Aprendiendo a vivir

Matt Hobbs (Nick Nolte) is a working actor unable to get good gigs. His professional life is diminished by the likes of arrogant producer Burke Adler (Albert Brooks) who ropes him into being his driver. His wife leaves their daughter Jeannie (Whittni Wright) with him even thought he hasn't seen her in 2 years. He's attracted to like-minded production assistant Cathy Breslow (Joely Richardson).

Nick Nolte has an angry intensity. I think James L Brooks is looking for that odd couple with a gruff old guy and a little girl. I get it but it's the anger in him and quite frankly the little girl that makes it hard to laugh at. The little girl has a streak of meanness in her. She's not just the quintessential cute little girl. She's yelling for the first half of the movie. The duo has their cute moments but not any funny moments.

Albert Brooks has some funny moments but he doesn't really fit the stereotype of a Hollywood producer. He's a more bumbling character than that. It's hard to see him push anybody around.

This movie has really got the "Brooks Touch" and that's a very good thing. I can't understand why this has got such a low ratings on the IMDB, or why it is so little known. Like AS GOOD AS IT GETS and the even better, but overall largely underrated TERMS OF ENDEARMENT, this again is a wonderful story about real people. And when Brooks is in the director's seat, you know this film isn't going to take the easy way. I can only recommend this movie, especially because of the many lovely moments and the excellent dialogue. My only complaint is that some of the dialogue is a bit too smart for its own good and that it doesn't always ring true. The actors are very good too, especially Nick Nolte, Joely Richardson and the young Whittni Wright(who is wonderful). They're not the really big names, like in the two aforementioned movies, but they did a very good job. Also look out for the character played by Albert Brooks, which is very familiar with Jack Nicholson's character in AS GOOD AS IT GETS. It almost seems a trademark of James L. Brooks, who keeps delivering the goods with his original and always fresh romantic comedies. Don't miss this one! 8/10

I saw this movie recently on cable TV and liked it a lot . I was looking for something other than the usual action/shootout/special effect types and ended up selecting this one. I'm glad I did. The supporting actors were excellent and Nick Nolte & Whittni Wright were outstanding in their roles. It was refreshing to see Nolti do this type of thing, although I'm not surprised that he did it well. He's an actor who has, over time, honed his skills to an art form. I'm not sure that he is appreciated as much as he should be. Anyway, in my opinion, "I'll do Anything" is underrated here. I give this flick a high mark and hope that my participation in the "vote" will raise the average score of this fine movie. For those who have had their fill of movies that focus on violence, try this delightful James L Brooks production for a change of pace. Or if you simply want to watch a movie that entertains... go for this one.

Although I found the movie a bit frenetic, it seemed to have a ring of truth about how things work in Hollywood (especially the "Would you sleep with him?" scene). Nick Nolte keeps everything going, as usual, with his marvelous acting. Is there any other "big guy" actor who can cry believably (well, maybe Harrison Ford)? He was just terrific, so believable as the father who didn't know what to do with his spoiled brat daughter. And wasn't Whittni Wright amazing? I can only hope that was acting, as I've seen plenty of kids just like her. The supporting cast was terrific. It was hard to pinpoint what there was about this movie that made it not quite so good as it could have been. Perhaps it was that it really was an "in-house" film, one that anyone who has been through what the various characters have could identify with, but perhaps not us out in the hinterlands (coming from Wyoming to Australia, I'm definitely hinterland!). Kudos to actors and director for keeping this film together. With lesser talent, it could have fallen flat on its face.

Just caught this flick on Cable by accident. lazy Sunday afternoon, and Contact was playing on TNT for the 50th 'premiere' time, so I figured, what the heck.

And actually, it's kinda interesting I thought. Nick Nolte and kids are always terminally cute for some reason (ref. Three Fugitives with Martin Short). He's like like a big St. Bernard dog.

Anyway, the story is OK, losta phony LA movie folks earnestly searching for themselves, blah, blah, blah. Somewhere in there, there is some genuine humor and heartfelt sentiment. Actually not all that mushy. Tracey Ullman is horrible as always, but apart from that an OK Sunday afternoon flick.