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De tal astilla, tal palo

Título original: Like Father Like Son
  • 1987
  • PG-13
  • 1h 40min
PUNTUACIÓN EN IMDb
5,2/10
6,7 mil
TU PUNTUACIÓN
Dudley Moore and Kirk Cameron in De tal astilla, tal palo (1987)
Official Trailer
Reproducir trailer1:28
1 vídeo
54 imágenes
ComediaComedia Body SwapFantasía

El doctor Hammond es un cirujano viudo que se preocupa de criar solo a su hijo y que ahora es el más firme candidato para ser nombrado jefe del Centro Médico de uno de los mejores hospitales... Leer todoEl doctor Hammond es un cirujano viudo que se preocupa de criar solo a su hijo y que ahora es el más firme candidato para ser nombrado jefe del Centro Médico de uno de los mejores hospitales y con los más modernos equipos del mundo.El doctor Hammond es un cirujano viudo que se preocupa de criar solo a su hijo y que ahora es el más firme candidato para ser nombrado jefe del Centro Médico de uno de los mejores hospitales y con los más modernos equipos del mundo.

  • Dirección
    • Rod Daniel
  • Guión
    • Lorne Cameron
    • Steve Bloom
    • David Hoselton
  • Reparto principal
    • Dudley Moore
    • Kirk Cameron
    • Margaret Colin
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,2/10
    6,7 mil
    TU PUNTUACIÓN
    • Dirección
      • Rod Daniel
    • Guión
      • Lorne Cameron
      • Steve Bloom
      • David Hoselton
    • Reparto principal
      • Dudley Moore
      • Kirk Cameron
      • Margaret Colin
    • 33Reseñas de usuarios
    • 17Reseñas de críticos
    • 45Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 premios en total

    Vídeos1

    Like Father Like Son
    Trailer 1:28
    Like Father Like Son

    Imágenes54

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    + 48
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    Reparto principal59

    Editar
    Dudley Moore
    Dudley Moore
    • Dr. Jack Hammond…
    Kirk Cameron
    Kirk Cameron
    • Chris Hammond…
    Margaret Colin
    Margaret Colin
    • Ginnie Armbruster
    Catherine Hicks
    Catherine Hicks
    • Dr. Amy Larkin
    Patrick O'Neal
    Patrick O'Neal
    • Dr. Armbruster
    Sean Astin
    Sean Astin
    • Trigger
    Camille Cooper
    Camille Cooper
    • Lori Beaumont
    Micah Grant
    • Rick Anderson
    Bill Morrison
    • Uncle Earl
    Skeeter Vaughan
    • Medicine Man
    Larry Sellers
    Larry Sellers
    • Navajo Helper
    Tami David
    • Navajo Girl
    Maxine Stuart
    Maxine Stuart
    • Phyllis
    David Wohl
    • Dr. Roger Hartwood
    Michael Horton
    Michael Horton
    • Dr. Mike O'Donald
    Randy Lowell
    Randy Lowell
    • Dr. Spellner
    • (as Randolph Dreyfuss)
    Art Frankel
    • Mr. Racine
    Christine Healy
    Christine Healy
    • Hospital Administrator
    • Dirección
      • Rod Daniel
    • Guión
      • Lorne Cameron
      • Steve Bloom
      • David Hoselton
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios33

    5,26.7K
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    10

    Reseñas destacadas

    5bkoganbing

    Each Other's Lives

    Like Father Like Son was made at the height of Kirk Cameron's bubblegum popularity as teen idol, courtesy of his television series Growing Pains which was dominating the ratings in 1987. Cameron was just getting into his fundamentalist religion kick so the script couldn't be too naughty.

    As it is it's a mildly amusing comedy of the Freaky Friday vein, only this time it's a father and son, Kirk's father in this case being Dudley Moore. Kirk's your typical teenage kid, just looking for a good time and not too serious. Moore is a very serious and respected surgeon who would like to be the new chief of staff at his hospital to replace Patrick O'Neal's whose recommendation on a replacement will probably make or break a candidate.

    Kirk's got some troubles of his own in the form of shapely Camille Cooper who's hitting on him. She's the girl friend of jock Micah Grant who hates Kirk and his friend Sean Astin.

    In fact Astin's archaeologist uncle is the cause of all the problems that Moore and Cameron face. The uncle Bill Morrison has come back from a dig at the Navajo reservation with a body transference medicine that Astin thinks would be worth a few laughs, even experimenting with a dog and cat on it. But when the maid thinks it's a condiment and Moore and Cameron use it on the spaghetti, strange things happen.

    Each lives about 36 hours in the other's bodies and the other's lives and generally make a mess of it. If you've seen both versions of Freaky Friday you've got a general idea of what's going to happen.

