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Historias del metro

Título original: SUBWAYStories: Tales from the Underground
  • Película de TV
  • 1997
  • TV-MA
  • 1h 20min
PUNTUACIÓN EN IMDb
6,4/10
1,5 mil
TU PUNTUACIÓN
Historias del metro (1997)
Comedia negraDrama

Añade un argumento en tu idiomaThe actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and rang... Leer todoThe actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a d... Leer todoThe actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking on... Leer todo

  • Dirección
    • Bob Balaban
    • Patricia Benoit
    • Julie Dash
  • Guión
    • Adam Brooks
    • John Guare
    • Lynn Grossman
  • Reparto principal
    • Bill Irwin
    • KRS-One
    • Tina North
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,4/10
    1,5 mil
    TU PUNTUACIÓN
    • Dirección
      • Bob Balaban
      • Patricia Benoit
      • Julie Dash
    • Guión
      • Adam Brooks
      • John Guare
      • Lynn Grossman
    • Reparto principal
      • Bill Irwin
      • KRS-One
      • Tina North
    • 18Reseñas de usuarios
    • 6Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 premios en total

    Imágenes3

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    Reparto principal78

    Editar
    Bill Irwin
    Bill Irwin
    • Bill Irwin (segment "Subway Car from Hell")
    KRS-One
    KRS-One
    • Vendor (segment "Subway Car from Hell")
    • (as Kris Parker 'KRS-One')
    Tina North
    • Grandmother (segment "Subway Car from Hell")
    Paul Lazar
    Paul Lazar
    • Mr. Nervous (segment "Subway Car from Hell")
    Andre B. Blake
    Andre B. Blake
    • Knish Buyer (segment "Subway Car from Hell")
    Anthony S. Calypso
    • Knish Buyer (segment "Subway Car from Hell")
    Robert W. Castle
    Robert W. Castle
    • Knish Buyer (segment "Subway Car from Hell")
    Marlon Cherry
    • Musician (segment "Subway Car from Hell")
    Carl J. Ferrazza
    • Hot Dog Buyer (segment "Subway Car from Hell")
    Daniel Freedman
    • Strange Man (segment "Subway Car from Hell")
    Marc Mueller
    • Musician (segment "Subway Car from Hell")
    Paul Mueller
    • Musician (segment "Subway Car from Hell")
    Simon Seven
    • Musician (segment "Subway Car from Hell")
    Joe Toutebon
    Joe Toutebon
    • Knish Buyer (segment "Subway Car from Hell")
    • (as Joseph Toutebon)
    Daniel Wolff
    • Knish Buyer (segment "Subway Car from Hell")
    Mari Danzi
    • Girl Dancing (segment "Subway Car from Hell")
    Lara McFarlane
    • Girl Dancing (segment "Subway Car from Hell")
    Angie Utt
    • Distinguished Rider (segment "Subway Car from Hell")
    • Dirección
      • Bob Balaban
      • Patricia Benoit
      • Julie Dash
    • Guión
      • Adam Brooks
      • John Guare
      • Lynn Grossman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios18

    6,41.5K
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    Reseñas destacadas

    verdun

    Engaging and clever movie.

    Funny, poignant, attractively economical. Maybe the stories (and the subway scenes) are a touch sanitized but the whole thing works wondrously. It sometimes reminds you of "Smoke" - very high praise. Loved the NYC tourist's game of recognizing the stations and character types.
    paul2001sw-1

    Trains to nowhere

    The New York Subway is not just a transit network: it's also a place where all sides of that city's racial divide come together, albeit not necessarily in harmony. Even I have a collection of several Subway stories, and I was only in New York for 4 days. So the idea of making a film based on the true experiences of Subway users might not appear bad. But a collection of separate short films (each by a different director) always runs the risk of going nowhere, of offering underdeveloped plots and scenes that are meaningless without context: most of these stories end undramatically when someone simply gets off the train, and feel no more exciting or complete than the tales that I sometimes bore my friends with. Unsurprisingly, perhaps, my favourite segment is 'The 5:24', which develops a proper narrative despite fitting the overall pattern of chance encounters on brief journeys. Overall, however, 'SUBWAY stories' mainly reflects its subject matter: diverse, functional, but not exactly a place you'd choose to be without a very good reason.
    tizzi22

    Great stories, amazing singer

    I liked all the stories. Fern's Heart of Darkness was a nice little turn on a rich white woman when she was faced with being...well, I won't ruin it. Each story was a wonderful look at life and its tragedies, celebrations, and hopes. The one that got to me the most was Taryl Hicks singing to her dying mother. That not only sent a tear to my eye, but sent chills down my spine with the power and emotion displayed in her voice. There are rarely any singers that I would call even special in their talents, but this absolutely is the one I remember. Every time I see her portion in the vignettes it still sends chills down my spine and a tear to my eye.
    bob the moo

