Un año después del asesinato de su madre, una adolescente es aterrorizada por un nuevo asesino, que tiene como objetivo a la chica y a sus amigos utilizando las películas de terror como part... Leer todoUn año después del asesinato de su madre, una adolescente es aterrorizada por un nuevo asesino, que tiene como objetivo a la chica y a sus amigos utilizando las películas de terror como parte de un juego mortal.Un año después del asesinato de su madre, una adolescente es aterrorizada por un nuevo asesino, que tiene como objetivo a la chica y a sus amigos utilizando las películas de terror como parte de un juego mortal.
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- 12 premios y 11 nominaciones en total
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Hate To Admit It, But It's Great
The plot of `Scream' is very simple: a masked knife-wielding maniac is busy stalking the students of High, killing them off one by one. The killer's inordinately obsessed with one girl, Sidney Prescott (Neve Campbell), who of course gets involved in the quest to unmask the killer. The catch (in case you don't already know it), though, is brilliant. Everyone in the film is familiar with all the slasher film conventions. They know that you shouldn't walk in the woods alone at night. They know that having wild sex is an unwritten invitation to be hacked to pieces. They know not to say things to each other like `I'm going outside for a cigarette; I'll be right back.' -- such statements are virtual death warrants. One of the best examples (and best characters) of this is Randy (Jamie Kennedy), the film-obsessed nut of the film, who actually goes so far as to muse what `real' actors and actresses should play the other characters in the film, going so far as to joke about who gets to be Tori Spelling. All the dumb conventions of slasher films are pulled out of the shadows, exposed for what they really are . . . and then, some of them get used anyway, because the characters willingly choose to ignore those conventions. Some cliches are thrown away, while others are embraced. `Scream' really turned the horror/slasher film genre on its ear, becoming the first truly suspenseful and exciting slasher film in many, many years simply because it suddenly had a million new avenues to explore. The film's self-awareness allowed to move in brand-new directions . . . and suddenly, scenes that used to be predictable in other slasher films suddenly become incredibly intense in `Scream'.
Director Wes Craven was perfect for this film -- as director of slasher classics like `Nightmare On Elm Street', he easily sets the visual feels and style of film to perfect evoke all the slasher films of yore . . . and then, much like `Scream's' script, chooses to either faithfully follow the tried and true, or to go off in competely unexpected directions. Either way, Craven manages to create a lot of absolutely nail-biting, thrilling scenes. He also doesn't hold back with the gore, which is always a plus in great slasher films. The acting ranges from barely mediocre to good -- Neve Campbell's okay as Sidney; Courtney Cox is pretty good as tart-tongued reporter Gail Weathers; Jamie Kennedy rules as Randy the film geek; and David Arquette is utterly bland and forgettable as Deputy Dewey Riley, the sad-sack policeman. But casts in slasher films don't particularly matter anyway; the good ones are all about suspense, terror, and gore. And in `Scream', Wes Craven provides massive amounts of all three of those criteria.
The irony is, `Scream' spawned dozens of imitators, and by spawning imitators, all the new avenues opened up by `Scream' quickly got old and boring once more. Still, purely on its own merit, it's an excellent film. The best slasher film of all time is still John Carpenter's `Halloween', without question, but `Scream' actually runs a close second. It's well worth watching. Grade: A-
Iconic, unique, fresh, a definitive new horror
What made Scream so successful is that it was never patronising, and displayed a strong sense of ironic self-awareness. It took every horror cliché in the book and turned them upside down. For the kids that had seen too many movies, there was now a movie for them. The characters did not follow the clichés, but in fact talked about them, and talked about what would happen if they were in a movie. This sense of irony may seem tired now, but when Scream came out it was new and exciting. There was rarely a need to scream 'don't go upstairs' or suchlike in Scream, because the characters themselves were saying that! The idea of the killer being amongst the students adds a fresh dimension to the film, as fear gives way to paranoia at not being able to trust anyone. The subversions of the accepted horror clichés, in particular in the opening ten minutes (I'm not going to give anything away for those who have not seen it) also contribute to making Scream a truly shocking movie. It was this sense of innovation that made Scream such a breath of fresh air for the horror genre, and it is only a shame that Craven's genius has been ripped off so many times that his work has dated far too quickly. Craven and Williamson have also created a new horror star but it was not a particular character but just a costume with an iconic mask. The Scream mask has become just as symbolic, perhaps even more so, than that of Michael Myers or Jason Vorhees.
