Un mafioso viaja a Hollywood para cobrar una deuda y descubre que el negocio del cine es muy similar a su trabajo actual.Un mafioso viaja a Hollywood para cobrar una deuda y descubre que el negocio del cine es muy similar a su trabajo actual.Un mafioso viaja a Hollywood para cobrar una deuda y descubre que el negocio del cine es muy similar a su trabajo actual.
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- 6 premios y 16 nominaciones en total
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Funny, with a terrific Travolta
I am not sure whether I liked the movie or just John Travolta and his character Chili Palmer. I had a lot of fun watching 'Get Shorty', based on the novel by Elmore Leonard, so it doesn't really matter. The movie is about a mobster from Miami, Chili Palmer, who ends up in Los Angeles. After meeting a movie producer named Harry Zimm (Gene Hackman) he gets interested in the movie business. This is the main story, but this movie is based on an Elmore Leonard story so there are a lot of sub-plots with lots of interesting characters, all with great dialogue.
Besides Chili Palmer and Harry Zimm we meet Karen Flores (Rene Russo), an actress known for her screaming, Martin Weir (Danny DeVito) who is the hot actor of the moment, Ray Bones (Dennis Farina) who wants to collect some money that Chili has, Bo Catlett (Delroy Lindo) who wants money fro Harry Zimm, Bear (James Gandolfini) who was a stuntman but now is Bo's bodyguard, Leo Devoe (David Paymer) who stole the money that brought Chili to Los Angeles and Doris (Bette Midler). All characters are colorful, have great dialogue and an interesting part in the story, but all those great things are there together with Chili. For every nice moment Travolta is present.
The actors play their characters very well. Again, Travolta is great and owns the movie, but especially Farina and Hackman do a great job as well. The movie is well directed by Barry Sonnenfeld (from 'The Addams Family'), knowing how to avoid boring moments. The story with its dialogue would be enough to make a nice movie out of it. Fortunately we have the actors and direction to make it even better and definitely more entertaining.
Besides Chili Palmer and Harry Zimm we meet Karen Flores (Rene Russo), an actress known for her screaming, Martin Weir (Danny DeVito) who is the hot actor of the moment, Ray Bones (Dennis Farina) who wants to collect some money that Chili has, Bo Catlett (Delroy Lindo) who wants money fro Harry Zimm, Bear (James Gandolfini) who was a stuntman but now is Bo's bodyguard, Leo Devoe (David Paymer) who stole the money that brought Chili to Los Angeles and Doris (Bette Midler). All characters are colorful, have great dialogue and an interesting part in the story, but all those great things are there together with Chili. For every nice moment Travolta is present.
The actors play their characters very well. Again, Travolta is great and owns the movie, but especially Farina and Hackman do a great job as well. The movie is well directed by Barry Sonnenfeld (from 'The Addams Family'), knowing how to avoid boring moments. The story with its dialogue would be enough to make a nice movie out of it. Fortunately we have the actors and direction to make it even better and definitely more entertaining.
Mafiosi love movies too!
Elmore Leonard's books must be loved by film screen adapters. His characters translate very well from the written page to the moving picture. "Get Shorty" is one of Mr. Leonard's best stories and it gets a very good treatment in the hands of Barry Sonnenfeld, its director, with the help of Scott Frank, who adapted it for the screen.
The casting of the movie was it's greatest asset. John Travolta is so cool as Chilli, the mafioso who loves movies! In his scenes with Gene Hackman, he demonstrates what a good actor he is. On the surface, he appears to do nothing; he works with an economy that is very hard to imitate. Granted, after Mr. Travolta's amazing appearance in Pulp Fiction, this was a confirmation and validation of his talent.
It was surprising, since I didn't remember his appearance on the movie, to watch actor James Gandolfini, prior to his recent fame. He plays a stuntman turned wise guy. Mr. Gandolfini must have gone through a great dental cosmetic transformation, unless he was made up to look very ugly, as Bear, in the film. I have greatly admired his work before his TV series, as a fine character actor, which he demonstrates here the potential he had and was not discovered until much later.
Delroy Lindo is also excellent as one of the bad guys in the film. This actor, who is as great in films as in the theater, deserves much better. He is a man that always gives an honest performance. Not being a Danny DeVito fan, I must confess that he was very restrained here. He can do very good work with the right director behind him, as he shows playing the egotistical actor, Martin Weir.
Also excellent, Dennis Farina. It's unfortunate he doesn't get better choices because he is always very effective in whatever he plays. In this film, he is hysterical as Ray "Bones" Barboni. Rene Russo, as the bit player with a heart of gold, is good.
What can be said of Gene Hackman that hasn't already been said? His Harry Zimm is so accurate that we believe he is this sleazy Hollywood producer. Mr. Hackman is a consummate performer who keeps getting better all the time.
