affords the Catholic hierarchy in the movie is unusual, too, when you see other more anti-clerical Malle efforts like "Murmur of the Heart." There is an unexpected sense of spirituality throughout this film, somewhat muted but there all the same.

    This may well stand as the cinematic masterpiece of a man who, at his best (see also "Atlantic City" and "My Dinner With Andre") was to motion pictures what his countrymen Zola and Hugo were to novels: An artist who filled his canvas with the verve and breadth of human life.
    CinemaClown

    "Stop Acting So Pious, There's A War Going On, Kid."

    An elegantly crafted tale of friendship, compassion & boyhood, Au Revoir Les Enfants is a heartbreaking, poignant & tragic cinema that's actually based on the events which took place during the childhood of this film's director and is an endearing portrait of life at school, student rivalry & beauty of friendship.

    Set in France during the final years of the Second World War, the events of Au Revoir Les Enfants takes place in a Catholic boarding school and is narrated through the eyes of Julien Quentin; one of the students at the school. The plot covers his relationship with a newly arrived enigmatic student with whom he's at odds at first but the two learn to get along & share a big secret.

    Directed by Louis Malle, the film is nicely crafted with many details beautifully captured by its calmly moving camera. The screenplay tries to get an authentic vibe of education in Catholic schools, the conversations between its characters carry the childlike innocence & the performances by its cast, especially the child actors, becomes more captivating as the story progresses.

    On an overall scale, Au Revoir Les Enfants (also known as Goodbye Children) isn't in anyway a hard-hitting or emotionally scarring cinema but the gentle manner in which it depicts its premise really makes you care for its characters, makes you wish they get away, makes you wish for a miracle & although its subject matter has been dealt in a better manner, the film is worthy of a watch for its two main characters alone.
    10lee_eisenberg

    child's memory of occupation

    After a few years making movies in the United States, Louis Malle returned to his native France and made "Au revoir les enfants", based on his memories of growing up in Nazi-occupied France. The movie focuses on the friendship between two boys in a Carmelite boarding school, one of whom is keeping his real identity secret.

    A particularly effective scene is in the restaurant. There are some Wehrmacht officers at a table, but they keep to themselves. Then the Milice enters and orders a Jewish patron out of the restaurant. The Wehrmacht officers then order the Milice to leave. This emphasizes not only the role of the Vichy government, but also the role of the collaborators in every country that Germany occupied.

    I haven't seen all of Malle's movies, but this is probably the best of his movies that I've seen. The final scene has to be one of the most chilling in cinema history. I recommend the movie.
    10Sonatine97

    Children hide a terrible secret in this film masterpiece

    On seeing this movie several years ago my accompanying colleagues said of the film: what a load of self-indulgent, confusing, French stylized rubbish. They bemoaned the slow pace of the film, of the 2 dimensional directing and lack of any action or violent death scenes!

    Those words still linger with me now and has made me realise that perhaps a lot of the movie-going public these days feed on the latest sfx pyrotechnics, more ingenious ways of abstract killings, lots of needless sex and not letting a good intelligent story get in the way.

    Films like Les Enfants are going to be even more difficult to track down if Hollywood and some of the European studios opt for the fast Buck route to riches.

    Les Enfant is a truly wonderful & yet harrowing account of life in a Catholic boys boarding school during the dying embers of the Nazi occupation of France in WW2. One of the new boys happens to be Jewish but the headmaster chooses to keep such identities covert while still offering him sanctuary and an education in spite of all the risks he takes.

    To be fair I know little of Louis Malle previous to this film, but I think he must have poured his life's soul into writing & directing Les Enfant.

    No detail, harrowing or otherwise, is spared; we see so much beauty amongst the horrors of occupation & collaboration; but also the blossoming relationship between the two lead boys and how initial envy & hatred of the Jew is somewhat diluted by the realities that this is no infantile school game but that life and death for the Jewish boy hangs by a thread if anyone at the school should reveal his true identity.

    The final moments are perhaps one of the most sad & dramatic scenes I have ever seen. These days a lot of people would be waiting for some great heroic entrance from a big movie star to sort out all the misery and leave us with a reassurance that "it really wasn't all that bad back then was it".

    But there are no heroes at the end of this movie, at least not the kind of heroes Hollywood serves up. The boys in this film are the true heroes right to the very end, primarily for their spirit of humanity in the face of impossible odds.

    This is the hard reality of war amongst children growing up not only in the face of their own adolescence (and all the problems that serves), but also with the dark fingered claw of Nazism hanging menacingly like the the Scythe of the Grim Reaper.

    This film will move you in so many directions and will hopefully bring you back down to earth from the current Hollywood shallow circus of pap & style-over-content.

    Its a difficult film to track down, and the reason for this can be attributed to the first paragraph of this review.

    *****/*****

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Based on an incident from Louis Malle's own youth. Julien is modeled after Malle.
    • Pifias
      When hiking, Julien asks what day it is and is told that it's Thursday, January 17th, 1944. That date was actually a Monday.
    • Citas

      Père Jean: [His last words] Goodbye, children. I'll see you soon.

    • Créditos adicionales
      Pour Cuotemoc, Justine et Chloé. (opening credits)
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Frantic/Hairspray/Cop/Au Revoir Les Enfants/The Manchurian Candidate (1988)
    • Banda sonora
      Moment musical no 2
      Written by Franz Schubert

      Performed by Ami Flammer, violin

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    Preguntas frecuentes19

    • How long is Au Revoir les Enfants?Con tecnología de Alexa
    • What film do the boys watch?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de enero de 1989 (España)
    • Países de origen
      • Francia
      • Alemania Occidental
      • Italia
    • Sitio oficial
      • Gaumont (France)
    • Idiomas
      • Francés
      • Alemán
      • Inglés
      • Griego
      • Latín
    • Títulos en diferentes países
      • Adiós muchachos
    • Localizaciones del rodaje
      • Institution Sainte-Croix, Provins, Seine-et-Marne, Francia(school)
    • Empresas productoras
      • Nouvelles Éditions de Films (NEF)
      • MK2 Productions
      • Stella Film
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 4.542.825 US$
    • Recaudación en todo el mundo
      • 4.575.613 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 44min(104 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.66 : 1

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