A punto de cumplir los 40 años, un infeliz yuppie de Manhattan se ve obligado a unirse a sus dos amigos conduciendo ganado por el suroeste.A punto de cumplir los 40 años, un infeliz yuppie de Manhattan se ve obligado a unirse a sus dos amigos conduciendo ganado por el suroeste.A punto de cumplir los 40 años, un infeliz yuppie de Manhattan se ve obligado a unirse a sus dos amigos conduciendo ganado por el suroeste.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 8 premios y 7 nominaciones en total
Reseñas destacadas
Three buddies head down the trails to relieve their midlife crises. They wind up sharing the adventures of a lifetime. I have enjoyed this movie each and every time I have seen it. The comedy is pleasant, and you will not exhale during the river rescue scene. *** out of ****
And here's City Slickers, a comedy that uses the wild west as a background for numerous visual gags, snappy wordplay, and a trio of great performances. The three guys are Mitch Robbins (Billy Crystal), a radio advertiser who is experiencing his midlife crisis after turning thirty-nine, Phil Berquist (Daniel Stern), who is stuck in a sexless marriage in the midst of managing a grocery store, and Ed Furillo (Bruno Kirby), a womanizer uncomfortable with the notion that there is a time to "settle down." On his birthday, Mitch is given a present from his two buds which is a vacation down on a southern cattle drive. Reluctantly, he accepts, and before they know it, they are defending the cattle drive in true western fashion.
Billy Crystal is an ideal character for Mitch. He has the right balance of comedic wit and dramatic potency to make a character like this work well on the basis of being a sadsack but also a compelling lead. Stern and Kirby work well in the supporting characters, mainly because they themselves have good comedic timing and work well off of Crystal's lead.
City Slickers works better than another western farce by the name of Three Amigos, which was stunningly mediocre in its inclusion of three hilarious comedians - Steve Martin, Chevy Chase, and Martin Short - and successfully finding nothing interesting to do with them. The film drifted from one stale setup to another, falling flat on its face, before stumbling over to the next contrived setup and doing the same. Too many instances in the film were dry and the laugh to actor ration was surprisingly very low.
City Slickers works because writers Lowell Ganz and Babaloo Mandel know how to effectively utilize their talent and give each character sustainable depth and energy to run for the near-two hour runtime the film holds. In that time, the film is often funny, kind of poignant, a little overlong, but heartfelt all the more. It's some kind of minor miracle this was well-received by a general public.
Starring: Billy Crystal, Daniel Stern, and Bruno Kirby. Directed by: Ron Underwood.
City Slickers had moments of comedy that were actually funny. Really really funny. In addition, the emotional element that went along with the comedy just made it a that much more satisfying movie going experience. This is a movie that stands out by combining fantastic humor with a touching and relatable story about three friends and the search to find who they really are as people. And that this all takes place in such stunning surroundings just completes the movie experience.
The dialogue was real and relateable and what was done so well, was how all encompassing the movie was-comedy,western,drama-everything was combined here and the results flowed perfectly smooth and were great. This script was superb.
Identity is an issue that all people struggle with at any age-the way these people spoke to each other were probebly very close in nature to conversations going on right now. The cinemotography was magnificent and the characters were believable to the point where you either feel like you know them or you'd like to. I think that's enough reasons to dig the movie! In short-City Slickers is a surprisingly excellent movie that garners a 9 out of 10 for me and can be enjoyed by all.
¿Sabías que...?
- CuriosidadesThe story that Billy Crystal tells about his "best day" of going to a Yankees game with his father is a true story from his childhood. He notes at one point that, "I still have the program." Not only does he really still have it, but he got Mickey Mantle to autograph it twice: once at the game that day and once again some 20 years later on a talk show they were both guests on.
- PifiasDuring the stampede, when Mitch is up a tree, the metal fencing around the base of the tree to keep the cattle away is visible.
- Citas
Mitch Robbins: Alright Ed, your best day, what was it, twins in a trapeze, what?
Ed Furillo: No, I don't wanna play.
Mitch Robbins: C'mon, we did it.
Ed Furillo: I don't feel like it.
Mitch Robbins: Uh, okay.
[pause]
Ed Furillo: I'm 14 and my mother and father are fighting again... y'know, because she caught him again. Caught him... This time the girl drove by the house to pick him up. And I finally realized, he wasn't just cheating on my mother, he was cheating us. So I told him, I said, "You're bad to us. We don't love you. I'll take care of my mother and my sister. We don't need you any more." And he made like he was gonna hit me, but I didn't budge. And he turned around and he left. He never bothered us again. Well, I took care of my mother and my sister from that day on. That's my best day.
Phil Berquist: What was your worst day?
Ed Furillo: Same day.
- Créditos adicionalesThe opening credits show a cartoon of a cowboy practicing with a lasso
- Versiones alternativasGerman version is cut by approx. four minutes (a lengthy dialogue scene where the guys ride through a valley). This was reinstated for the 2003 MGM DVD release.
- Banda sonoraYoung at Heart
(1953)
CHERIO CORP. and JUNE'S TUNES
Words by Carolyn Leigh
Music by Johnny Richards
Performed by Jimmy Durante
Courtesy of WARNER BROS. RECORDS INC.
By Arrangement with WARNER SPECIAL PRODUCTS
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Cowboys de ciutat
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 27.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 124.033.791 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 13.032.121 US$
- 9 jun 1991
- Recaudación en todo el mundo
- 179.033.791 US$