For any serious horror movie fans, Scream is essential viewing, if only to witness the film that started it all. The 'movie within a movie' idea was terrific, and would be taken even further in the sequel. The frequent references to classic horror movies, and reversals of accepted horror clichés, especially in the opening ten minutes) are also fun to watch out for. There is even a wonderful moment where one boy climbs in the bedroom window of his girlfriend a scene that would be taken and used as one of the foundation for Williamson's successful teen series Dawson's Creek.
The iconic mask, the one-liners, and the unique self-awareness when it comes to horror clichés make Scream a true original accept no imitations.
Single-Handedly Revived the Slasher Genre
Enjoyed it a lot more than expected...
We open with a mysterious voice calling up a girl called Casey, who is home alone about to watch a scary movie. She tries to blow him off but he is persistent and eventually begins to creep her out. Things don't end too well for Casey, or her boyfriend, Steve, after a masked assailant has finished with them. We then switch to another girl, Sidney, her mother had been murdered almost a year ago and her father is about to leave on a business trip. All the talk the next day at school is about the murder and on returning home Sidney receives a call from a man with a mysterious voice. She isn't so easily scared, but still she is attacked by the same masked assailant. Having fought him off, her boyfriend, Billy turns up just before Deputy Dewey. Having found a cell phone on him, Dewey arrests Billy and Sidney goes to stay the night with Dewey's sister, Tatum. As time goes by the bodies begin to mount up and this attracts the media, particularly ambitious reporter, Gale Weathers. It's only a matter of time before Sidney is to be the next on the list, and anyway, there's a score to settle and an awful lot of suspects.
This made a refreshing change for me, a horror film that doesn't take itself too seriously but at the same time has all the scares and shocks of a more serious one. I liked it! Decent performances all round; Neve Campbell did a good job as Sidney, as did Skeet Ulrich as Billy. Also of note were Courteney Cox as Gale Weathers, David Arquette as Deputy Dewey and Matthew Lillard as Stuart. Also nice cameos from Drew Barrymore as Casey, Wes Craven very briefly appeared as Fred the Janitor and Henry Winkler as Principal Arthur Himbry.
There is a great soundtrack too, including an interesting acoustic rendition of 'Don't Fear the Reaper' when Sidney and Billy are first seen on screen together (very nicely done). I suspect, unfortunately, that the other films in the series may not live up to this rather good beginning, but we shall see If you haven't seen it, it's definitely worth a viewing, even if you're not really a fan of teen horrors (like me) Final verdict: Recommended.
My Score: 7.5/10
Thrilling, refreshing horror tale
It was written in a way that deceived and tricked and had you jumping out of your seats but also laughing at the paradoxical black humour. For anyone looking for a good horror film with a twist, you won't find a better one than Scream.
Overall I give it 9.5/10
Who Almost Starred in 'Scream'?
Who Almost Starred in 'Scream'?
¿Sabías que...?
- CuriosidadesThe party scene near the end of the film runs forty-two minutes long. It was shot over the course of twenty-one days from the time the sun set to the time it rose. After it wrapped, the crew had t-shirts made that read "I SURVIVED SCENE 118" (which was the name of the scene during shooting). The cast and crew jokingly called it "The longest night in horror history."
- Pifias(at around 34 mins) When Gale is attempting to enter the police station with Kenny the cameraman, she is stopped by a police officer and is heard saying "Hey watch the hand, do you know who you're dealing with here?!" But her mouth isn't moving.
- Citas
Stu: Did you really call the police?
Sidney Prescott: You bet your sorry ass I did.
Stu: [starting to cry] My mom and dad are gonna be so mad at me!
- Créditos adicionalesHenry Winkler, who played Principal Himbry, was asked to go uncredited because the producers did not want to detract any attention from the younger, lesser known actors.
- Versiones alternativasGerman DVD/VHS releases by VCL/MAWA were offered in two versions: the uncut 'Not under 18' version and a cut version which misses 4 minutes and has a 'Not under 16' rating.
- ConexionesEdited into What Happened to Her (2016)
- Banda sonoraDon't Fear The Reaper
Performed by Gus Black (as Gus)
Written by Donald Roeser
Courtesy of Sony/ATV Tunes LLC
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Scream
- Localizaciones del rodaje
- 1820 Calistoga Road, Santa Rosa, California, EE.UU.(Sidney's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 14.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 103.046.663 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.354.586 US$
- 22 dic 1996
- Recaudación en todo el mundo
- 173.046.663 US$
- Duración
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1