If I had enjoyed the film the first time, looking at it a second time was a revelation.
The casting of the movie was it's greatest asset. John Travolta is so cool as Chilli, the mafioso who loves movies! In his scenes with Gene Hackman, he demonstrates what a good actor he is. On the surface, he appears to do nothing; he works with an economy that is very hard to imitate. Granted, after Mr. Travolta's amazing appearance in Pulp Fiction, this was a confirmation and validation of his talent.
It was surprising, since I didn't remember his appearance on the movie, to watch actor James Gandolfini, prior to his recent fame. He plays a stuntman turned wise guy. Mr. Gandolfini must have gone through a great dental cosmetic transformation, unless he was made up to look very ugly, as Bear, in the film. I have greatly admired his work before his TV series, as a fine character actor, which he demonstrates here the potential he had and was not discovered until much later.
Delroy Lindo is also excellent as one of the bad guys in the film. This actor, who is as great in films as in the theater, deserves much better. He is a man that always gives an honest performance. Not being a Danny DeVito fan, I must confess that he was very restrained here. He can do very good work with the right director behind him, as he shows playing the egotistical actor, Martin Weir.
Also excellent, Dennis Farina. It's unfortunate he doesn't get better choices because he is always very effective in whatever he plays. In this film, he is hysterical as Ray "Bones" Barboni. Rene Russo, as the bit player with a heart of gold, is good.
What can be said of Gene Hackman that hasn't already been said? His Harry Zimm is so accurate that we believe he is this sleazy Hollywood producer. Mr. Hackman is a consummate performer who keeps getting better all the time.
If I had enjoyed the film the first time, looking at it a second time was a revelation.
"Get Shorty" stands honorably tall.
John Travolta followed up his "Pulp Fiction" comeback with "Get Shorty", in which he plays Miami hit-man Chili Palmer. Moving to Hollywood to collect a debt, he finds that show biz isn't much different from the mafia, and he decides to get involved. But of course, once there's anything mafia-related involved, things start to get ugly. Not that they weren't already seedy.
This movie has its strengths mainly in the script, but also in the strong performances from Travolta, Gene Hackman, Rene Russo and Danny DeVito. I guess that any time that someone gets a chance to show Hollywood's unseemly side, they take it. Of course, there's plenty of reasons to do so. The sequel, "Be Cool", wasn't quite as good, but still worth seeing.
This movie has its strengths mainly in the script, but also in the strong performances from Travolta, Gene Hackman, Rene Russo and Danny DeVito. I guess that any time that someone gets a chance to show Hollywood's unseemly side, they take it. Of course, there's plenty of reasons to do so. The sequel, "Be Cool", wasn't quite as good, but still worth seeing.
Great characters, simply a good comedy with a waterproof plot
"Get Shorty" is a celebration of that usual Barry Sonnenfeld style of film making. Great characters, done by a great cast including John Travolta, Gene Hackman, Rene Russo, Danny DeVito, Dennis Farina, Delroy Lindo and.. Well the list just goes on and on. A perfect mix-up of that so called "character-comedy", a movie progressing and dependant on the characters, making it hilarious comedy chaos.
The best thing about this film is obviously the whole cast, John Travolta as the smooth bad ass Chili Palmer, Gene Hackman as the hectic Harry Zimm. A bit unusual role from Hackman, which also makes the character so hilariously surreal. Rene Russo as "the girl" Karen Flores, Danny DeVito as the movie star Martin Weir with a huge ego, Dennis Farina as the loud mouth usual himself Ray 'Bones' Barboni. Delroy Lindo as the tough Bo Catlett and James Gandolfini as Bo's bodyguard, failed stuntman Bear. Everyone just simply click together, which makes the movie even better than it actually is. It's just all about the characters. Chili Palmer must be one of the coolest characters ever seen on the big screen.
Like mentioned before, Barry Sonnenfeld is the director of the movie and I honestly can't imagine anyone else directing a movie with a screenplay like this except Steven Soderbergh, the director of for example both "Ocean's Eleven" and "Ocean's Twelve". I think that Sonnenfeld's and Soderbergh's styles connect together, they are very similar. And if they'd do a British version of the movie, the director would be Guy Ritchie without a doubt. If you recognised both Soderbergh and Ritchie, then you know the style I'm talking about and if you like both of their movies you should see "Get Shorty". The other thing similar between these three directors besides the directing is the music used in their films. It's that usual horns and trumpets, giving that funky and exciting feeling for the film. It just fits for movies like these, creating that what is needed for the style. It also connects with the cinematography as well; Sudden movements of the angles, sudden stops, shots really close of the faces in these specific angles and when you add the music to that it's voilá.
