PUNTUACIÓN EN IMDb
7,4/10
2,2 mil
TU PUNTUACIÓN
El teniente Colombo se enfrenta a un abogado defensor que nunca ha perdido un caso en su carrera.El teniente Colombo se enfrenta a un abogado defensor que nunca ha perdido un caso en su carrera.El teniente Colombo se enfrenta a un abogado defensor que nunca ha perdido un caso en su carrera.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
B.J. Turner
- Decorator 'Vito'
- (as B. J Turner)
Susie Singer Carter
- Darlene
- (as Susie Singer)
Reseñas destacadas
COLUMBO AND THE MURDER OF A ROCK STAR is a pretty good entry from the second incarnation of the raincoat-wearing sleuth. It features Dabney Coleman (BOARDWALK EMPIRE) who offs his cheating partner in an ingenious way, only to perplex the cops by offering a cast-iron alibi and a seemingly obvious suspect.
Sometimes these later stories can feel a little strained due to the lack of enough plotting to sustain a 100-minute running time, but that's not the case here. The murder is a complex one that takes plenty of (interesting) preparation, and there are various twists and turns thrown into the case to keep the viewer's attention right until the end. There's the occasional continuity error (such as the placement of a champagne bottle, which I was convinced had some relation to the plot) and unbelievable moment, but it's not enough to detract from the experience.
Falk is on fine form, although I was sad to see his comedy routines are limited to the single highlight, involving a funny fish tank contraption. Still, Coleman makes for an effectively grumpy villain, and the novelty of a Little Richard cameo can't be ignored. Falk's wife, Shera Danese, appears for the fourth time in the series. There's even a role for '70s actress Sondra Currie, playing virtually the same character she did in POLICEWOMEN.
Sometimes these later stories can feel a little strained due to the lack of enough plotting to sustain a 100-minute running time, but that's not the case here. The murder is a complex one that takes plenty of (interesting) preparation, and there are various twists and turns thrown into the case to keep the viewer's attention right until the end. There's the occasional continuity error (such as the placement of a champagne bottle, which I was convinced had some relation to the plot) and unbelievable moment, but it's not enough to detract from the experience.
Falk is on fine form, although I was sad to see his comedy routines are limited to the single highlight, involving a funny fish tank contraption. Still, Coleman makes for an effectively grumpy villain, and the novelty of a Little Richard cameo can't be ignored. Falk's wife, Shera Danese, appears for the fourth time in the series. There's even a role for '70s actress Sondra Currie, playing virtually the same character she did in POLICEWOMEN.
We all know how Peter Falk, as the Chinese water-torture of Detectives, can wear down the most erudite and cunning adversary. In this episode he almost meets his match in Dabney Coleman. Coleman is one of the best actors to portray villains as he has that arrogant sneer we love to hate. The close ups of Coleman's sneer and Falk's deadly smile is a viewer's delight to behold. He and Falk playing cat and mouse is riveting drama and not to be missed.
Superb episode. Extremely difficult frame-up by brilliant defense lawyer picked apart step by step by Columbo, until he is stumped by a seemingly foolproof alibi. The way he cracks it, and the manner of proving it provides for one of the most shocking and fabulous Columbo finales of all. Dabney Coleman is really good as the murderer, who thinks he can arrogantly get away with anything because of his unbeaten record as a murder defense lawyer and his powerful connections in the system. It seems to give Columbo an extra desire to get him, and you can hear the joy in his voice when he finally gets the last laugh and nails him. However, I do wish Falk had not included his wife Shera Danese in six episodes. If ever there was a case of nepotism, this was it. As superb as he was as an actor, that is how bad she was as an actress. But if that was the price to pay for enjoying Falk's immense talents in 68 Columbo episodes, I'll gladly pay it. However, after reading the other reviews, I realize that many people missed the main clue (e.g., eralan_uk), which ruined the whole episode for them. Without including a spoiler here (as I have carefully avoided them in all my reviews, so viewers can have advance notice of the quality of the episode beforehand), allow me to add this critical info. If you miss one cryptic early allusion to it, you will not be able to figure out how a person can create a complex fake alibi for a murderer, yet not suspect him as the murderer until after the fact. The answer is that the person unwittingly created the alibi, thinking it was for some other purpose, and only put two and two together after the fact. So pay careful attention when that person first reveals their suspicions to the murderer, as she briefly explains what she had been asked to do earlier, and how that led to her current suspicions. The full meaning of her cryptic comments only become clear later on, when the fake alibi is revealed.