    A mixed bag of short stories that is mainly interesting and enjoyable

    HBO invited the citizens of New York to send in their stories and experiences of travelling on the subway system – 1000's did. From these, this film was produced, using the real experiences of day to day travel to inspire this anthology of short stories. Starting with a man who learns the hard way the importance of following the crowd, the film continues with the Vietnam veteran who gets a backlash from the passengers, a woman trapped in a turnstile, a man conducting an affair on a train and a man who starts getting stock tips from an old man riding the morning train each day.

    Not getting HBO in the UK, we are pretty reliant on what is imported by other channels; many of the biggest shows make it of course but it is less common for the many cable movies made by the station to reach the UK. So it was with surprise that I found somebody had bought this collection of stories and stuck in the late night schedules to be mostly overlooked and ignored. Loving short films as a type of movie experience I wanted to give this a try and I wanted it to be good and, on the whole, it was pretty enjoyable and interesting. Some of the stories are very basic or reveal their all as easily as a paid dancer and these tend to be the lesser films even if they do still have some merit.

    However the films that stood out in my mind are those that capture the randomness of life in a big city, where things happen quickly that can't be repeated or ever relived, where you don't know all the answers and it is more than just a funny story that happened. A couple of the shorts here hit this on the money and are interesting and yet leave you not knowing everything so that it does linger with questions and so on. It is these couple of shorts (Miracle Manhattan, 5:24, Love on the A Train, The Red Shoes in particular) that make the film worth seeing even if the other ones are fairly ordinary and only really watchable without being special (Fern's Heart of Darkness and Sax Cantor Riff to name two).

    The cast is impressive even if they are not all used that well and the quality of performances does rather depend on the material. Not to rate everybody but; KRS-One was a surprise but did the job; N'Bushe Wright was good; Denis Leary was impressive and convincing; Zahn was unusually understated as indeed was Stiller; I don't understand why Mekhi Phifer bothered to show up considering all he got out of it; Taylor and Rapaport make an average film better; Rockwell is an interesting find with nothing to do; Perez isn't annoying (is there higher praise than that?); Heche is shot in the distance and hard to make out and has her short stolen by a good turn from the late Gregory Hines. The rest are OK in support but really the film is more about the stories than the cast and weak stories aren't greatly improved even when they do have a good cast here.

    Overall this is an interesting collection and I'm glad I saw it. There are no really bad entries but one or two are fairly ordinary and I wouldn't rate them if they had been short films in their own right; however the majority are actually well done, interesting stories that snapshot memories and half stories to be interesting and leave the audience curious but, like the train, forced to move along and take what we can from them. Not a brilliant collection by any means but the good outweighs the average and it is worth seeing if you get the chance.
    6australianfreak1

    Oh well... worth watching, but probably not buying

    I do regret a little that I bought it without seeing it first. Some people might really like the style of those short stories, others might not. People who tend to like reading short stories would definitely enjoy most of them.

    If you are an (amateur) filmmaker yourself or have worked on low budget productions, I guess you would really appreciate it. Some of those stories are constructed very clever, it is amazing how they turned everyday situations into something special in so little time.

    If you have happened to see the September 11 short stories you might know why I expected a little "more".

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    Fuego en el cielo
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    Mulberry St.
    6,4
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    Welcome to New York
    5,6
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    El funeral
    6,6
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    Un cuento de Navidad
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    Alive in France
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    Chelsea on the Rocks
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    You Hurt My Feelings
    6,5
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    The Projectionist
    6,2
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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      HBO held a contest asking New Yorkers to submit interesting true stories that happened on the subways. The winning stories were then adapted for the film.
    • Pifias
      Narration at the start of the segment "Love on the A Train" identifies the man's daily starting point as Hoyt-Schermerhorn station. But on the day of the "first fight", it stops at Hoyt-Schermerhorn after he's on board.
    • Citas

      Old Man (segment "The 5:24"): As the hooker once said, "If they pay you for it, it's not love."

    • Créditos adicionales
      The camera pans around and breaks the fourth wall by showing the crew during the closing credits.
    • Conexiones
      Featured in Venice Report (1997)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de agosto de 1997 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Subway Stories
    • Localizaciones del rodaje
      • Nueva York, Nueva York, Estados Unidos(Subways)
    • Empresas productoras
      • Clinica Estetico
      • HBO NYC Productions
      • Ten in a Car Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 20min(80 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.33 : 1

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