Relación mortal

If you take it for what it is,a feast of camp,then this movie (and particularly Lange) is much fun to watch.Probably influenced by Davis's (see "hush hush sweet Charlotte") and Crawford's end of career ( see "straitjacket"),Jessica Lange gives an over the top performance of the bitchiest mother-in-law you can think of.Always a beaming smile on her face even when she 's at her most sadistic.Her bubble head son seems not to have overcome his Oedipus complex;when at the turning of the year,"Auld lang syne" is played,he dances with his mom.As for the wedding ,he seems to marry her. Besides,being able to lead a normal life

after what we learned from his "education" is hard to believe ;a boy like him would have normally ended up like cousin Sebastian in "Suddenly last Summer".

This extravaganza has also intellectual pretensions:in the church ,Martha keeps on reciting her act of contrition while quoting the Ruth Book in the Bible;in her troubled mind ,her unfortunate daughter-in-law becomes Ruth ,whose affection to mother-in-law Naomi reflects her own situation.

If you're not a highbrow,and if you like old-fashioned cheesy melodramas "Hush" is made for you.If you're a "pulp fiction" fan,well,please pass by.

I quite enjoy watching older movies (pre 2000), just to see the difference in films between then and now, so I saw this on Netflix and I took a punt. And I was quite disappointed to be honest.

So the beginning, the plot absolutely flies by, there's no dithering about and it throws you into the thick of it within minutes. 10 minutes in you know the characters, the plot, her mother's maiden name and what they had for dinner last June. This pace, in my opinion, is a good thing and I thought it would continue this way throughout. Then all of a sudden, it kind of just sticks to a standstill. Very little happens, even the ending is really underwhelming and nothing really of note happens. Between the 15 min mark and an hour all of what happened could genuinely be condensed into a single scene.

As you're watching you are waiting for THAT moment. The twist, the golden moment that makes you go "aghhh". But nothing happens, it's just really boring. You're waiting for something to go down, or even something to be said that kicks the film into gear. But no.

It also just got predictable, you knew what was going to happen in the scene and you knew what was going to happen in the next scene.

The saving grace to this film was the performances. Jessica Lange in particular played her role really well, but ultimately it's not enough to get this film going.

So yeah. Disappointed in this movie and perks ably wouldn't recommend. 4/10

From the low score it has got from the IMDB users, i didn't expect too much. I only watched it to see Gywneth Paltrow. Indeed, the first half of the film was not too impressive. The scenes tended to be fragmented. As more of the plot was unveiled, the film became intense and engaging. I think this film deserves slightly more points than it has got.

"Hush" is the kind of film that's so easy that it should work right on the first view but it's not the case. I remember watching it a few years ago and finding one of the most boring things I've ever seen except for the outstanding acting of Jessica Lange. Fate pulls its strings sometimes and one of those nights when you're desperate for something to show up on TV and there you go, there was this and I got a little gripped into seeing it again, this time paying more attention to details. Well, it turned out to be quite a good film, undeserving the low rating that is getting now.

A twisted and thrilling tale about acceptance and skeletons in the closet? You can say that. Gwyneth Paltrow plays the lovable Helen, a successful and beautiful woman, loved by a man who's also both of the fore-mentioned qualities, the great Jackson (Johnathon Schaech) of the powerful Baring family. But he has a mother, the surprising Martha (Jessica Lange) of whom Helen always tries to please to the best since Jackson and his mom has some strong bonds between them and she wants to be part of this quite perfect family. Habitual to flicks of the same caliber, there's secrets, tension between both women and a certain disdain the old lady feels for the younger and it's up to Helen to discover what's the problem with the Baring family. Her only great ally is Jackson's grandmother (Nina Foch, excellent), father of Martha's late husband, and keeper of some family secrets that can storm a big mess in everyone's lives.

There isn't much to be said about "Hush" except that the cast is great, even though they're not at their greatest moment. Except Lange and Foch who are brilliant, and the memorable special appearance of Hal Holbrook as the doctor. But it's Lange who steals the show playing a pitiful villain, sometimes adorable, other times really cruel but most of the time always in control of the situation. The plot should include more characters to make this more tense and less concentrated in those three main characters. The relationship between Jackson and Martha could've go to more controversial ways, cause everything seems to indicate that (the scene where he's covered in mud and she cleans him, they're like pretending it's just a silly joke. There's something going on there).

I know Jonathan Darby has directed better films (like the criminally underrated and almost forgotten "The Enemy Within" with Forest Whitaker) but what he makes here is quite good, never cheap and at the most entertaining to watch for its cast and the beautiful cinematography. 8/10

Jackson Baring takes his girlfriend Helen to his family's horse farm Kilronin. Jackson's mother Martha has been running the place but would like her son to take over. Jackson and Helen are living together in New York City and are reluctant to leave that life. But Helen somehow gets pregnant, even though she was using birth control, and the two get married and eventually do take over the farm.

Jackson blames himself for his father's death when he was 7. Martha knows the truth but won't tell him, and she seems to have an unnatural relationship with her son. It's almost as if she sees his father and wants to be with him in that way. And she sees the baby as a means of continuing the legacy, but not a child to be loved, at least not in the way most people would. Her treatment of Helen is strange, as if Helen is only useful until the baby is born, and then she will be in the way.

The ending is exciting and sort of creepy at the same time.

Jessica Lange does a fine job here as Jackson's overly controlling and demented mother. However, Nina Foch gives the standout performance as Jackson's grandmother, who is kept in a fancy nursing home because only she knows the truth about how her son died.

I think all the leading actors did a good job here. I usually can't stand Debi Mazar, who was a co-worker to Helen and possibly her boss, but I would like to have seen more of her here. But if Helen had to move out of New York, I guess keeping her job was out of the question.

I suppose my favorite scene was the one where Helen gets out of bed naked and meets her mother-in-law for the first time. That one was edited for TV in such a way it seemed kind of jerky and I didn't get to see much, but a lot depends on how one sees this movie.

It's not typical of what I like in a movie, but still entertaining.