Paris Is Burning

While many unfortunately passed on, the ballroom scene is still very much alive and carrying on their legacy. Some are still very much alive and quite well, Octavia is more radiant and beautiful than ever, Willi Ninja is very accomplished and gives a great deal of support to the gay community as a whole, Pepper Labeija just passed on last year of natural cause, may she rest in peace. After Anji's passing Carmen became the mother of the house of Xtravaganza (she was in the beach scene) and she is looking more and more lovely as well. Some balls have categories dedicated to those who have passed, may they all rest in peace. There is currently another project underway known as "How Do I Look?", you can check out the website at www.howdoilooknyc.org.

Documentary starts in 1986 in NYC where black and hispanic drag queens hold "balls". That's where they dress up however they like, strut their stuff in front of an audience and are voted on. We get to know many of the members and see how they all hold together and support each other. As one man says to another--"You have three strikes against you--you're black, gay and a drag queen". These are people who (sadly) are not accepted in society--only at the balls. There they can be whoever and whatever they want and be accepted. Then the film cuts to three years later (1989) and you see how things have changed (tragically for some).

Sounds depressing but it's not. Most of the people interviewed are actually very funny and get a lot of humor out of their situations. They're well aware of their position in society and accept it with humor--just as they should. We find out they all live in "houses" run by various "mothers" and all help each other out. The sense of community in this film is fascinating.

When this film came out in 1990 it was controversial--and a big hit. It won Best Documentary Awards at numerous festivals--but was never even nominated for an Academy Award. Their reason was "Black and hispanic drag queens are not Academy material". Fascinating isn't it? Homophobia and racism all together.

Seen today it's still a great film--and a period piece. It just isn't like that anymore--the NY they show no longer exists. The balls are still held but not in the spirit we see here. Also drag has become more "accepted" in society (for better or worse). And I've heard the houses are gone too. That's kind of sad. I WOULD like to know where these characters are now--I know two died of AIDS but I have no idea about the others. And what DID happen to that 13 year old and 15 year old shown?

Still, it a one of a kind documentary--fascinating, funny and riveting. A must see all the way! A definite 10. Where's the DVD???

I had just recently watched "Paris Is Burning" and I love it. I find it very interesting and artistic and creative the way they move and dance. It's like a whole different world. My friend received it as a gift and after watching it I am going to hunt a copy down for my own collection. The next day I found out from a friend that Willie Ninja had just passed away a couple of days before. At first I didn't want to believe him. So I went searching for anything that would confirm what he had said, he was right. Even though I didn't know him personally, there's no doubt in my mind that he will be missed, and I would consider it an honor to have been a friend of his. To anyone who knew him I am sorry.

R.I.P WILLIE NINJA - Angel Ray from San Bernardino, Ca

This is my favorite documentary... the subtle undertone of this movie that not everyone gets is the socio-economic commentary. Most people see this movie as an introduction to the world of drag queens or introduction to voguing and "balls". But if you dig deeper it is even sadder believe it or not. It's sad to think that most of these wonderful "larger than life" folks are dead, but it holds a very deep social commentary for anyone who is not a straight white well to do male. (by the way, despite my user name I'm a biological female ! ha ha... but I'm Hispanic so I am marginalized by sex as well as ethnicity...) Anyway the comments on being female... Pepper Labeija explaining why he would never get a sex change "women have it worse than anyone" or Octavia St. Laurent... "all men are dogs... sooner or later they all start barking" are comments u'd hear straight women say all the time. And what it means to be a black or Hispanic in the trickle down world of Reaganomics and beyond... before you even factor in homosexuality... please watch it again and really listen for the racial and economic commentary. Those from Pepper Labeija and Dorian Corey are particularly poignant... ("I emulated Deitrich and Monroe... it wasn't acceptable to emulate Lena Horne... even as a black"- Dorian Corey) I'm sorry to be "preachy" but I love this movie and it has a lot more to say than the "fad" it glorified. I am a straight Latina who grew up in the NYC club scene but for me the best thing about this movie besides the great dancers and "characters" is what it says about being a marginalized group in the dog eat dog 1980's, and what they did to hold on to a semblance of family and fame. Most of the house "mothers" died within a few years of the movie... Pepper Labeija (my very favorite) died recently... but before he died he sadly had his feet amputated because of diabetes... yet he, I should call Pepper SHE... appeared in a Ball, in full Egyptian regalia, carried by strapping shirtless men to the delight of all those in attendance. May we all enjoy love and acceptance, no matter what it is that makes us different.

First of all I am a butch, straight white male. But even with that handicap I love this movie. It's about real people. A real time and place. And of course New York City in the 80's. I had many gay friends growing up in New York in the eighties and the one thing about them i always admired was their courage to live their lives the way they wanted to live them. No matter what the consequences. That's courageous. You have to admire that. This is a great film, watch it and take in what it was like to be a flamboyant African American or Hispanic Gay man in the New York of the eighties. It's real life. Bottom line it's real life.