Una nave espacial es descubierta bajo un coral de trescientos años en el fondo del océano.Una nave espacial es descubierta bajo un coral de trescientos años en el fondo del océano.Una nave espacial es descubierta bajo un coral de trescientos años en el fondo del océano.
- Director/a
- Guionistas
- Estrellas
- Premios
- 3 nominaciones en total
Reseñas destacadas
A fairly decent Crichton flick!
Definitely the giant squid thrills are insufficient (note that Crichton devoted a good part of his novel describing encounters with 'the monster'). I guess animation artists were short budgeted...though the film as a whole still is a visual treat...and the atmosphere is rightly captured, with nice music.
Overall, I think the movie is worth watching and is definitely of a much higher caliber than 'The Lost World'. It follows a psychological-cum-sci-fi thriller theme and i feel is better than the similar flick 'Abyss'. As from the novel's point-of-view...it could have been done better though. 8/10 stars!
Could have been a hit adaptation but unfortunately drowned without reaching its potential
As a kid, I vaguely remembered glimpsing Sphere (1998), but for some reason I hadn't (re)watched it until now. I'm convinced that if I had watched the whole thing back then, I'd felt far more nostalgia for it.
The book laid out a quasi 'foolproof' formula for a hit movie: gather a small group of intellectuels, isolate 'em from the outside world, add some mystery and the unknown, and voilá! Sound familiar? Despite this, the filmmakers couldn't quite crack the code for this one.
While the first act showed some promise, later acts felt rushed and ultimately fell apart, failing to capture the impact of the book, especially the end. Perhaps those story changes were as helpful as a screen door on a submarine.
Regarding the casting: Hoffman was a great choice for Norman, and Schreiber was fine as Ted. Well, Jackson is like the 'wildcard' of actors, he can work with anyone and anything, so that's that.
However, whenever Stone was on screen, I couldn't help but wonder who could portray Beth instead of her. In my mind, I envisioned actress like Amy Brenneman from Heat, or rather Kim Dickens from Mercury Rising, or even Radha Mitchell from Pitch Black --someone with a bit of edge, yet still lively and likable. Unlike Stone, who seemed devious from the get-go. While she really excelled in Basic Instinct with such mannerisms, here she seemed miscast.
Visually, some aspects still hold up. Though initially disappointed by certain missing elements, maybe it's for the best.
As for recommendations, it's probably a once-in-a-lifetime watch (even as a devoted Crichton fan, once in total is enough for now).
I rate it a weak 6/10.
PS: I'd recommend opting for the book instead, or for the audiobook (with a sample by Scott Brick, sounds nice).
First half is really good but quickly becomes a load of `spheres'!
With a cast like this you gotta have high hopes. With a director and a writer to match you deserve something fantastic! And for the most part this delivers. The build up is dark, mysterious and exciting. However once the sphere is found it goes downhill. It still has some really good moments the jellyfish bit is scary and other actions bits are cool. But it gets all muddled up in what the sphere is and who is doing what on the base. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard! It's a shame because for the most part it felt like it was building to something much better, but no.
The cast promised much but didn't deliver. Jackson was great, but I don't think he can be bad even in a bad movie. Hoffman stutters around like he doesn't know what he's doing. I know he's meant to be playing a character that isn't used to heroics, but he doesn't bring anything. Stone is OK but at times looks like she reading her lines off a board. Coyote is OK and Schreiber is understated by his own hammy standards. It's also cool to see Queen Latifah in a role.
Overall this is worth watching as for the majority it's real good. However you notice that the film has got 30 minutes left to go make your excuses and leave, by then you've seen the best it has to offer.
You can feel the potential for a great film here, but there are sadly a few issues holding "Sphere" back from being anything more than "ok."
I just don't get how "Sphere" wasn't a wonderful film!
You can feel so much potential in that opening half-hour. And there are so many good elements at play. But it just sort-of falls apart at times. It feels unfinished. (A sentiment also echoed by one of its stars, Dustin Hoffman.) It feels like it could use some tightening in some spots, some additional scenes in other places, some more work with the pacing and maybe a re-shoot or two. Then it could be a great, wonderful film. As it is now, it's merely "ok."
