Porco Rosso

This was truly an emotional and unexpected experience. Having known Miyazaki has been influenced by Exupery(author of the little prince)I watched this film with a lump in my throat. A story of a PIG no less destined to live out his days in the sky, where his heart IS purified by the heavens above and the sea below. A beautiful film a love poem to Exupery and all the brave fliers who've come and gone.

The thing I like most about Studio Ghibli's films are that they are always beautifully animated and nimbly voiced. Princess Mononoke and Spirited Away are my favourites, but I will say that I love all the Studio Ghiblis for differentiating reasons. Porco Rosso is a very charming animated film, that is very imaginative as well. The animation is just stunning, with vibrant colours and picturesque Italian landscapes. Also the visuals with Porco's plane is just mind blowing. The visuals are perfectly matched by a truly beautiful music score, that helped make it a very relaxing watch. The story is a very intriguing one, and original, the characters are engaging and the story is of good quality. The English vocal characterisations were excellent, Michael Keaten being the biggest surprise, voicing a hugely engaging character, and while not exactly handsome, Porco has a heart of gold and genuinely cares for Fio, beautifully dynamic voice work from Kimberley Willaims-Paisley. Cary Elwes is also impressive as Curtis, Susan Egan is lovely as Madame Gina and David Ogden Stiers as Piccolo brings some well timed comic relief to the role. Overall, a stunning animated film, yes the ending is a little ambiguous, but Porco Rosso is well worth watching. 9/10 Bethany Cox

This movie is so beautiful, well thought out, both in story and artwork, yet it is way too underrated. In my review, I will be focusing on addressing those critical/negative comments rather than repeating how good it is, which is already done by many others. I think the complaints mostly falls into 2 categories, mostly because they overlooked the hints, and maybe because of the inaccurate dub/sub. As a Japanese, I watched the film in original Japanese, and I hope I can contribute to the review by adding some accuracy and new perspectives. Followings are the 2 main complaints I've found, and my replies to them.

1. No Explanation for why he became a pig.

To tell the truth, I didn't get it either when I first watched it as a kid, but now that I've grown older, it is quite clear that the curse that transformed Marco into a pig is self-inflicted. Someone wrote a perfect interpretation which I'm quoting here: "The curse that transformed Marco into a pig is self-inflicted, because he survived the battle while Gina's husband (and Marco best friend) didn't. He feels guilty and he transformed into a pig because he feels he doesn't deserve love and happiness". Pig is often used to describe "worthless" or "disgusting" person in Japan, and it is understandable that he sees himself as a pig out of survivor's-guilt. This self-deprecation is shown many times throughout the film, such as when Gina told him that her 3rd husband didn't make it home alive, he responded "the good guys never do," making explicit this contrast between himself and a good guy. Also, another thing to take note is that he was sick of the wars, and had very little faith in mankind. Living in isolated island alone, and his phrase "I'd rather be a pig than a fascist", "You should do those kind of things just between you humans" all imply that.

How come he turned back into human (although the face was never shown, it is clear that he returned to human) in the end then? His phrase "Fio, you're a good girl. You make me feel like mankind are not that bad after all" might be the key. While spending time with Fio, seeing her innocent affection to him and to the aircraft, Marco slowly recovered from self-deprecation, and also recovered the faith to mankind. Although Fio was never an object of romantic interest for Marco, she's the one who helped Marco to change the view on himself and to the mankind. That's why the kiss from Fio worked.

2. Open Ending / no conclusion (Gina or Fio, not being shown. Which is actually not true)

I've seen many people complaining that the film didn't show whether Marco chose Gina or Fio in the end. Some even criticizing Miyazaki as "lazy", that he couldn't decide the conclusion himself so left it to viewers imagination. This is very wrong. Miyazaki showed the result in a very subtle way, that only careful people will notice. You just need to combine 2 things.

1) When Curtis visited Gina in her secret garden, she told Curtis "I'm now making a bet. If he (Marco) ever visits me while I'm in this garden during the daytime, I've decided I will truly love him. But that idiot, he only comes to the bar in the night time, never showing himself during the daytime."

2) In the last part, from the sky looking down to Hotel Adriana (from Fio's airplane), you will find Marco's red aircraft docked next to Gina's secret garden, during the DAYTIME. Gina won the bet. Also, in the end, the secret garden was shown again, but without Gina being there. Gina no longer needs to be there waiting for Marco.

Miyazaki set the conclusion in a very subtle way, make it kind of rewarding for those people who noticed it, and for those people who didn't, he gave the space for imagination. Some people might not be happy that Fio wasn't the one chosen after spending so much time building the relationship with Marco, but as I wrote earlier, even though she helped Marco recovering from self-deprecation, she was never an object of romance for Marco. Marco was always out there for Gina, as Gina thanking Marco in the beginning. As Gina told Curtis, "Love here is a bit more complicated than back in your country".

Miyazaki is an inspiration for artists everywhere. His total mastery of all aspects of storytelling craft makes the amazing seem easy.

Kurenai no Buta manages to be over-the-top fun and exceedingly subtle at the same moment. The dialogue is at once straightforward yet with layer upon layer of dramatic meaning. The animated wizardry is stunning as usual, yet never over the top. It always comes across as so natural.

This film is a homage to so many different genres, places, people and attitudes one could go on ages pulling them all out. Amazing amount of detail packed into every scene.

Well I am running out of superlatives. Like all master works of art, this leaves you with something special. In this case I find it hard to describe perhaps since the Pig himself is such a mysterious character.

See it.

If somebody were to start up an all-Ghibli network on television, I'd leave the set on that channel unless I heard a nuclear attack siren. Kurenai no Buta is one of those films that could fill up much of the schedule, as I could watch it over and over again.

Set in Fascist Italy in the late twenties, the story is about a cursed WWI Italian fighter pilot, Porco Rosso, doomed to live out his life in the form of a pig. He spends his leisure hours basking on his secluded private beach with his bright red monoplane. He makes his living by tangling with air pirates, collecting rewards for recovery of valuables.

Porco Rosso has a lot to deal with in this story. He has the pirates to contend with, a swashbuckling American mercenary looking for a good dogfight, an increasingly intrusive Fascist presence eyeing his activities, a finicky airplane, and two women in love with him. Other than the vaguely appearing Fascists, there are no real villains in the film.

Mamma Aiuto is a heavy-set bearded chap, somewhat reminiscent of Bluto in the Popeye cartoons. He and his gang of bungling pirates have honor, if not exactly fastidious bathing habits.

Donald Curtis, an American mercenary, seems driven to glory and fame-and falls in love with every pretty face he sees. He's after notoriety and feels an air duel with Porco Rosso is the ticket to get there.

Gina, Porco's childhood sweetheart, runs a popular island resort. She's still in love with him, but he doesn't quite get it. All the pilots of the Adriatic love Gina, who was married and widowed thrice. Donald Curtis is right in there with everyone else vying for her attention.

Fio Piccolo, a 17-year old American aeronautical engineer, is commissioned by a reluctant Porco to fix his plane. She also falls in love with him as she gradually sees his character. He gets it, but he's not really interested in that kind of arrangement--especially with one so young.

A working, radio-controlled scale model of his plane hangs in the Ghibli Museum in Mitaka, Japan, along with photos of it in flight as proof that the airplane depicted in the film actually could fly.

This story weaves together beautifully and leads to an ending that is a topic of discussion among those who have seen it. This is a must-see film. I give it an easy 10.