"Get Shorty" is all in all a great comedy with a plot that doesn't go over the silliness level. Sometimes movies like these go over that level, which usually make them funnier but also makes the whole story so unbelievable that it just isn't enjoyable as a movie anymore. Well the movie itself isn't THAT serious, it's a comedy after all, but it's definitely some quality entertainment. It includes a nice storyline, great characters and directing that just doesn't let you down. I recommend this movie to everyone once again. It's not amazing or phenomenal, it's a nice piece of entertainment, keeping you glued to your sofa throughout. What more can you ask for a boring Friday evening?
The best thing about this film is obviously the whole cast, John Travolta as the smooth bad ass Chili Palmer, Gene Hackman as the hectic Harry Zimm. A bit unusual role from Hackman, which also makes the character so hilariously surreal. Rene Russo as "the girl" Karen Flores, Danny DeVito as the movie star Martin Weir with a huge ego, Dennis Farina as the loud mouth usual himself Ray 'Bones' Barboni. Delroy Lindo as the tough Bo Catlett and James Gandolfini as Bo's bodyguard, failed stuntman Bear. Everyone just simply click together, which makes the movie even better than it actually is. It's just all about the characters. Chili Palmer must be one of the coolest characters ever seen on the big screen.
Like mentioned before, Barry Sonnenfeld is the director of the movie and I honestly can't imagine anyone else directing a movie with a screenplay like this except Steven Soderbergh, the director of for example both "Ocean's Eleven" and "Ocean's Twelve". I think that Sonnenfeld's and Soderbergh's styles connect together, they are very similar. And if they'd do a British version of the movie, the director would be Guy Ritchie without a doubt. If you recognised both Soderbergh and Ritchie, then you know the style I'm talking about and if you like both of their movies you should see "Get Shorty". The other thing similar between these three directors besides the directing is the music used in their films. It's that usual horns and trumpets, giving that funky and exciting feeling for the film. It just fits for movies like these, creating that what is needed for the style. It also connects with the cinematography as well; Sudden movements of the angles, sudden stops, shots really close of the faces in these specific angles and when you add the music to that it's voilá.
"Get Shorty" is all in all a great comedy with a plot that doesn't go over the silliness level. Sometimes movies like these go over that level, which usually make them funnier but also makes the whole story so unbelievable that it just isn't enjoyable as a movie anymore. Well the movie itself isn't THAT serious, it's a comedy after all, but it's definitely some quality entertainment. It includes a nice storyline, great characters and directing that just doesn't let you down. I recommend this movie to everyone once again. It's not amazing or phenomenal, it's a nice piece of entertainment, keeping you glued to your sofa throughout. What more can you ask for a boring Friday evening?
often hilarious
Smart, funny mobster comedy/satire based on the novel by Elmore Leonard. Travolta is well-cast in one of his very best roles as a slick, full-time Miami loan shark/enforcer (and part-time movie buff) who travels to Los Angeles to cash in a loan, but instead ends up teaming with B-movie writer/producer Hackman to fulfill his dream of being connected to the movie business. Before he can however, he must deal with bumbling mobsters, white-collar criminals, and the anxiety of trying to find the right leading man. Crackling, hilarious dialogue, well-drawn characters, and clever insight into Hollywood moviemaking run rampant in this snappy little comedy. Maybe not for all tastes, but well-made and a definite must for Travolta fans. ***
¿Sabías que...?
- CuriosidadesGene Hackman turned down this movie at first, because he doesn't usually do comedies. Barry Sonnenfeld said that's exactly the attitude he wanted from him on-set. Play it straight, and let the audience decide if it's funny.
- PifiasAfter he visits Martin Weir's house, Chili's minivan is pointing in a different direction.
- Citas
Harry Zimm: I once asked this literary agent, uh, what kind of writing paid the best... he said, "Ransom notes."
- Versiones alternativasA line of dialogue from John Travolta is missing from the UK 2-disc edition. The line "So You're Trying to Say You're Never Gonna Sleep Again?" comes directly after the credits as a question to Martin Ferrero's character. The line is dubbed and subtitled, and the music plays out as usual, so it's not an audio glitch. The line is present on the first UK MGM-release.
- Banda sonoraA Woman, A Lover, A Friend
Written by Syd Wyche
Performed by Booker T. & the M.G.s (as Booker T. & The MG's)
Courtesy of Atlantic Recording Corporation
By Arrangement with Warner Special Products
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- El nombre del juego
- Localizaciones del rodaje
- 1017 N Crescent Drive, Beverly Hills, California, Estados Unidos(Martin Weir's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.250.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 72.101.622 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.700.007 US$
- 22 oct 1995
- Recaudación en todo el mundo
- 115.101.622 US$
- Duración
- 1h 45min(105 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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