PUNTUACIÓN EN IMDb
6,4/10
5,5 mil
TU PUNTUACIÓN
En Brighton, en 1959, el policía deshonrado convertido en detective privado trabaja principalmente en la falsificación de adulterios para usarlos como prueba en casos de divorcio.En Brighton, en 1959, el policía deshonrado convertido en detective privado trabaja principalmente en la falsificación de adulterios para usarlos como prueba en casos de divorcio.En Brighton, en 1959, el policía deshonrado convertido en detective privado trabaja principalmente en la falsificación de adulterios para usarlos como prueba en casos de divorcio.
- Premios
- 1 premio en total
Reseñas destacadas
i want to give a STRONG plug for this very fine film that has received almost no acclaim. if you enjoy cinematic plot twists and suspense, sexuality and greed, but not blood and guts, this is a film you should see. when i say it keeps you guessing up till the last minute, i mean just that. art, money, sex, mistresses, wives, good cops, bad cops, murder! got it all-give it a try.
Liam Neeson is "Under Suspicion" for murdering his wife and a client in this 1991 little known film also starring Laura San Giacomo. This is one of those films one rents and all too rarely realizes that they have found an unsung treasure.
Set in England in 1959-60, Neeson plays an police officer, Tony Aaron. While on assignment with his partner Frank guarding the home of a wealthy man who is out of town, Tony takes time out to have a dalliance with the owner's wife. In the fray that erupts when he's nearly caught by her husband, another officer is killed. Tony is pressured to resign and when he leaves, he only has one friend left - his partner Frank. Tony becomes a low-life private detective who helps clients fake adultery in order to have grounds for divorce. To do this, Tony uses his own wife, Hazel, the woman of the above dalliance, as the "other woman." One night, he does the usual thing of entering the hotel room with a camera and surprising the client and Hazel in bed when he discovers that both have been brutally murdered. He immediately becomes a suspect, though he trails along with his ex-partner during the investigation and discovers some other suspects - not only who had a reason to knock off the artist, but who had plenty of reason to frame Tony for the crime.
This is a very well produced and directed film with brilliant construction. The detail in evoking the atmosphere of the late '50s is wonderful, and if there were ever a film that deserved a "best costumes" nomination for an Oscar, this is it.
The acting is all around very good, with a good deal of the film's budget going to Liam Neeson, who back then was a prolific actor two years from superstardom. Neeson is terrific as a loser who has made one mistake after another so that a noose around his neck seems appropriate. Yet there's something likable about him, and earnest, too, so that the audience feels that though he may not have been able to keep his pants zipped, at heart he's not a bad guy. Laura San Giacomo, who has enjoyed an okay film career but is now best known for her work in the TV series "Just Shoot Me" is very effective as the mysterious mistress whom Tony suspects may have had something to do with her boyfriend's murder. Kenneth Cranham, a very familiar face in British productions, is excellent as Tony's loyal ex-partner, who risks his own job protecting his friend. An absolutely gorgeous woman, Alphonsia Emmanuel, plays Stasio's wife and does a good job in a role that, were she not so beautiful, would probably not have been noticed.
Any film that has me yelling out loud at the screen at 3 a.m. is a good movie in my book. That's the level of suspense that "Under Suspicion" has - if you have a weak heart, take medication first. It's absolutely thrilling.
Set in England in 1959-60, Neeson plays an police officer, Tony Aaron. While on assignment with his partner Frank guarding the home of a wealthy man who is out of town, Tony takes time out to have a dalliance with the owner's wife. In the fray that erupts when he's nearly caught by her husband, another officer is killed. Tony is pressured to resign and when he leaves, he only has one friend left - his partner Frank. Tony becomes a low-life private detective who helps clients fake adultery in order to have grounds for divorce. To do this, Tony uses his own wife, Hazel, the woman of the above dalliance, as the "other woman." One night, he does the usual thing of entering the hotel room with a camera and surprising the client and Hazel in bed when he discovers that both have been brutally murdered. He immediately becomes a suspect, though he trails along with his ex-partner during the investigation and discovers some other suspects - not only who had a reason to knock off the artist, but who had plenty of reason to frame Tony for the crime.
This is a very well produced and directed film with brilliant construction. The detail in evoking the atmosphere of the late '50s is wonderful, and if there were ever a film that deserved a "best costumes" nomination for an Oscar, this is it.
The acting is all around very good, with a good deal of the film's budget going to Liam Neeson, who back then was a prolific actor two years from superstardom. Neeson is terrific as a loser who has made one mistake after another so that a noose around his neck seems appropriate. Yet there's something likable about him, and earnest, too, so that the audience feels that though he may not have been able to keep his pants zipped, at heart he's not a bad guy. Laura San Giacomo, who has enjoyed an okay film career but is now best known for her work in the TV series "Just Shoot Me" is very effective as the mysterious mistress whom Tony suspects may have had something to do with her boyfriend's murder. Kenneth Cranham, a very familiar face in British productions, is excellent as Tony's loyal ex-partner, who risks his own job protecting his friend. An absolutely gorgeous woman, Alphonsia Emmanuel, plays Stasio's wife and does a good job in a role that, were she not so beautiful, would probably not have been noticed.
Any film that has me yelling out loud at the screen at 3 a.m. is a good movie in my book. That's the level of suspense that "Under Suspicion" has - if you have a weak heart, take medication first. It's absolutely thrilling.
