Sonámbulos

this Stephen King adaptation was entertaining but not great,by any means.it's worthwhile to pass time.it''s probably as weird as any of the King adaptation i have,and even weirder than others.this movie sort of felt like a fairy tale to me.although not a kid's fable,obviously.i did like the cast,many of whom have gone on to other things,since then.Brian Krause also appeared in the TV show Charmed,Madchen Amick (who could be Kim Delaney's twin sister)has been in several smaller budget pictures.Alice Krige was seen most notably as the Borg Queen in Star Trek:First Contact,while Ron Perlman was previously seen in The TV series beauty and the Beast.his most notable role(In my opinion)was in Hellboy as the title character.like in most King movies,king himself appears in a cameo.at least three other modern horror masters(Jon Landis,Joe Dante,and Clive Barker also have cameos.anyway if you wanna pass 90 minutes or so,i'd say this movie is worth it.for me,Sleepwalkers is a 6/10

`Sleepwalkers' is a film whose main plot thrust comes from the pre-opening credits description of what the film's title means. Just about all character backstory and motivations are given here, and we are then treated to a ninety-minute entertainment vehicle that plays out these events in a simplistic but interesting manner.

The film's acting, for a horror picture, is remarkably good. Brian Krause and Alice Krige give standout performances as the titular feline troublemakers who also share a disturbing Oedipal relationship, cult favorite Madchen Amick gives a wonderfully nuanced performance as Krause's troubled love interest, and the cameos by many famous faces from the horror world will give fans something to look for and smile about. Even the supporting cast members seem to be having a good time, including Ron Perlman and Glenn Shadix in relatively small but amusing roles.

The make-up effects are very good, although not top-notch. They're certainly nothing amazing, but they serve their occasionally-gruesome purposes well. The optical effects look pretty dated by today's standards, but it's still interesting to see CG effects in some of their earliest forms. The transformation sequences now look like something out of a made-for-TV movie, but they don't significantly detract from the film.

Where this picture does tend to fail is in its plot and dialogue. Just about all of the mystery of the story dissipates by its halfway point, leaving the audience to predict and anticipate just about everything that happens in the rest of the film, essentially destroying the tension and suspense aspects. And since this is a horror picture written by Stephen King, one would expect these two elements to be the strongest components of the film. The dialogue is at times campy and at other times overly-serious. This has the effect of making some of the characters unbalanced in many ways, something that detracts from the film as a whole. It seems the director and/or writer was/were having difficulty deciding whether or not to play this film up as a comedy or a true horror movie, and so as it stands it awkwardly lies somewhere in between.

`Sleepwalkers' is not horror at its finest, either in terms of ability to truly frighten or to provide fun campiness. It straddles the line between the two, existing somewhere equidistant from both. It is never too over-the-top for us to laugh out loud with it, nor is it ever truly scary enough to make us shiver. As it stands, it is an extremely simple and very entertaining work of filmmaking, something that horror fans will enjoy and others should probably avoid.

An incestuous mother and son (Krige, Krause) of preternatural origin move to a small town to find a young female virgin (Amick) the son may take the life force of and feed the mother with.

It's Stephen King, who wrote the screenplay, at his not bad best. Interesting music; I've never heard Enya in a horror movie before but surprisingly it works. As with Ron Perlman, I'd pretty much sit through anything with Alice Krige in it.

The down side is that although the mother and son are interesting beings the curiosity about them the movie arouses is not satisfied. What are they? A kind of feline lineage is hinted at as they can morph into variations of cat like creatures yet cats are their mortal enemies (a scratch can be fatal). Where are they from? Egypt is hinted at (the origin of the worship of Bast, perhaps). Why are they called Sleepwalkers (origins of the incubus/succubus/vampire mythologies)?

Despite the questions raised and unanswered the film is still an enjoyable gore-fest horror break from reality.

Worth a rent/buy used, especially for fans of Stephen King's work.

Director Mick Garris has commented on how "Sleepwalkers" was a troubled production, and one only has to watch in disbelief to see what he means. Before its 1992 theatrical release, I remember the film being heavily hyped as Stephen King's first foray into cinema with a completely original screenplay (and as was true with most adaptations of his work--with or without his involvement--at the time, the reviews were less than sympathetic). Ironically, Garris would become better known for helming TV-miniseries versions of some of King's best-known works ("The Stand"; "The Shining"; "Desperation"), directing right from the author's own scripts. Needless to say, these made-for-TV works outshine "Sleepwalkers," which simply further proves that King's writing style (heavy with internal dialogues and detailed, unspoken perceptions) is better suited to a format that can fully develop his themes and characters. This tale of an incestuous mother/son duo who shapeshifts into bloodthirsty felines, roaming from small towns to dine on virgin prey, is fairly decent for the first 50 minutes--King's use of 'local color' (and the resulting humor) is well-rendered, and Garris does a fine job of creating an atmosphere of mystery and intrigue. But just when "Sleepwalkers" seems headed for the zone of good (if not truly memorable) King adaptations, its final third devolves into overblown, ridiculous action sequences (as though the producers chopped away 30 pages of King's script for explosions and shootouts) and a queasy imbalance between absurd humor and sentimental melodrama. The end result hobbles the overall experience--had King's ideas been thoroughly fleshed-out, "Sleepwalkers" may have been a solid entry in his filmography...but as it stands, it feels like a lament over what could have been. The cats are incredibly cute, though.

Sleepwalkers is no masterpiece, but it is a fun, well-put together little B horror flick. The acting is solid, the practical make up effects are effective and not overly cheesy and the pacing allows the movie to zip right along. Horror buffs will love the cameos as well. Kitty cats rule!