Aprendiendo a vivir

Just caught this flick on Cable by accident. lazy Sunday afternoon, and Contact was playing on TNT for the 50th 'premiere' time, so I figured, what the heck.

And actually, it's kinda interesting I thought. Nick Nolte and kids are always terminally cute for some reason (ref. Three Fugitives with Martin Short). He's like like a big St. Bernard dog.

Anyway, the story is OK, losta phony LA movie folks earnestly searching for themselves, blah, blah, blah. Somewhere in there, there is some genuine humor and heartfelt sentiment. Actually not all that mushy. Tracey Ullman is horrible as always, but apart from that an OK Sunday afternoon flick.

This is one of those 'greater than the sum of its parts' movie, where you can't quite put your finger on why it's so great, but it just is.

The set of this movie must've motivated these actors to beyond their usual performances..........maybe because the script is so great(they all get their shots at character development..... I can think of 5.)

There's Nick Nolte, I've never DISliked him, but his physique combined with his sweet fatherly attitude makes for the perfect combination; it makes him very attractive. Joely Richardson I've only seen in one other movie, but she keeps you interested in her character all the way through, however quirky, weird, or whimsical. Nolte's daughter (Wright) is SO believable as the spoiled little rich girl, brought up by man-hater Tracy Ullman (!)'s character as mom. The two other characters are supporting; one is that lady who does Marge Simpson's voice, and her love interest. All these characters develop and learn.

This film also ironically gives insight into the film industry, and how truly unglamorous Hollywood can be. Nick Nolte must cry in a room full of people withOUT the director even being there, a group of ladies who work in casting are asked, when deciding yay-or nay on this actor, if they would sleep with him.

But in the end, it stays true to its source, meaning it doesn't look completely down at Hollywood or anything else. It's just a really adorable feel-good movie.



Did I mention adorable?



-Sep

I saw this movie recently on cable TV and liked it a lot . I was looking for something other than the usual action/shootout/special effect types and ended up selecting this one. I'm glad I did. The supporting actors were excellent and Nick Nolte & Whittni Wright were outstanding in their roles. It was refreshing to see Nolti do this type of thing, although I'm not surprised that he did it well. He's an actor who has, over time, honed his skills to an art form. I'm not sure that he is appreciated as much as he should be. Anyway, in my opinion, "I'll do Anything" is underrated here. I give this flick a high mark and hope that my participation in the "vote" will raise the average score of this fine movie. For those who have had their fill of movies that focus on violence, try this delightful James L Brooks production for a change of pace. Or if you simply want to watch a movie that entertains... go for this one.

Matt Hobbs (Nick Nolte) is a working actor unable to get good gigs. His professional life is diminished by the likes of arrogant producer Burke Adler (Albert Brooks) who ropes him into being his driver. His wife leaves their daughter Jeannie (Whittni Wright) with him even thought he hasn't seen her in 2 years. He's attracted to like-minded production assistant Cathy Breslow (Joely Richardson).

Nick Nolte has an angry intensity. I think James L Brooks is looking for that odd couple with a gruff old guy and a little girl. I get it but it's the anger in him and quite frankly the little girl that makes it hard to laugh at. The little girl has a streak of meanness in her. She's not just the quintessential cute little girl. She's yelling for the first half of the movie. The duo has their cute moments but not any funny moments.

Albert Brooks has some funny moments but he doesn't really fit the stereotype of a Hollywood producer. He's a more bumbling character than that. It's hard to see him push anybody around.

Writer & Director James L Brooks has a very sure touch when it comes to movies. I'll Do Anything was conceived as an old fashioned musical. A parody of actor's lifestyles and film clichés.

Test audiences were not impressed with the film and at the time musicals were out of fashion.

I presume the songs were actually rubbish which tends to be the case with a lot of musical films.

Re-cut and re-edited, this is now a straight story with Nick Nolte, playing Matt Hobbs, a once promising actor who has not managed to get a regular acting gig in some time. He ends up driving around an arrogant film producer (Albert Brooks.)

Things take a turn when his ex-wife dumps their daughter Jeannie on Matt for what he thinks is for a few weeks but turns out to be longer as she is off to jail.

Matt's daughter is used to getting her own way and he is not used to fatherhood.

Matt's career may have some brightness as he gets friendly with with an attractive production assistant (Joely Richardson) who has a script idea and thinks Matt could be the lead actor.

The film was hampered from the start with its production troubles. Nick Nolte does well as a down on his luck actor with a brat of a daughter and trying to bond with her while dealing with machinations of the film industry.

James L Brooks succeeded so well when he turned his eye on TV news with Broadcast News. The story here is not strong enough and although the actors try hard the film comes off as hollow.