El jorobado de Notre Dame

I've just read a comment that this movie has a lot of bad songs. I absolutely disagree - there may be some weak parts of script or so, but music is indeed very, very good. Alan Menken made a masterpiece, as usual! The orchestration, score, everything, not to mention good voices of characters. But it is true that maybe this story isn't exactly meant for children, although Disney tried to make it closer to a child's ear and eye. I also think that the animation was really good - much more expressive than some of newer Disney's movies that were made almost entirely by computers. It's a pity that Hunchback wasn't more successful - it certainly deserved it.

The original film The Hunchback of Notre Dame was one of the saddest and most dramatic films ever. Now, Victor Hugo's original vision is put with color from disney, and it is still dramatic and sad, but it amazingly works into the Dinsey family fold, even if it is erotic, killing and weird. Great fun in voices from Thomas Hulce, Demi Moore, kevin Kline, Tonyt Jay and Jason Alexander as a gargoyle. One of the better animated films to come around in the 90's. A+

This isn't as good as Beauty and the Beast, but it is miles better than the Black Cauldron and Home on the Range, which are probably the weakest Disney movies I've seen. Stop criticising it, because it is unfaithful to the book. There are some parts of the book, that just wouldn't work, like the character of Clopin, if he was the same as he was in the book he would be too frightening for kids. Don't get me wrong, it is an amazing book, but a very complex one as well. Of course, it is more adult than most Disney movies, but it means it is mature, and I found it a dark, powerful, poignant and really chilling film, if in comparison to other Disney movies is slightly disappointing. The IMDb rating for this movie is far too low, it deserves a 7.0 to be honest. The animation is fantastic, so crisp and smooth. Notre Dame has never looked so magnificent, even in real life. The highlight was Quasimodo saving Esmeralda from getting burnt at the stake, accompanied by a hauntingly-beautiful Dies Irae. The characters are also well done, and so is the theme-driven story, and the themes are very mature and complex. Speaking of the characters, I know all of them had changed, but they were so well-developed, unlike Black Cauldron. Quasimodo was poignantly voiced by Tom Hulce, and his character is possibly the most sensitive character in Disney history. Esmeralda was brilliantly voiced by Demi Moore, who brought a little bit of herself into the role. She is feisty and beautiful. When you look into her eyes, you instantly know how wrong Frollo is about her. I have always loved her hair, but her chief beauty are her eyes, a beautiful colour and filled with such sadness. Frollo is a very complex villain, and the sinister timbre of Tony Jay's voice flawlessly matched that. The sequence in front of the fireplace was a definite highlight and gave me goosebumps, as well as his death scene. He looked evil! Then there is Clopin, a very underrated and relevant character. Paul Kandel voiced him marvellously and his singing was out of this world. Pheobus was the most changed character, but Kevin Kline was really funny here. I liked the gargoyles, they were very funny. However, my only criticism about this movie, is to do with them. I liked their song "Guy Like You" but it was misplaced. It should have been put there 20 minutes earlier, not when Paris is burning down. The songs are on the whole just brilliant, and the score so powerful and emphatic! The magnificent opening is the best beginning to a Disney movie. "Out there" is very heartfelt, and "Topsy Turvey" is great fun. "God help the Outcasts" is hauntingly beautiful. The only song I had a problem with was the song in the Court of Miracles, because I couldn't hear a word they were singing, and I loved "Someday" and "Heaven's Light". Some bits made me laugh, but there were plenty of scenes that made me cry, especially when Quasimodo thinks Esmeralda is dead, and he is seen comforting her body. Really poignant! In conclusion, a brilliant movie, with one of the most poignant endings in an animated film. 9/10, though it was so close to a 10. Bethany Cox

Going into the theater to see this movie, my friend and I (who are "cynical" teenage movie critics) honestly expected to be disappointed, especially after the relatively blah Pocahontas. When the movie was over 90 min. later, we both ran frantically to go buy the CD and read the book (which, actually, was rather different than the movie, but hey.).

I am 17 years old; I grew up watching The Little Mermaid and Aladdin. When Disney released this movie, which dealt with extremely heavy subject matter in an extremely tasteful manner, I jumped for joy. During the entire movie, I was amazed and spellbound. The music was also fantastic, by the way, as was the cinematography (although those crowd scenes begin to look really fake after a while). That scene where Quasimodo holds Esmerelda up in front of the rose window and yells, "Sanctuary!" still gives me chills.

This is not a movie for children in any way, shape or form. I think the only problem with Hunchback is the fact that Disney refused to accept that this is a serious, relatively adult motion picture and would not make any animated movie, no matter how serious, without obnoxiously cute little critters (i.e., the gargoyles) bouncing around to entertain the kiddies, or huge marketing campaigns at McDonald's, etc. As some others have written on here, it's pretty obvious this movie isn't for kiddies from its subject matter.

But anyone over 13 who's willing to think as well as be entertained when watching a Disney movie would probably love Hunchback.

Well... No. Not quite. It's not the 'conventional classic' that everyone loves and adores (see: Aladdin, The Lion King) and will show their children and their children's children. But that's just it. How anybody can deny that this is a fantastic film is beyond me.

Okay, it's in no way true to the story. But who cares? This is a Disney FILM. It's hardly setting out to be a serious piece of literature-to-film.

It's just... breathtaking. Not just the animation (which is some of the most accomplished from Disney to date, whilst we're on the subject), but the characterisation and pace of story. Frollo is, arguably, the most evil Disney villain ever committed to celluloid. Here, Disney touches on dark themes never before explored in their animated feature lengths; the main one being lust. The scene with 'Hellfire' is truly chilling.

Quasimodo is a brilliant Disney hero. His alienation is easy to relate to, and yet he's still alien enough for one to feel so sorry for him. He's just so tragic. His unrequited love for Esmerelda as she runs off with someone cooler and better looking is something we can all relate to. I quite like how the ending is part conventional for Disney and part not. Yes, the pretty heroine gets the knight in shining armour, but at the same time the real leading man doesn't have to be paired off with a beautiful leading girl in order to end up happy.

The voices are really talented- the notable standout for me being Kevin Kleine as Phebus, and Esmerelda is arguably one of the best things Demi Moore has ever done. I also adore, against most people's opinions, the gargoyles. Yes, they're a bit OTT, but that's what Disney sidekicks are all about, and they provide essential comedy balance for the darkness of the film.

The Hunchback Of The Notre Dame may not be the most authentic film storyline-wise, but it is dark, touching, scary, poignant, funny, chilling, moving (it never fails to leave me in floods of tears) and is one of the few Disney films that can stand alone from Disney as a wonderful piece of cinematography in it's own right.