PUNTUACIÓN EN IMDb
7,1/10
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TU PUNTUACIÓN
La vida de Michael Collins, uno de los líderes del ejército republicano irlandés y figura capital en la guerra de la independencia de su país contra los ingleses.La vida de Michael Collins, uno de los líderes del ejército republicano irlandés y figura capital en la guerra de la independencia de su país contra los ingleses.La vida de Michael Collins, uno de los líderes del ejército republicano irlandés y figura capital en la guerra de la independencia de su país contra los ingleses.
- Director/a
- Guionista
- Estrellas
- Nominado para 2 premios Óscar
- 4 premios y 17 nominaciones en total
Jer O'Leary
- Thomas Clarke
- (as Ger O'Leary)
Mike Dwyer
- James Connolly
- (as Michael Dwyer)
- Director/a
- Guionista
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
7,135.7K
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Reseñas destacadas
Deeply flawed but compelling
I saw this first in the now defunct Capitol Cineplex in Cork. I was surprised to see so many senior citizens in the cinema. The cineplex was so scummy it had to be something special to draw them in. Some of them might have been old enough to remember the civil war or at least to have had a close family member killed in it. Many of them were clearly moved by it particularly the end with its archive footage. It is a moving film, but you have to be careful.
One should never confuse history with entertainment and this is not a history lesson. All the major events are there, but there is a horrible bias from the director. I don't like DeValera or what he stood for, but what was hinted at the end in this movie is a travesty. If such a thing is true, you have to prove it, you can't slyly hint at it. There are other insidious things such as mortars and car-bombs which are clear reference to the 1970s-90s Northern conflict. Such weapons did not exist in 1916. To me this is an oblique way of implying that the Provos are somehow the legitimate heirs of the IRA in 1916 which of course they are not.
Despite this I enjoyed the movie a lot. The production values and acting was so good, it really felt like a timewarp. Neil Jordan is a great director, Neeson and Rickman are superb in their parts. Rickman looks so much like DeValera it is uncanny. I even liked Julia Roberts. It looks like she made a fair attempt at a Dun Laoghaire accent and of course it sounded phony. Southside Dublin accents all sound phoney to me anyway so I didn't mind. The best moment was the scene where Collins starts the civil war sitting behind a howitzer aimed at the Four Courts and fires. You can see a huge explosion and bits coming out portico. I actually felt scared that they had damaged this famous Dublin landmark. This won't mean much to someone from overseas, but anyone familiar with the Four Courts and the resident lawyers (sorry "barristers") in their eighteenth century costumes would surely enjoy firing an artillery piece at the overpaid clowns. I wish I had a howitzer like that.
One should never confuse history with entertainment and this is not a history lesson. All the major events are there, but there is a horrible bias from the director. I don't like DeValera or what he stood for, but what was hinted at the end in this movie is a travesty. If such a thing is true, you have to prove it, you can't slyly hint at it. There are other insidious things such as mortars and car-bombs which are clear reference to the 1970s-90s Northern conflict. Such weapons did not exist in 1916. To me this is an oblique way of implying that the Provos are somehow the legitimate heirs of the IRA in 1916 which of course they are not.
Despite this I enjoyed the movie a lot. The production values and acting was so good, it really felt like a timewarp. Neil Jordan is a great director, Neeson and Rickman are superb in their parts. Rickman looks so much like DeValera it is uncanny. I even liked Julia Roberts. It looks like she made a fair attempt at a Dun Laoghaire accent and of course it sounded phony. Southside Dublin accents all sound phoney to me anyway so I didn't mind. The best moment was the scene where Collins starts the civil war sitting behind a howitzer aimed at the Four Courts and fires. You can see a huge explosion and bits coming out portico. I actually felt scared that they had damaged this famous Dublin landmark. This won't mean much to someone from overseas, but anyone familiar with the Four Courts and the resident lawyers (sorry "barristers") in their eighteenth century costumes would surely enjoy firing an artillery piece at the overpaid clowns. I wish I had a howitzer like that.
