Muerte en Granada

Some of the other commentators could be right: this film might not be totally accurate, historically speaking. But than again, it is a film. And it does portray the life & death of this astonishing Poet & Playwright & Person, FEDERICO GARCIA LORCA, very well.

The film has two story lines, and the second (or first ?) obscures the attention for the Man of the Title every now and then. But the film keeps the viewer on edge, it is intriguing and in a way very exciting.

Andy Garcia has not been better in years, and the cabby has always been a miraculous actor. Others are very well too, so this film must be well directed.

Every individual who is caught by the story, and is getting interested in Lorca, is an asset to this film. And who knows, maybe we all start to read his beautiful work again in great numbers.

The film is very beautifully shot. For those who are intrigued by Lorca and want to know more: please buy his work, but also: there is the other film on his death. 'LORCA, MUERTE DE UN POETA' of '87 (you could check out my comment on that one too..). Available on DVD thanks to the lovely Suevia Films-label, in Spanish but with English subtitles, and on the 'net' available at the Spanish Barnes & Noble, El Corte Ingles. This film is less glamorous than THE DISAPPEARANCE..., yet breathtakingly beautiful, and airs a bit more (in an unobtrusive way) of Lorca's poetry.

Watch both these films, you won't be disappointed ! Might even send you looking for some fabulous books !!

Though the costumes are nice, the movie is just too slow and muddled. I never get the feeling of Lorca's greatness from Garcia's acting. James Olmos is adequate, but not much else helps this to be a gripping story. I wanted to know a lot more about why Lorca was chosen to die. I don't think that the writers or directors put this across well.

I didn't know much about Garcia Lorca or Spanish history; I was interested in this movie just because some of my favorite actors are in it.

The plot itself is not very intriguing, and the main character can hardly keep one's interest to keep on watching. But I'm glad I saw the film because of its incredible camera work. Most of the scenes were so beautifully lit and filmed that I could not get my eyes off the screen.

So, if you're interested in Spanish history or Garcia Lorca, this is a must. If you like to see films with excellent camera work, this is also a must.

For everyone else: forget it.

All in all: 6 out of 10.

Right off the bat, let me confess, I know nothing about Garcia Lorca beyond the fact I had heard one of his stories being acted out on BBC radio... So, sitting down to watch this movie, I was prepared for anything, but essentially the worst. Instead, I was pleasantly surprised!

At the start of the Spanish Civil war in the 1930's, a famous poet and playwright, Garcia Lorca goes missing. The story takes up when a fan who was a child when he met Garcia Lorca, returns to find out at whose hand did the venerable poet die at.

You have to assume that the story is more or less completely fabricated - because no one knows what happened to Garcia Lorca. So, that said, the storyline was pleasantly paced leading up to the gripping twist at the end.

Strong performances were turned in by all the cast - in particular, Esai Morales (Ricardo - the grown up child wondering what happened to his hero), Andy Garcia (Garcia Lorca - albeit, I will admit that at times, Andy Garcia came across as a smooth talking mafia dude rather than a writer...) and Miguel Ferrer (Centano).

I enjoyed this film and recommend it to anyone who likes action-based drama's centred in history!

This movie is about more than the murder of Federico Garcia Lorca. It shows the contrast between the artistic authority of anyone like Lorca and the power of the so-called authoritarian governments, such as the one formed by the Fascist party in Spain, 1936-1976. If you are creative in music, dance, theatre or art then you are the natural enemy of the power-hungry, who create nothing, and are compelled to disguise their inadequacies with culture they steal from you and those like you. They covet your authority, and what you make, in order to present themselves to the world as "authoritarian" and "cultured." But they are only impotent thugs. Too many Americans are sympathetic to such motivations and procedures, and find this movie confusing. These are the same uninquisitive folk who never notice that Spain was not involved in World War II -- Hitler occupied every country in northern Africa, Scandinavia and Europe, except for Spain. Why not? The Allies, relentlessly speaking out against the horrors of fascism, never said a mumbling word about Spain. Why not? I especially liked the movie because of Andy Garcia's portrayal of Lorca. His Lorca is intelligent, vigorous, creative, comfortable, confident and responsible.