This is one of those decent crime movies that few people have heard about. It has a lot going for it. I should rate it higher since the story kept my interest all the way both times I saw it (four years apart). The violence and profanity are not overdone, the main characters are very interesting and the story finishes with a unique twist.
Actually, that twist is something you have to ponder to determine whether it makes sense. I am not sure it did. You'd have to watch this again soon and check on a few things. It's either very clever or its totally unfair to the viewer, which is why I kept it at an '8."
It's nicely photographed and I bet it looks much better on a widescreen DVD than on the tape I viewed it on in the '90s. Liam Neeson and Laura San Giacomo star. I was familiar with the latter from the film, "Quigley Down Under." She's much more appealing in that film than this one. Neeson is almost always interesting to watch.
Actually, that twist is something you have to ponder to determine whether it makes sense. I am not sure it did. You'd have to watch this again soon and check on a few things. It's either very clever or its totally unfair to the viewer, which is why I kept it at an '8."
It's nicely photographed and I bet it looks much better on a widescreen DVD than on the tape I viewed it on in the '90s. Liam Neeson and Laura San Giacomo star. I was familiar with the latter from the film, "Quigley Down Under." She's much more appealing in that film than this one. Neeson is almost always interesting to watch.
Under Suspicion apparently flew completely under the radar upon release in 1991, and that's really not all that surprising. The film is actually a very well done little crime thriller; but it features a very simple plot line and plays out almost like a classic film noir (as opposed to a 'cool' crime thriller in the vein of Goodfellas or Reservoir Dogs), and as a result the film doesn't stand out much. It actually seems like it could have been made for television as most of the cast (Liam Neeson aside) will be recognisable to anyone that has seen a handful of British TV shows and it's very modest all the way through. The film takes place in the fifties and we focus on private detective/disgraced former policeman Tony Aaron. Aaron makes a living through the illegal practise of faking affairs in order to beat the strict divorce laws. He begins using his wife for these capers; but is given a shock when his wife and a client are found dead in their room. An investigation into the killings ensues, with our detective as the prime suspect.
The plot is definitely this film's main strongpoint, and it is carried off well. Director Simon Moore does a good job of getting his audience interested in the characters, which allows him to weave the simple, but twisted tale. Liam Neeson won some award for his portrayal of the central character, and it is a really good performance. This sort of role can often be difficult for actors to play because the character is essentially scum, but we do feel for him; and this is thanks to the charismatic and warm performance. The ensemble cast is rather impressive and, as mentioned, many British viewers will recognise a lot of faces. The mystery is constantly intriguing and we are made to wonder who has committed the crimes. It does have to be said that the final third of the movie not as interesting as the first two; but all in all, this is a well worked and interesting little thriller that is rounded off by a strong ending. I wouldn't recommend anyone goes out of their way to see this film; but it's certainly worth a look if you do find a copy.
The plot is definitely this film's main strongpoint, and it is carried off well. Director Simon Moore does a good job of getting his audience interested in the characters, which allows him to weave the simple, but twisted tale. Liam Neeson won some award for his portrayal of the central character, and it is a really good performance. This sort of role can often be difficult for actors to play because the character is essentially scum, but we do feel for him; and this is thanks to the charismatic and warm performance. The ensemble cast is rather impressive and, as mentioned, many British viewers will recognise a lot of faces. The mystery is constantly intriguing and we are made to wonder who has committed the crimes. It does have to be said that the final third of the movie not as interesting as the first two; but all in all, this is a well worked and interesting little thriller that is rounded off by a strong ending. I wouldn't recommend anyone goes out of their way to see this film; but it's certainly worth a look if you do find a copy.
This film is well worthy of your time. If you are into crime movies with more atmosphere than fast action, I mean.
Why Simon Moore didn't direct more, I really don't know. The film is skilfully composed, actors' performances are admirable (with exception of Laura San Giacomo who's acting is under average). Photography is something to appreciate, too.
I was often surprised at how few people know of this title and I am personally always glad when I find such a gem outside of hype area.
I like noir and I like different, yet not bizarre. If you think alike, try this film.
Why Simon Moore didn't direct more, I really don't know. The film is skilfully composed, actors' performances are admirable (with exception of Laura San Giacomo who's acting is under average). Photography is something to appreciate, too.
I was often surprised at how few people know of this title and I am personally always glad when I find such a gem outside of hype area.
I like noir and I like different, yet not bizarre. If you think alike, try this film.
¿Sabías que...?
- CuriosidadesPatrick Bergin dropped out playing the male lead due to creative differences. Liam Neeson was eventually cast in his place.
- PifiasSet in the late 1950s, a pair of 1980s British Telecom phone booths are visible immediately after the opening sequence as Tony Aaron steps out of his car.
- Citas
Tony Aaron: Why did you stay with him, with Stasio? If he was so awful, why did you stay with him? Huh?
Angeline: Can't believe you're cross-examing me while we're making love.
- Banda sonoraCHRISTMAS ISLAND
Performed by Dickie Valentine (as Dicky Valentine)
By courtesy of The Decca Record Company Ltd
Written by Lyle Moraine
Copyright Northern Music Company
Licensed by MCA Music Publishing
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- How long is Under Suspicion?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- L'ombra de la sospita
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 221.295 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 47.349 US$
- 1 mar 1992
- Recaudación en todo el mundo
- 221.295 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the German language plot outline for El silencio de la sospecha (1991)?
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