Las bucaneras

I paid almost 40 buckaroos for this PBS/BBC collaboration...and it was worth every red cent. What a treat...what a wonderful story...what amazing characters...and what a fantastic cast! Mira, Carla, James Frain, and Greg Wise are absolutely AWESOME. I love them all for making this mini such a delight. It's absorbing to the point that I was glued to my TV set till the very end. Mira's character (Conchita) is full of fire and has an amazingly kind heart...and her Brazilian accent is perfect. Carla wins your heart as the head-strong, and independent Nan (Annabelle). Greg Wise is great as the romantic and determined Guy Twaite. But, the best--to me--is James Frain's Julius, Duke of Trevenick. Julius is one of the most complex characters I've seen on a small or large screen in a very long time. He's a young man who feels immense love but is unable to express it adequately...and when frustrated by his emotions or by his young wife (Nan), he is prone to abusive behavior...that he later regrets. He is a product and victim of his times...a prisoner of his title and what is expected of him as a Duke. Carla's and James' chemistry was so wonderful that some how you hope they will be able to work things out in their difficult marriage. You see all the missed opportunities on the part of both Nan and Julius...opportunities that probably would have made their union a success. So, it's sad and rather tragic to see it all fall apart, when it really didn't have to. But, Julius and Nan are both VERY young...and ill equiped to overcome outside influences, or to fully realize the duties of their positions as Duke and Duchess of Trevenick. Julius is guilty of bad actions and heartless decisions, yet, at the same time, he is capable of sincere kindness and gentle-ness. He is a man torn between the past and it's restraints upon him and the present with it's promise of love and happiness if he would but only allow himself to feel and express it. Julius Trevenick is someone you love and hate at the same time.

All the characters are well drawn. All the cast is first-rate..and the story is extremely compelling. I believe Edith Wharton would be very proud.

The miniseries really belongs to Carla Gugino (Nan) whose story we follow and who grown from childish dreamer to a woman who can weigh the consequences of her actions. Mira Sorvino's accent is impeccable, and both Alison Elliot and Rya Kihlstedt are great. The tale of four American heiresses who trade themselves for a place in English society is bittersweet, but has the most upbeat ending of all of Wharton's works. Don't miss it.

This film was magnificent and nothing short of breath taking. You know when you've got the talents of Mira Sorvino and Alison Elliot (Spitfire Grill) you can't go wrong. Not only were these actresses brilliant and believable, in their wretched marital situations, but I was also able to discover the talents of Cherie Lunghi and Carla Gugino. Gugino, especially shined as the philosophical and impetuous, Nan. Lush settings and beautiful costumes were just the crowing touches to this film that illustrated, wonderfully and very accurately, the foreign social customs of England and the USA in the 1870's. It also showed me how cruel it can sometimes be when the most crucial decisions in life are given to the young and innocent. Splendid entertainment and with all confidence I can truly say that this film is one of closest films to reach to perfection that I have ever seen.

... Wharton died before finishing-writing The Buccaneers, Wadey finishing her story for this screenplay, many viewers and Wharton fans thought her version too "Hollywood," too unrealistic, as ALL of Wharton's previous novels, have markedly realistic & distinctly solemn endings for all their characters & plot lines

... finding the ending suitable or not, it's a decent adaptation for TV, and the cast does good work bringing it to the screen... set in a time one-hundred-fifty-years ago, it's a timeless work that would hold up whenever viewed

... if viewers and fans didn't like the '95 version, can't imagine they'll be viewing the 2023 one any better at all, as they are night-n-day-different... better-or-worse, ur-call.

We almost gave up at the end of the first episode, which is slow moving and frivolous -- endless scenes of giggling young ladies behaving like thirteen year old girls. But by the end of the second episode we were glad we persisted. In the context of the full story, the carefree lives of the American girls before they get to England, although overdone, is a necessary contrast. This five episode mini-series is a watchable adaptation of Edith Wharton's last (and unfinished) novel. The characters are well drawn, the settings are sumptuous, and the depiction of upper-class English life in the late nineteenth century is believable and illuminating.