Great historical piece
Anyone interested in history especially that pertaining to how Ireland broke away from the United Kingdom and became it's own country definitely should check out this movie.
Liam Neeson was born to play Michael Collins, can't think of any other actor who would've been appropriate to play this role. Aidan Quinn and Alan Rickman were both also great in their roles. Julia Roberts gets way too much hate for her role in this movie. She was perfectly fine in her role and if anyone else without the attention that she brings had been in that role it wouldn't have gotten all the negative reaction that it had gotten.
Liam Neeson was born to play Michael Collins, can't think of any other actor who would've been appropriate to play this role. Aidan Quinn and Alan Rickman were both also great in their roles. Julia Roberts gets way too much hate for her role in this movie. She was perfectly fine in her role and if anyone else without the attention that she brings had been in that role it wouldn't have gotten all the negative reaction that it had gotten.
"There is no history, only biography," Ralph Waldo Emerson.
Fiction heavy bio-pic of the man who lived and died for Irish independence.
History on film is a difficult beast at the best of times and no one - and I mean no one - could produce an uncontentious film about Michael Collins: The Irish rebel rouser and politician who helped (the key word) form the first Irish Free State.
Sadly writer/director Neil Jordan takes the view that the history book can be tossed away if it goes against his own agenda or hampers audience sympathy. He created a stick for reviewers to hit him with - and boy did the blows rain down on his head. These blows, alone, might have killed any chance this "difficult" film had at the box office.
(It went down like a lead balloon in America which shows that behind the bluster and flag waving most Irish-American's aren't really interested in their own history.)
If only they had stuck more closely to the uncontested facts film writers would have focused on the good things. Which include excellent cinematography (good use of filters) and first class performances from all bar the all-at-sea (and mostly unneeded) Julia Roberts.
A perfect example of the Hollywood of today: All perfect teeth and good looks, but no ability to do characters or accents. I actually cringed while she was speaking in her "Irish" accent!
(The producers don't help much either by dressing her in a range of expensive outfits that change between shots: Destroying any sense of her being a poor country girl! Indeed scenes of poverty seems to be avoided rather than played upon.)
Liam Neeson was born to play Collins both physically and temperamentally, a dream part for him. There isn't a second that I don't believe in him. Shame there isn't more parts like this for him to play.
I don't mind my country being the bad guy in this movie, because we deserve it. What we did in Ireland will always be a stain on our history, but where is the context? The two countries have always been closely intertwined - not only due to geography but also due to wealth and technology reasons.
Also to be understood is that British troops had no experience of civil war or terrorism. They had been fighting wars against a uniformed enemy that stood in front of them. The people that joined up were often criminals or people that couldn't find alternative employment; or even wanted a bit of adventure in their lives.
Here their enemy dressed in civilian clothes and shot at them in the street (often from point blank range) and then ran. The people they killed were often Irish police or suspected informers. It was very ugly, but it was ugly on both sides.
There was also plenty of infighting (of the literal variety) that was more about gangsterism than Irish politics: A side road this film doesn't want to wander down.
The film also takes the view that "violence was the only path." South African apartheid crashed without the blacks winning any kind of civil war - indeed theirs probably extended the run of the white elite. Times move on, to quote Ghandi, "all tyrannies must fall.... however strong they appear at the time."
Despite everything this is an important film and Neil Jordan's best so far. It has too many little truths about power and real politics to be ignored easily and it does expose one "Irish hero" as a weasel. Watch the film to see which one.
A lot of responsibility fell on Neil Jordan's shoulders making this. It is a one-off deal. It isn't like a book, there won't be another Michael Collins film next year. More people - world-wide- will gain information about him from this film than any other medium. Therefore the hodgepodge mix of fact and fiction makes me uneasy - especially when so many of the debates and politics that are raised here are still ongoing.
History on film is a difficult beast at the best of times and no one - and I mean no one - could produce an uncontentious film about Michael Collins: The Irish rebel rouser and politician who helped (the key word) form the first Irish Free State.
Sadly writer/director Neil Jordan takes the view that the history book can be tossed away if it goes against his own agenda or hampers audience sympathy. He created a stick for reviewers to hit him with - and boy did the blows rain down on his head. These blows, alone, might have killed any chance this "difficult" film had at the box office.