When a team consisting of a psychologist, mathematician, biologist and an astrophysicist are sent 1,000 feet below the surface of the ocean to investigate what could be an crashed alien spaceship, things take a bizarre turn when two revelations are unveiled. First, the ship might actually be human in origin, and second... a mysterious spherical object is found in storage on the ship, and it's influence could lead to the brink of disaster.
The performances are almost universally incredible in this film. Featuring the aforementioned Dustin Hoffman, we are also treated to the likes of Samuel L. Jackson, Sharon Stone, Liev Schreiber, Queen Latifah and Peter Coyote. And all are able to make a good impact, even when the script and storyline don't give them too much development as characters. The talent elevates the experience.
Director Barry Levinson does some incredible work here as well. Levinson (responsible for some great films) really treats the audience with a combination of intimacy and spectacle from scene to scene. His sense of storytelling, like the acting, elevates the entire feature. (Particularly admirable are some great scenes of horror and suspense. Levinson makes some interesting choices as to what he chooses to show and what he chooses to hide.)
And many other aspects of the production are equally high in quality. Elliot Goldenthal's score is magnificent and haunting. The cinematography of Adam Greenberg is perfect and gives a great aesthetic. Visual and practical effects are almost uniformly excellent. (Save for one or two "gory" effects that don't quite work.) Everything here just seems to work.
The problem, as said above, is that the film sadly doesn't feel finished. And I can't place my finger on any specific aspect of it that fails. It just needs... more work. Some parts of the film feel overlong and in need of trimming. Other parts are abrupt and feel like scenes and shots are missing. Some moments feel contrived and out of context. The pacing is all over the map. And it betrays everything that works so well. It's just a bit too sloppy in its current form.
I honestly think that if the film was given another month or so of time for post-production and editing (and maybe a week or two of re-shoots), it would have been infinitely better. Heck, it might have even been great.
But as is, the film's troubled storytelling and inconsistent pacing all but ruin the experience. Although I will contend that there is enough good here to make "Sphere" worth checking out. Even if only once for the sake of curiosity.
I give it about an average 6 out of 10. I'd say check it out if you see it on cable or available to rent. You just might like it.
Truly disappointing
¿Sabías que...?
- CuriosidadesSamuel L. Jackson would work on this film during the week, and then work on Jackie Brown (1997) on the weekends.
- PifiasHarry tells Norman and Beth that they may not be far enough away from the explosion and that they may get sucked back in, even if they aren't destroyed by the shockwave. Massive underwater explosions do not cause a suction effect, rather, the water that has been displaced rushes in to fill the void, and it will rebound numerous times. Each rebound loses roughly 60% of it's energy, but will create multiple shockwaves. This is why underwater detonations are significantly more devastating than airburst explosions.
- Citas
Dr. Harry Adams: We're all gonna die down here.
Norman Goodman: What?
Dr. Harry Adams: You see? It's curious. Ted did figure it out - time travel. And when we get back, we gonna tell everyone. How it's possible, how it's done, what the dangers are. But then why fifty years in the future when the spacecraft encounters a black hole does the computer call it an 'unknown entry event'? Why don't they know? If they don't know, that means we never told anyone. And if we never told anyone it means we never made it back. Hence we die down here. Just as a matter of deductive logic.
- Créditos adicionalesThe opening credits are cast over an invisible sphere.
- Versiones alternativasSPOILER ALERT: An alternate television edit has been shown with a simplified and more ambiguous ending that follows the shooting script; Harry warns them that the authorities are on their way to debrief them, and they will demand answers. The three survivors ready themselves to forget about their mission and the power they possess. Outside, a helicopter sets down. Subsequently, we see the three survivors being interviewed in a debriefing room after decompression, each shot individually against the same background. They react as if they're oblivious to anything going wrong in the Habitat, unaware of anything that happened to Ted, Barnes or the Sphere. The helicopter leaves, and the camera pans down to the ocean, where the Sphere supposedly still remains.
- Banda sonoraHorn Concerto No. 3 in E Flat Major, K.447
Written by Wolfgang Amadeus Mozart
Performed by Vienna Mozart Ensemble; Herbert Kraus, Conductor
Courtesy of LaserLight Digital
By arrangement with Source/Q
Selecciones populares
- How long is Sphere?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 80.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 37.020.277 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 14.433.957 US$
- 15 feb 1998
- Recaudación en todo el mundo
- 37.020.277 US$
- Duración
- 2h 14min(134 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1






