Un hombre con un negocio legal pero poco ético, necesita una acompañante para algunos eventos sociales, y contrata a una hermosa prostituta, de la que se enamora.Un hombre con un negocio legal pero poco ético, necesita una acompañante para algunos eventos sociales, y contrata a una hermosa prostituta, de la que se enamora.Un hombre con un negocio legal pero poco ético, necesita una acompañante para algunos eventos sociales, y contrata a una hermosa prostituta, de la que se enamora.
- Director/a
- Guionista
- Estrellas
- Nominado para 1 premio Óscar
- 8 premios y 11 nominaciones en total
Billy Gallo
- Carlos
- (as William Gallo)
- Director/a
- Guionista
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
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Reseñas destacadas
Such a dream, just you DO NOT think
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
Just has that special something....
What is it about this movie that made it such an instant mega smash when it was released? I'm not sure if it's The incredible chemistry between Gear and Roberts, the smart dialog, the storyline-combination of all of the above-etc etc. But I do think These days, so few GREAT romantic comedies get made. Pretty woman is great. I enjoyed every moment of this and have seen it many times.
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
A great love story
Sometimes you have a romantic comedy that is remembered for a long time. Movies with Audrey Hepburn, 'When Harry Met Sally...', little parts from other Meg Ryan-movies and... 'Pretty Woman'. Of course we have the famous song and the real launch of the Julia Roberts career that help a little but it just is one sweet and very funny movie.
Julia Roberts is great in romantic comedies and especially with this movie (and 'Notting Hill') she proves this. With Richard Gere she has a perfect chemistry and in the end that is all we want to see. That Roberts is a prostitute and Gere a very rich man, living in a penthouse, make things only more interesting, joke-wise. One of the better romantic comedies made in the past and definitely one to watch again. And again. And may be again.
Julia Roberts is great in romantic comedies and especially with this movie (and 'Notting Hill') she proves this. With Richard Gere she has a perfect chemistry and in the end that is all we want to see. That Roberts is a prostitute and Gere a very rich man, living in a penthouse, make things only more interesting, joke-wise. One of the better romantic comedies made in the past and definitely one to watch again. And again. And may be again.
Redemption in Rodeo Drive
Look where we were in 1990. No wonder we are were we are in 2017. The movie is charming enough with a splendid Julia Roberts becoming a huge movie star but, I have to say, watching it now gave me shivers. This is not Pygmalion, no, there is no insight, it's all superficial to a cringing degree. She finds redemption through her shopping and his credit cards. Isn't that lovely? It feels so insane that maybe that means we're evolving. - I saw Pretty Woman last night with a group who had never seen it before. Funny thing the young conservative, Christian women loved it - They didn't seem to mind the message of sex and money. The young Liberal women found it absurd, offensive and the charm of the film, dangerously misleading. They left long before the happy ending. Movies become historical documents, don't they.
Still one of the best rom coms ever
The combination of appealing leads, killer chemistry, and a banging soundtrack makes Pretty Woman a highly enjoyable film. The story is obviously a bit far-fetched, but who cares? It's a movie. I watch movies to be entertained and to enjoy well-told stories, and Pretty Woman certainly works on both fronts.
Julia Roberts Through the Years
Julia Roberts Through the Years
Take a look back at Julia Roberts' movie career in photos.
¿Sabías que...?
- CuriosidadesRichard Gere and Julia Roberts had obvious chemistry upon their first meeting; however, Gere was not planning on taking the role. He was on the phone ready to turn down the part when Roberts slid him a Post-it note with the words "please say yes" written on it. He accepted the role right then.
- PifiasWhen Vivian finds Edward sleeping, she wears a long white nightgown when she comes in the room. She kisses him and they begin to make love. When Edward pulls her nightgown over her head, it is now a camisole. Actually the mid-length nightgown has spaghetti straps and she removes it herself, with him on top of her, making it hard to see what she removes but it looked like the same garment.
- Citas
[after negotiating three thousand dollars]
Vivian: I would have stayed for two thousand.
Edward Lewis: I would have paid four.
- Versiones alternativasThe Director's Cut of "Pretty Woman" features additional dialogue during the first encounter of Edward and Vivian; additonal scenes featuring Carlos the pimp chasing after Vivian for the money Kit owes him; a longer restaurant sequence, and a longer montage of scenes when Edward takes the day off from work to spend more time with Vivian on their last day together.
- ConexionesEdited into Sex at 24 Frames Per Second (2003)
- Banda sonoraFive for Louie
Written by Karen Hernandez
Performed by Karen Hernandez, Eugene Wright, and Earl Palmer
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Detalles
Taquilla
- Presupuesto
- 14.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 178.406.268 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.280.591 US$
- 25 mar 1990
- Recaudación en todo el mundo
- 463.406.268 US$
- Duración
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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