(It went down like a lead balloon in America which shows that behind the bluster and flag waving most Irish-American's aren't really interested in their own history.)
If only they had stuck more closely to the uncontested facts film writers would have focused on the good things. Which include excellent cinematography (good use of filters) and first class performances from all bar the all-at-sea (and mostly unneeded) Julia Roberts.
A perfect example of the Hollywood of today: All perfect teeth and good looks, but no ability to do characters or accents. I actually cringed while she was speaking in her "Irish" accent!
(The producers don't help much either by dressing her in a range of expensive outfits that change between shots: Destroying any sense of her being a poor country girl! Indeed scenes of poverty seems to be avoided rather than played upon.)
Liam Neeson was born to play Collins both physically and temperamentally, a dream part for him. There isn't a second that I don't believe in him. Shame there isn't more parts like this for him to play.
I don't mind my country being the bad guy in this movie, because we deserve it. What we did in Ireland will always be a stain on our history, but where is the context? The two countries have always been closely intertwined - not only due to geography but also due to wealth and technology reasons.
Also to be understood is that British troops had no experience of civil war or terrorism. They had been fighting wars against a uniformed enemy that stood in front of them. The people that joined up were often criminals or people that couldn't find alternative employment; or even wanted a bit of adventure in their lives.
Here their enemy dressed in civilian clothes and shot at them in the street (often from point blank range) and then ran. The people they killed were often Irish police or suspected informers. It was very ugly, but it was ugly on both sides.
There was also plenty of infighting (of the literal variety) that was more about gangsterism than Irish politics: A side road this film doesn't want to wander down.
The film also takes the view that "violence was the only path." South African apartheid crashed without the blacks winning any kind of civil war - indeed theirs probably extended the run of the white elite. Times move on, to quote Ghandi, "all tyrannies must fall.... however strong they appear at the time."
Despite everything this is an important film and Neil Jordan's best so far. It has too many little truths about power and real politics to be ignored easily and it does expose one "Irish hero" as a weasel. Watch the film to see which one.
A lot of responsibility fell on Neil Jordan's shoulders making this. It is a one-off deal. It isn't like a book, there won't be another Michael Collins film next year. More people - world-wide- will gain information about him from this film than any other medium. Therefore the hodgepodge mix of fact and fiction makes me uneasy - especially when so many of the debates and politics that are raised here are still ongoing.
Flawed but a good film nonetheless ....
What worries me about films based on historical characters and events, is that a lot of people take them at face value and accept them as fact whereas very few of them are completely accurate, and this film is no exception. However, despite the inaccuracies and speculations, it's a good film. Liam Neeson in particular gives a great performance in the title role, really bringing the complexities of the character to life. Rickman is also good as DeValera. Julia Roberts is horribly miscast and I can only think she was in it to boost box office ratings - although I would have hardly thought that necessary with Neeson and Rickman as the main characters. To be fair her character was pretty superfluous anyway and only included to add some romantic interest.
Overall it's worth a watch, although if you really want to know about the British/Irish conflict read a book!
Overall it's worth a watch, although if you really want to know about the British/Irish conflict read a book!
Historical and rousing film about an Irish revolutionary that led his country to independence
An epic movie about the hero of the Irish revolution that commanded a guerrilla war and led an army against the British . It is set in Ireland 1916, Michael Collins uses terrorist tactics and organizing political assassinations . By 1921 The British are willing to negotiate. But Sinn Fein President , Eamon de Valera , doesn't accepts the result of the complex negotiation. As Collins is unwillingly drawn into a stateman's role as negotiations for an Anglo-Irish treaty begin in1921, ultimately dividing the country in two and leading to Collins to fateful consequences. As Michael Collins' dreams inspired hope. His words inspired passion . His courage forged a nation's destiny.
