Jane en busca de la ciudad perdida

Patterned after the book by H. Rider Haggard "King Salomon's Mines" follows along the lines of the original first 3 films but this one has used a comedic theme to help it along ... i found jane to be plenty erotic enough for heroine and defender of god and country ... i had a feww good laughs

My introduction to the WWII character Jane was with the early '80s BBC TV series, which combined live action with drawings to create a retro comic-book style. The overall effect was kinda cheap, but it did feature sexy Glynis Barber in her silky underwear, so all was not lost. Jane and the Lost City dispenses with the stylised visuals, but retains the overall comic-book atmosphere, with preposterous adventure, OTT characters and deliberately corny jokes. Barber doesn't reprise her role, Jane played on this occasion by the also rather attractive Kirsten Hughes (who frequently flashes her gusset, bares her butt, and exposes her cleavage).

It's a good job that Hughes is so appealing, because without her pleasing physical attributes, Jane and the Lost City would be quite unbearable. I get that the film is deliberately camp, but it simply isn't very funny, with some truly terrible performances, Sam Jones making for a wooden hero, and TV 'funny-man' Jasper Carrott failing to launch a career on the big screen by playing three characters, all of them badly. It mightn't have been such a disaster if they had upped the adventure angle, but the budget was clearly too tight for any impressive Indiana Jones-style cliffhanger escapades. What we get is less Raiders of the Lost Ark and more Allan Quartermain and the Lost City of Gold (trust me, that's not a good thing).

3/10 for Hughes in her underwear, plus an extra point for Fritz the Dachshund - I'm a sucker for a sausage dog.

Based on the UK comic strip 'Jane.' Jane (Kirsten Hughes) and the Colonel (Robin Bailey) journey to find the lost city. That is the city that is lost and is said to have diamonds. It is WWII and the NSDAP's top cutie spy (Maud Adams) and her entourage are also in the trail.

Move over Indiana Jones; Jane is on her way. As cute as Jane is with her outer garments dispatched periodically in unpredictable ways, The Leopard Queen (Elsa O'Toole) can give Kirsten Hughes a run for her money when it comes to ogling.

So, are there diamonds?

And is there a possible sequel?

This film has just the right amount of campiness.

Lots of good references to knowable films and books.

Excellent evacuated character types.

Good disposable wardrobes.

A good plot and follow through.

Keeps your attention all the way through.

If you use fast forward you will miss it.

To its credit, many of the supporting roles are played so well, we almost have a decent Indian Jones type movie.

Everything everyone says here is true, which just shows how subjective enjoyment of a film can be. Comparison is made to the Carry On films, which is close ... but the Carry On films really relish their everything-is-about-sex undertone, while Jane And The Lost City prefers the innocence approach. Yes, Jane loses her clothing half-a-dozen times, but it always feels a bit out of place -- as if they really wanted to go Indiana Jones, but were saddled with this pinup-girl concept.

For me, there were just enough good comic moments to sustain through the ones that fell flat (mainly Jasper Carrott's endless mugging). I've seen my share of not-very-good jungle films; this ranks just about right, with the occasional clothes-ripped-off seemingly punched in for novelty. I think it would have been funnier to make that a more central concept -- even to play with audience expectation by having it almost happen, then partially happen, then not happen when you expect it to, then happen to someone else, etc -- you see? A running gag should be explored for all of its possibilities, not just the same gag used as window dressing, then sold as main attraction.

Anybody unfamiliar with British comic strips of the 40s and 50s might find this movie trite and contrived, but that was the way the strips played. Lost cities, buried treasure, wicked Eurotrash countesses, etc. etc., all of the usual comic strip clichés are here. The movie's creators worked hard and generally succeeded in capturing the original strip's silly tone and obvious contrivances - Jane loses her dress about every other scene and has to cavort about in embarrassment in her lingerie, and her hunky Jungle Jack boyfriend gets hit on the head or chained to a wall and needs rescuing by his distaff partner almost as often. The cast play the silly lines and sight gags with appropriately straight faces, and the result is a fairly obvious but entertaining comedy of an older fashion, rather like a vintage Carry On movie but in color.