Añade un argumento en tu idiomaTommie is a young guy in Manhattan with a dead-end job handing out fliers in Times Square. At the beginning of a fateful summer, he has a chance encounter with a friend who tells Tommie that... Leer todoTommie is a young guy in Manhattan with a dead-end job handing out fliers in Times Square. At the beginning of a fateful summer, he has a chance encounter with a friend who tells Tommie that he's headed to Provincetown, on the Cape, for a long weekend. Tommie is inspired to make ... Leer todoTommie is a young guy in Manhattan with a dead-end job handing out fliers in Times Square. At the beginning of a fateful summer, he has a chance encounter with a friend who tells Tommie that he's headed to Provincetown, on the Cape, for a long weekend. Tommie is inspired to make his own trek to P-town, where he goes on a summer long, balls-out quest for Mr. Right, eve... Leer todo
Reseñas destacadas
Tommy (Wally White) arrives in Provincetown with no money, no job, no place to stay, and grandiose ideas of the good times to be had at a gay-popular summer destination. Needless to say, one misadventure follows another: lecherous would-be employers, pot-smoking landlords, a snaky Latin lover more interested in Tommy's cigarettes than in Tommy himself. But the film is a great deal less interesting than it sounds.
In theory, LIE DOWN WITH DOGS satirizes the youthful gay party scene. In practice, however, it plays out in the manner of a particularly charmless Saturday morning cartoon. Written and directed by Wally White himself, the film seems to exist chiefly in order to showcase just how relentlessly unfunny and aggressively obnoxious White can be.
Now and then an occasional supporting player, a script idea, or a line of dialogue sparks the film to life--but such moments are too few and too far between to jolt this dog to life. Give it a miss.
GFT, Amazon Reviewer
The object of his quest isn't entirely clear because much of the film is given over to him traipsing about from guest house to guest house seeking employment as a house boy and, somewhat incidentally, looking for someone with whom to form a relationship. He rejects making any attempt to meet the one guy who everyone else regards as the best catch out there and who, by the end of the film and too late in the summer stay, turns out to be quite a nice, intelligent person. I guess the lesson to be learned is that one shouldn't prejudge others or that one should seize opportunities when they present themselves.
Most of the people he meets, whether gay visitors or locals, come across as weird and display some of the worse gay stereotypes, in some cases verging on the venal or psychotic. At least one gay stereotype that they all possess a fashion sense is laid to rest. Tommie's wardrobe often suggests he's auditioning for the lead in a revival of Leave It to Beaver. His pursuits of employment and a relationship are a disaster, but despite lengthy periods of un- or under-employment he has his American Express card to keep him going. I wonder where the monthly statements are sent.
There are some mildly amusing moments, but for the most part the film drags on and on with no apparent point or direction other than to imply that most gays are low-life types and that the people of Provincetown form a colony of weirdos. I'm not sure if the rather preposterous title, Lie Down With Dogs (and you get up with fleas) refers to this subset of humanity, but I'm pretty sure Tommie brought along his own fleas.
Unlike some other reviewers, I wouldn't say it's the worst gay film ever that's a pretty crowded field but I can't think of any reason to recommend that anyone bother to watch it. I notice this is Wally White's only venture into film making, for which we can all be grateful.
¿Sabías que...?
- ConexionesReferences Rudolph, el reno de la nariz roja (1964)
- Banda sonoraHouse of Love
Written by Kenny G. Lewis and Erick Morillo
Performed by Smooth Touch
Courtesy of Strictly Rhythm Records
Selecciones populares
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 240.280 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8812 US$
- 2 jul 1995
- Recaudación en todo el mundo
- 240.280 US$