This is an epic tale of passion and fate whose starring has to face off several dangers , treason, and extreme difficulties to get his purports . The picture gets great production design , spectacular scenes , impressive movement of masses and a cast of thousands. Based on historical events about a revolutionary leader with the Irish volunteers, a guerilla force , an early version of the IRA, dedicated to freeing Ireland from British rule by any means necessary. Interpretations are pretty good , such as Liam Neeson giving a nice acting as the stubborn Michael Collins , Aln Rickman as the cunning Eamon de Valera and Aidan Quinn as Harry Boland . Accompanying the starring trio, there's a good support cast, such as : Julia Roberts, Stephen Rea, Ian Hart, Sean McGinley, Brendan Gleeson, Charles Dance, Stuart Graham and Jonathan Rhys Mayers, among others.
It displays a luxurious and colorful cinematography by prestigious cameraman Chris Menges. Likewise, an emotive and sensitive musical score by great composer Elliott Goldenthal, adding catching Irish songs. The motion picture was competently directed by Neal Jordan (Danny Boy , Mona Lisa , In company of wolves , Crying game , Breakfast on Pluto, Greta, Byzantium). Rating : 7.5/10 . Better than average . Essentian and indispensable seeing for historical cinema fans and Liam Neeson fans.
This is an epic tale of passion and fate whose starring has to face off several dangers , treason, and extreme difficulties to get his purports . The picture gets great production design , spectacular scenes , impressive movement of masses and a cast of thousands. Based on historical events about a revolutionary leader with the Irish volunteers, a guerilla force , an early version of the IRA, dedicated to freeing Ireland from British rule by any means necessary. Interpretations are pretty good , such as Liam Neeson giving a nice acting as the stubborn Michael Collins , Aln Rickman as the cunning Eamon de Valera and Aidan Quinn as Harry Boland . Accompanying the starring trio, there's a good support cast, such as : Julia Roberts, Stephen Rea, Ian Hart, Sean McGinley, Brendan Gleeson, Charles Dance, Stuart Graham and Jonathan Rhys Mayers, among others.
It displays a luxurious and colorful cinematography by prestigious cameraman Chris Menges. Likewise, an emotive and sensitive musical score by great composer Elliott Goldenthal, adding catching Irish songs. The motion picture was competently directed by Neal Jordan (Danny Boy , Mona Lisa , In company of wolves , Crying game , Breakfast on Pluto, Greta, Byzantium). Rating : 7.5/10 . Better than average . Essentian and indispensable seeing for historical cinema fans and Liam Neeson fans.
¿Sabías que...?
- CuriosidadesMichael Collins adopted guerrilla tactics used by the Boers during the Second Boer War (1899-1902).
- PifiasEamon de Valera is shown surrendering with the General Post Office garrison after the Easter Rising. However, he was actually Commandant of the garrison at Bolland's Mills, which surrendered after the GPO upon receiving orders to stand down. He was never at the GPO during the Rising.
- Citas
[Michael Collins arrives at the ceremony to take down the British flag]
British officer: You're seven minutes late, Mr. Collins.
Michael Collins: You've kept us waiting 700 years. You can have your seven minutes.
- Créditos adicionalesOpening scroll: At the turn of the century Britian was the foremost world power and the British Empire stretched over two-thirds of the globe. Despite the extent of its power its most troublesome colony had always been the one closest to it, Ireland For seven hundred years Britain's rule over Ireland had been resisted by attempts at rebellion and revolution, all of which ended in failure. Then, in 1916, a rebellion began, to be followed by a guerrilla war which would change the nature of that rule forever. The mastermind behind that war was Michael Collins. His life and death defined the period, in its triumph, terror and tragedy. This is his story.
- Versiones alternativasWhen first shown in cinemas in the UK, the scene of Collins being ambushed and killed additionally appeared at the beginning of the film, but in the DVD version the ambush is only shown towards the end.
- Banda sonoraLow whistle and Uilleann pipes
Played by Davy Spillane
Courtesy of Sony Music Entertainment (U.K.) Limited
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Michael Collins, el precio de la libertad
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 11.092.559 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 182.221 US$
- 13 oct 1996
- Recaudación en todo el mundo
- 11.136.590 US$
- Duración
- 2h 13min(133 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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