    The film did reasonably well at the box office though it failed to make Cameron a movie star. That didn't happen until Kirk started playing on the Christian film circuit. Moore and Cameron and Astin work well together and it's still mildly amusing.
    Cal-16

    Closes the "generation gap"

    The way I see it, this story gave each of the two groups (teenaged students and middle-aged professional people) a better understanding of the trials and tribulations the other experiences on a daily basis. As kids, we think our parents' lives are easy, and as adults, we tend to forget the pressures experienced by highschoolers. I enjoyed this film, and hope others will, too.
    tfrizzell

    Like Pain, Like Misery.

    Doctor Dudley Moore and his teenage son Kirk Cameron end up becoming each other in this terrible little film. A brain transference formula is the cause here. The typical misunderstandings and forced-comedic situations then occur. Moore continued to struggle with roles after his crowning achievement in "Arthur" six years earlier. Cameron, thought to be the biggest star of television's "Growing Pains", was trying to become a bankable movie star. That plan fell flat as well. 2 stars out of 5.
    6Xapora

    Stupid funny! I love it!

    Maybe there's something wrong with me, but I think this movie's great. There's lots of hilarious (and clean) sight gags, slapstick and laugh-out-loud situations.

    Dudley Moore, obviously the far more superior comedian, is fantastic as a teenager stuck in an adult's body. He has many funny scenes and milks them for all they're worth, my favourite being the chewing gum/cigarette incident. The looks on his co-stars' faces is priceless. Watch also for Moore's date with Margaret Colin (that goes really badly) and when he does the rounds at the hospital.

    Unfortunately, there are a few flaws. There's a bit of swearing and sexual reference (which would make it an otherwise very suitable film for kids). It wastes the talent of Catherine Hicks in a surprisingly pointless and unnecessary role and Sean Astin is super-annoying (as always) as the "wacky" best friend/sidekick. The film also resorts to schmaltz at the end when it goes for a warm and fuzzy finale.

    Otherwise, a great film that's lots and lots of fun. Funky soundtrack and wonderful flashback to the delightfully tacky fashions and hairstyles of the '80s.
    Wizard-8

    The worst of the body switch genre

    I think I have seen every example of the "body switch" genre, at least all of those that have been made in the past 40 years or so, and "Like Father Like Son" is the worst of them. The first 20 minutes or so are painless mediocrity, but then soon after the movie collapses. What's the problem? I think the main problem is that the characters are stupid. If I was in their situation, I know I would be terrified and trying my best to not raise suspicion. If the movie had done that, it could have been funny seeing these people trying to do their best but making mistakes. But the movie's two main characters seem to be trying their best to blow the charade - not realistic. And the movie's sense of humor is really bad - we have such stuff as audiences falling asleep during lectures, a gag that's done TWICE. If you want to see a good example of this genre, see "Freaky Friday" (the original or the remake) or "Vice Versa".

    Más del estilo

    Viceversa
    5,9
    Viceversa
    Plantón al cielo
    5,8
    Plantón al cielo
    Escúchame
    5,3
    Escúchame
    Jóvenes intrépidos
    6,1
    Jóvenes intrépidos
    Verano de aguas cristalinas
    6,2
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    Descubierto
    6,4
    Descubierto
    Arthur 2: On the Rocks
    4,7
    Arthur 2: On the Rocks
    El desafío americano
    5,5
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    Black Roses
    5,2
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    Loverboy
    6,1
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    Un billón para Boris
    5,4
    Un billón para Boris
    De tal padre, tal hijo
    7,8
    De tal padre, tal hijo

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Star Dudley Moore was immediately smitten with De tal astilla, tal palo (1987). Moore said: "The idea of swapping bodies appealed to me, and it was a good excuse to be a kid again . . . although I don't need an excuse. It was just a fun story. I had been sixteen years old once, and I don't pretend to be a professional adult. I really didn't play a sixteen year old. I think that would have been mildly boring. So, instead of going for accuracy, we went for the fun of the situation. I was playing an attitude, not an age".
    • Pifias
      When Chris (Dr. Hammond) is delivering the baby, he picks it up immediately after the birth to reveal that the umbilical cord has already healed, and the baby is perfectly clean and dry.
    • Citas

      Chris Hammond: How can she stand to be so close to her own body without constantly feeling herself up?

    • Conexiones
      Edited into Left Behind: Like Son (2013)
    • Banda sonora
      Dance All Night
      Performed by Autograph

      Courtesy of RCA Records

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    Preguntas frecuentes

    • How long is Like Father Like Son?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de agosto de 1989 (España)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Sony Movie Channel (United States)
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Like Father Like Son
    • Localizaciones del rodaje
      • Mojave Desert, California, Estados Unidos
    • Empresas productoras
      • Tri-Star Pictures
      • Imagine Entertainment
      • The Malpaso Company
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 10.500.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 34.377.585 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 7.189.452 US$
      • 4 oct 1987
    • Recaudación en todo el mundo
      • 34.377.585 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 40 minutos
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 1.85 : 1

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