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This Jean-Claude Van Damme action vehicle gets good marks for sound, low profanity, some very good action scenes and some interesting characters that keep your attention. It loses marks for excessive violence, too much "Rambo" mentality (good guys don't get hit despite a barrage of bullets) and, yet, another modern-day film in which the FBI is corrupt.

This is also another of these action films that has TOO much action. It would be better with some more lulls. It almost gets ridiculous in spots. Nevertheless, some of the scenes such as car chases, fires and explosions are so well-done you have to admire the great stunt work in here. Man, those stunt men earn their money!

You would be hard-pressed to find two leads in any film with the bodies of Van Damme and Natasha Henstridge and neither are shy about showing them off, so you have the usual gratuitous sex scenes, but they are brief, as is the profanity. This is a loud film. If you have good speakers, be ready to have the room shake with lots of bass.

Overall, it's about 100 minutes of mindless but entertaining diversion.

While not necessarily one of my favorites from his more "classic" collection (Bloodsport, Kickboxer, etc.), I give this one a lot of credit for creating an overall highly suspenseful experience, full of intense action/chase sequences, and with more of a story than many other action-oriented efforts in its class. The script by Larry Ferguson (writer of The Hunt for Red October and definitely one of the more respected people to pen a Van Damme movie) places storytelling over action setups and, in general, feels a bit smarter than the average Van Damme vehicle. There isn't any real mystery to the story, though: the revelation of Alain's brother and his affiliation with the Russian mafia is dealt with without too much buildup, and the story begins to revolve around Alain retreading his brother's unsuccessful steps to distance himself from the mob and escape from corrupt FBI agents. His relationship with his brother's old flame (Natasha Henstridge, Species) is interesting at first but is then more or less dropped into your lap. Nevertheless, the movie never loses a sense of suspense: Alain doesn't seem quite as empowered as other characters Van Damme was playing at the time, so it rarely seems impossible that he could be killed. Soundly-weighed production values by director Lam help set a good mood and the art direction is, at times, inspired.

The film features a pretty good cast, including Jean-Hugues Anglade (Betty Blue) as Alain's partner and David Hemblen (Exotica) in a limited role as the leader of the Russian mafia, but the unexpected dramatic moment of the picture belongs to Van Damme for a surprisingly adept instance of silent acting near the end of the movie wherein Alain listens to a recorded message by his late brother. Ringo Lam would continue to bring a little something extra out of Jean-Claude in the future, even directing him to his first-ever dramatic award nomination five years later, but "Maximum Risk" is probably the most palatable of all their collaborations for its all-around strengths and mainstream appeal.

Overall rating: 7 out of 10.

If you see only one Van Damme film...see Maximum Risk. It is a decent thriller, not just a martial arts flick. Unfortunately, after seeing how good Van Damme can be (yes, he can act - something we've yet to see from Stephen Seagal who he's usually compared to) it makes you sad to see how many bad films he's really made.

This has to be the best Jean-Claude Van Damme action movie he has made. It has it all, and it has it in spades. This movie is 100 minutes, and 95 of those are pure action.

You have great car chases through the streets of Nice and New York.

You have a whole lot of people the Government is not going to have to arrest and try because they will not be around.

You have three, count them three outstanding fights between Jean-Claude Van Damme and the biggest, baddest dude you can imagine.

And, you have Natasha Henstridge in the bathroom making love and giving us a view we will long remember.

What more can you ask for?

I guess 'Maximum Risk' kind of marks Van Damme's 'turning point' from 'A-list action star' to 'straight-to-video' action star. Prior to 'Maximum Risk,' most of his films were primarily released theatrically, however, due to lackluster Box Office returns in the U.S. this one quickly went to the small screen... and so did many of his subsequent ones.

Jean Claude Van Damme plays a cop in France who finds out he had an identical twin brother who he had been separated at birth ('Double Team' anyone?), but now died during an attempt to reunite the family. Now, he must travel to America to track down what happened to his long lost bro.

Yeah, it's an 'action' film, but there's probably not enough action to really stick in your mind. Sure, there are all the usual car chases and fights, but the decision to make Van Damme an ex army sniper means he's primarily skilled with guns rather than his trademark fists. Not only does this mean that he doesn't do as much martial arts as you might expect, but also he tends to use a pistol (and, unless it's just me, but don't army snipers use high-powered rifles?).

Natasha Henstridge plays the 'love interest' and she's in it basically to fall in love with JCVD. Her character gets about as much development as the bad guys, who are pretty much totally forgettable. Some of them are Russians and, just to add extra clichés, they contain a 'Yuri' (are there any Russian men who aren't called 'Yuri' or 'Dimitri?').

I know Van Damme's character hasn't had his mind wiped, but the script plays out like a modern day version of 'Total Recall' (or is it just me?). Either way, it's not half as much fun as Arnie's sci-fi epic. It's a kind of 'filler' film in Van Damme's catalogue. There's actually nothing I can say that's really bad about it, it's just not that memorable and certainly not half as much of a guilty pleasure as many of his earlier outings.