Un hombre lucha con los recuerdos de su pasado, que incluyen una esposa que no recuerda y un mundo de pesadilla del que nadie parece despertar.Un hombre lucha con los recuerdos de su pasado, que incluyen una esposa que no recuerda y un mundo de pesadilla del que nadie parece despertar.Un hombre lucha con los recuerdos de su pasado, que incluyen una esposa que no recuerda y un mundo de pesadilla del que nadie parece despertar.
- Director/a
- Guionistas
- Estrellas
- Premios
- 12 premios y 19 nominaciones en total
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Reseñas destacadas
Outstanding sci-fi film noir
The film kicks off as a straightforward murder mystery, featuring the ever underrated Rufus Sewell (in a rare Hollywood good guy role) as a wronged man on the run from the authorities. So far so Hitchcock, but throw in a dogged cop (William Hurt, who's never been better) and a series of repugnant baldies led by the camp but excellent Richard O'Brien, and you have the recipe for one uniquely thrilling film.
There are missteps along the way, including the infamously bad judgement of the studio to include an opening narration which makes redundant all the genuine twists and surprises later on in the story, but for the most part this is an exhilarating slice of film-making and much more mature than the better known Keanu Reeves-starrer. Proyas elicits some fascinating performances from his assembled cast, including an alluring debut for Aussie starlet Melissa George, a creepy turn for British character actor Ian Richardson, a bug-eyed role for MAD MAX 2's Bruce Spence, Jennifer Connelly as a paragon of virtue and the surprisingly excellent Kiefer Sutherland, cast against type as a twitchy doctor whose role owes much to Peter Lorre. The special effects involving the buildings are superb and the film as a whole is a refreshingly original piece of sci-fi done on a grand scale.
Unconventional sci fi film
Must see for sci-fi lovers
Speechless
It's absolutely worth watching.
Confusing at first but ultimately fantastic
The movie is set in a 1940ish looking city where detectives are hunting John, along with the mysterious strangers. The tall buildings and the knowledge that the strangers could be anywhere in the city gives a menacing ambiance, heightening the tension in the movie and giving off a great effect on the viewer. The special effects in Dark City are stunning and realistic, especially when certain characters use "tuning".
Rufus Sewell gives a good performance as John Murdoch, though i could'nt help feeling he was holding back somewhat. I could think of a few other actors who could have gave a much better performance but he was generally good.
Kiefer Sunderland as Dr. Daniel Schreber was very good and seemed to have put all of his effort into his character, its quite an unusual role for Sunderland but he pulls it off pretty well.
Another performance worth mentioning is Richard O'Brien as Mr Hand, he gives a genuinely creepy performance as one of the main strangers, i thought i would see him and think crystal maze through all of his scenes but he does a pretty good job of playing a convincing character.
Overall the movie leaves a few unanswered questions, leaving the viewer to conduct their own theories about the outcome of events. I have a good grasp of the story as a whole but some people will find bits and pieces confusing. A great film anyways, i gave it an 8 because it tends to drag in some spots, but the end makes up for all doubts.
¿Sabías que...?
- CuriosidadesA number of pieces of the set, including those used for the rooftop chase, were sold to the production of Matrix (1999) at the end of shooting.
- Pifias(at around 60 mins) After John Murdoch opens the door and almost falls from the building, as he hangs by his hands the door is on his left, except when shown from above, when it is on his right.
- Citas
John Murdoch: When was the last time you remember doing something during the day?
Inspector Frank Bumstead: What do you mean?
John Murdoch: I just mean during the day. Daylight. When was the last time you remember seeing it? And I'm not talking about some distant, half-forgotten childhood memory, I mean like yesterday. Last week. Can you come up with a single memory? You can't, can you? You know something, I don't think the sun even... exists... in this place. 'Cause I've been up for hours, and hours, and hours, and the night never ends here.
- Créditos adicionalesThere are two different Panavision credits used: the "Camera Equipment: Panavision" credit, and after that, the "Filmed in Panavision" credit with "Lenses & Cameras by" above it, despite being shot in Super 35.
- Versiones alternativasThe director's cut omits the opening monologue.
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Ciudad en tinieblas
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 27.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 14.378.331 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.576.953 US$
- 1 mar 1998
- Recaudación en todo el mundo
- 27.201.335 US$
- Duración
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1








