El abogado más chalado del juzgado

I still see Judd Nelson in high-school on detention. It wasnt made long after BREAKFAST CLUB, but this movie is pretty good. The first half is a comedy, but the second half is a very serious murder trial with a great performance from John Hurt. I can't help but think that Anthony Hopkins watched this movie and got his HANNIBAL characteristics from Hurt's sophisticated performance here....

I give this movie an 8 just for Hurt's performance alone. The rest of the movie would garner a 6+ for its 'low budget' supporting cast. Though, Nelson is charming...

What should an attorney do when defending a client they know is guilty? From the hip deals with this legal dilemma in a very amusing format. Judd Nelson is hilarious as an irreverent attorney who gets results. I thought this film was hilarious. Why people, thought this was a "mongrel of a film", makes me wonder, again, if they were actually awake when reviewing this film. Lighten up. I give this film three out of four stars.

A funny, insightful script that is treated a bit too lightly by the principals. No one looks like they're taking the story seriously except John Hurt, whose performance towers above everyone else's (it's too bad he only occupies the screen for 20 or so minutes). There are the odd moments of idiocy, and the entire effect is like an above average episode of a television law drama.

My favorite scene is where Judd Nelson crouches behind a table full of classic literature, tossing out books at the judge. Sometimes, Nelson doesn't quite know what his character is doing, but he manages to entertain and keep the focus on him.

But the first half of the movie is farce and the second half (Hurt's story) is serious drama. At one point this is signaled by Dan Monahan, who says, "This isn't fun anymore." There are some good gags throughout and the drama could hold its own if the first part of the movie weren't so long. It could have been shortened considerably to make the John Hurt story longer and more effective. I enjoyed watching this movie and would recommend it to anyone who likes television law type shows.

There's something good about this one. Sure, it's dated, some of the jokes don't land, it's very unrealistic and the acting and technical qualities are all over the place, but it remains entertaining for nearly the entire runtime. Judd Nelson is sorta flat, but him and his lawyer friends (Dan Monahan and David Alan Grier) are still fun to watch. There's some great character acting (by Darren McGavin, Edward Winter, Nancy Marchand, Ray Walston, Alan Arbuand) and the story keeps stringing you along while time flies. This might not be the most deep film you ever see, but it is oddly charming.

The story, about a young junior lawyer pulling antics to quickly rise the ranks, is filled with preposterous courtroom scenes that somehow, through humor, make you forget how stupid the proceedings are. Swinging a hammer around and arguing about using curse words during a deposition are just good bits. The third act takes a serious turn, the movie suffering for it, and there are some weird things that don't add up by the end (what was Judd's obsession with those comic characters about? Why is his friend having girl troubles?) but overall it's a decent lazy afternoon movie.

"Bzzzzzzzzzzt"

FROM THE HIP is the story of a young defense lawyer (Nelson) trying his first case, a simple assault. He grandstands, wins the case, makes headlines and is immediately handed a capital murder case to defend. How he handles that case is what the movie is about. He is defending John Hurt in the vicious slayings of two people whose bodies have never been found. Nelson is in way over his head, and knows it. He also is not convinced of Hurt's innocence. In real life, this wouldn't matter, but since this is a movie, he comes down with a bad case of conscience. Elizabeth Perkins is aboard as Nelson's loyal girlfriend and several veteran actors including Darren McGavin, Ray Walston and Nancy Marchand show up to further the story. But HIP is really all about Judd Nelson's brash and rash young lawyer, which allows one to overlook some obvious plot holes and bizarre courtroom antics. At times, Nelson may remind you of Robert Downey Jr.