Tin Cup

Kevin Costner is, as IMDB says, the washed-up golfer giving lessons to greenhorns in the back end of nowhere. Into his life comes a therapist of sorts, played by Rene Russo, looking for golf lessons. She's all head and he's all heart. That being the case, simplistic though it sounds, she tells him he should follow his heart and trust himself when making decisions. Then he asks her out. Oops.

She's involved with an old rival of his, a successful golfer, played by Don Johnson. Tin Cup (Costner) evidently ruined his chances, years back, on account of a perverse stubborn streak. When he gets in that mood there's no talking to him. Russo isn't biting so Tin decides to try and qualify for the top tournament, the US Open, to impress her. He knows he's the right man for her, and that Don is only posing as the right man.

Know thyself. The most ancient wisdom. Accepting oneself, that's another matter. Tin actually seems pretty laid back for a washed up golfer, a might-have-been. But hey, whatevs.

This isn't a po-faced sports drama, it's a sports comedy, a sports romantic comedy. It basically ends with something that has become the bane of all out existence, a publicity stunt to secure fame. Cup sure has courage, even if he lacks sense.

A feel-good golf movie. Not an eagle but definitely a birdie.

"Tin Cup" is a unique experience, in that after viewing this movie, you won't automatically compare it to any other film ... there isn't another one like it.

It wrote in another review that all sports films contains many clichés. Well, I have to contradict myself in describing this film about golf. It starts many clichés, and then breaks them in half, sometimes literally! LOL Funny, charming, romantic, and defiant, Tin Cup gives you a bit of everything ... even a realistic ending but with a crumb thrown to the future at the same time.

And the phrase "Tin Cup" made its way into sports talk for an event where a golfer REALLY screws up on a hole, especially if from stubbornness.

From an acting standpoint, "Tin Cup" may be Kevin Costner's best movie. Here he plays Roy McAvoy, a burned-out, washed-out, down-n-out golf pro a way out in West Texas. He's broke, drunk most of the time, and convinced of his own worthlessness -- hence his attraction to poetry and a puffed-up opinion of his own heroics on the golf course (he's got to have something hold on to). Roy is just this side of being a complete bum -- this is one of the few movies I've seen on any subject that actually addresses the financial condition of its loose-living hero.

"Tin Cup" is all about the dire straits of this character, and Costner is more than up to the challenge of playing this guy convincingly. Costner for once packs everything into his performance: charm, wit, sarcasm, hopelessness, bitterness, and more than a little arrogance. He is funny, laidback and shows remarkable athletic skill. He tops his career-best work in "Bull Durham" here (not surprising, since this is another Ron Shelton film).

The movie also works great as a classic heroic Quest story. McAvoy is on a mythic quest, not for the perfect 18 holes, certainly not for money, but for love. "Tin Cup" could easily have been titled "Quixote Jousts at Windmills in West Texas." Best of all, McAvoy KNOWS he's on a quest; when he refers to it in his dialogue, it sounds pathtically funny, but when you hold this story up to the ancient pattern of the heroic quest as described by Joseph Campbell, it really rings true.

Probably the most interesting aspect of "Tin Cup" is that it also works as a metaphor for what Costner has done with his career. Here's a guy who could have played it safe and easy after all those Oscars, but took off on crazy flights of fancy like "Waterworld" and lost badly. (He continued to play unsafe shots after 1996, with almost every movie that followed this one.) McAvoy plays the game his way, on a dare, on a bet, with outrageous egotism and a willingness to lose it all -- publicly. That's what Costner has done at his own game. Was "Open Range" the dreaded safe shot that corrected his course?

TIN CUP (1996) *** Kevin Costner, Rene Russo, Don Johnson, Cheech Marin, Linda Hart, Dennis Burkley. Charming romantic comedy with Costner in top form as down-on-his-luck golf pro/loser Roy McAvoy out to woo brainy psychotherapist Russo (her best role and acting yet) by turning his life around and making an attempt at getting a shot at golf's US Open with only himself and rival Johnson in the way. Funny and surprisingly smart screenplay by writer director Ron Shelton and Marin stealing every scene as Costner's sidekick/mentor. A real winner for anyone whoever considered themselves a loser.

Underdog sports movies walk a fine line with clichés; romantic comedies walk a fine line with clichés. "Tin Cup" is both these things and walks the finest of the fine lines, and though it leans toward the cliché, it never completely loses its balance. Its likable swagger behind star Kevin Costner -- a similar swagger to that of "Bull Durham," also directed by Ron Shelton -- is what makes it one of the more memorable fault-filled sports movies.

Like the previous (and slightly better) Costner-Shelton collaboration of "Durham," this film is a romantic sports comedy about a trashy/washed-up athlete who wastes a lot of talent and somehow manages to attract sexual attention.

Costner stars as West Texan Roy McAvoy, referred to sometimes as 'Tin Cup,' a talented college golfer who somehow ended up a golf pro at a downtrodden driving range with his amigo Romeo (Cheech Marin) while his college teammate David Simms (Don Johnson) went on to be a star. Roy is a betting man who goes with his gut, ignores reason and uses golf metaphors to make sense of life. When an anal retentive psychiatrist named Molly (Rene Russo) shows up at his range for lessons, Roy is smitten, only to find she's with Simms. Of course the only way to win her over is to try and make the U.S. Open, right?

Costner and Russo have forced character chemistry. There's no reason for either of them to be interested in each other, save that Roy wants a challenge compared to the white trash women he's interested in. There's certainly no reason for Molly to leave her tournament- winning boyfriend for a sleazeball. And you know it's true when the dialogue directly addresses why they fell for the other like it's justification or something.

The machismo fueling Roy and his buddies in the movie, constantly betting each other and insulting the other when he lays up and plays it safe is childish, but it brings the film its humor and keeps it from being a straight through underdog movie. Its more interested in its characters than building up plot suspense, which is a good thing, if only the characters behaved in realistic ways.

"Tin Cup" is a giant golf metaphor for life, about how taking risks -- no matter how many times you fail -- is always worth it. Shelton's film is gutsy in the same way, finding different ways of telling a sports story that will make it feel different. It goes about it in an amateur way, but it's the bravado that it will be remembered for. Shelton's films have this miraculous tendency to only let their best parts stick with you. They're the kinds of movies that make for great channel-surfing finds on TV. That's really what "Tin Cup" is.

~Steven C

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