I am one of the biggest Columbo fans. I just love Peter Falk and his most famous character, Lieutenant Columbo. In this one, Dabney Coleman plays a wealthy corrupt attorney who kills his rock star girlfriend and sets her male lover with the crime. We don't actually see the crime since it's not Columbo's style to show a victim in a degrading matter. We are only given hints of what he does to her. It's fine by me. Columbo episodes are always tastefully done rather than carelessly graphic. What makes Columbo episodes so entertaining is the empathy for the victims regardless of judgment. Dabney Coleman as a popular LA criminal defense attorney tries to outsmart Columbo but fails. No criminal is smart enough to beat Columbo.
When his ex-rock star partner threatens to expose him unless he pay her off, successful lawyer Hugh Creighton kills her but makes it look like her lover that did the crime. He is helped by the fact that her lover flees the scene giving the police someone to chase while Creighton makes sure everyone gets to see his grief. However with Columbo on the case nothing is ever that simple and all it takes is a few out-of-place things and he immediately has doubts. With Creighton using his considerable experience in the court to help him, Columbo digs deeper.
As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Knowing this ahead of time won't ruin anything for you; it is simply what happens in all the films. With this strict adherence to formula it is usually simple enough for the series to do the business although I have had my fingers burnt with some of the "new" Columbo's. This one is actually pretty good though despite having some side additions that are unnecessary and don't really work. The plot is reasonably good and is well delivered although at times it is a bit of a stretch a problem to some viewers but most Columbo fans will just accept this as par for the course. The attempts at comedy are reasonably good but the scenes that place Columbo in, say, an interrogation room don't really fit with the formula.
The main winners for the film are the performance from the lead two. Falk is good even if the material isn't totally true to his character; but when given the chance he is really good as shown in the hilarious but mocking conclusion. Coleman is hardly a classic foil but at least he is up for some cat'n'mouse and his abrasive performance fits the film pretty well. The support is not as good; not so much in the bigger roles (which are all fine) but in the small additions like "regular" character George (Gilborn) and the pointlessly feisty Currie; although Little Richard at least is a strange find.
Overall though this should please fans even if it is not up to the standards of the original Columbo episodes. The main two are good together and the plot moves along well apart from a few big leaps here and there (and one weirdly creepy moment with a Columbo "mask"). Good enough for fans then but probably not strong enough to win new ones.
As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Knowing this ahead of time won't ruin anything for you; it is simply what happens in all the films. With this strict adherence to formula it is usually simple enough for the series to do the business although I have had my fingers burnt with some of the "new" Columbo's. This one is actually pretty good though despite having some side additions that are unnecessary and don't really work. The plot is reasonably good and is well delivered although at times it is a bit of a stretch a problem to some viewers but most Columbo fans will just accept this as par for the course. The attempts at comedy are reasonably good but the scenes that place Columbo in, say, an interrogation room don't really fit with the formula.
The main winners for the film are the performance from the lead two. Falk is good even if the material isn't totally true to his character; but when given the chance he is really good as shown in the hilarious but mocking conclusion. Coleman is hardly a classic foil but at least he is up for some cat'n'mouse and his abrasive performance fits the film pretty well. The support is not as good; not so much in the bigger roles (which are all fine) but in the small additions like "regular" character George (Gilborn) and the pointlessly feisty Currie; although Little Richard at least is a strange find.
Overall though this should please fans even if it is not up to the standards of the original Columbo episodes. The main two are good together and the plot moves along well apart from a few big leaps here and there (and one weirdly creepy moment with a Columbo "mask"). Good enough for fans then but probably not strong enough to win new ones.
¿Sabías que...?
- CuriosidadesWhen Columbo goes to the private detective, hired by Hugh Creighton (Dabney Coleman) to check on his mistress, the series pays homage to classic film noir "private eyes". The name of the private eye is Sam Marlowe. This is a combination of the names Sam Spade and Philip Marlowe. Sam Spade was the fictional private detective of Dashiell Hammett's 1930 novel, The Maltese Falcon. Phillip Marlowe was the fictional character created by Raymond Chandler in his 1939 novel "The Big Sleep". Additionally, there is a statuette of a black bird on the windowsill in Sam Marlowe's office that looks like the famous bird from El halcón maltés (1941).
- PifiasWhen the champagne bottle is first placed in the fridge, it is placed on the left. When the victim opens the fridge later, the fatal bottle is located in the middle.
- Citas
Lt. Columbo: [reading off a card] You have the right to remain silent, you know if you give that up, anything you say can be used against you. You have the right to retain an attorney... you have the right to... what the hell is that?
- ConexionesFeatured in The 43rd Annual Primetime Emmy Awards (1991)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Коломбо: Убийство рок-звезды
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
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