PUNTUACIÓN EN IMDb
6,9/10
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TU PUNTUACIÓN
La confusión en la vida del poeta y dramaturgo Oscar Wilde después de que descubrió su homosexualidad.La confusión en la vida del poeta y dramaturgo Oscar Wilde después de que descubrió su homosexualidad.La confusión en la vida del poeta y dramaturgo Oscar Wilde después de que descubrió su homosexualidad.
- Dirección
- Guión
- Reparto principal
- Nominado a 2 premios BAFTA
- 4 premios y 8 nominaciones en total
Jackson Ellis Leach
- Cyril Wilde, aged 4
- (as Jackson Leach)
Reseñas destacadas
Stephen Fry is well cast as the 19th-century Irish author/playwright Oscar Wilde. This biopic deals frankly with his homosexuality and torment of being attracted to young men. Married with children, Wilde entered a passionate love affair with Lord 'Bosie' Douglas(Jude Law)the son of the Marquess of Queensberry(Tom Wilkinson). The affair led to a celebrated trial and two year prison sentence for outraging the decency of a stoic Victorian society. At times this film seems to drag, but is punctuated with the vivid homosexual love scenes. Supporting cast includes:Vanessa Redgrave, Michael Sheen and Jennifer Ehle.
Wilde is a film about a man's passions destroying his life. Oscar Wilde was a very interesting man and discovered his dormant homosexuality late in life. The film was very tragic in a lot of ways. The love story between Wilde and Douglas was venomous and sweet. The performances by Jude Law and Stephen Fry were top notch. The direction was a little sluggish I thought and the film could have been better paced. The production design was great though and I loved listening to Wilde's sarcasm of the British class system. If you are a fan of Oscar Wilde, you will probably like this film more than the average movie fan.
I've seen Oscar Wilde portrayed on film before. I remember Robert Morley and also Peter Finch. They both provided inklings into the heart and mind of of one of the literary giants of the 19th Century. But one aspect of the tragedy, because, let's face it, it is a tragedy. His relationship with Alfred Douglas that in a very direct way, will mark his destiny. It was so difficult to believe that Peter Finch's Wilde will go to war for someone like John Frazer's Bosie. Good looking yes but devoid of the most important element, if you are going to believe in the power that Bosie had over Wilde. Finch and Frazer have the sexual chemistry of two slices of white bread but here, in this 1997 Wilde with Stephen Fry in the title role the mystery is revealed, Jude Law makes the whole thing totally believable. The desire he inspires we see in Oscar Wilde's eyes. Stephen Fry is another Humbert Humbert to Jude Law's Lolita. Amazing when the most incomprehensible action becomes totally understandable in the face of an actor. That alone, makes this Wilde my favorite.
The acting in this film was superb. As had many viewers--I suspect-- I had only seen Stephen Fry in the Blackadder and Wodehouse series. How delightful to find another actor intelligent and flexible enough to range from Melchett to Oscar Wilde! One cannot help but watch his face very carefully, waiting to see the mask slip. He seems strangely delicate in his huge, crushing frame...A nice follow-up movie to Velvet Goldmine, especially once you know that some of the dialogue from the latter was lifted from the works of Oscar Wilde.
The mid-life years of (now genteel) decadent behavior by one of late Victorian England's celebrities, the Irish-born novelist-poet-playwright Oscar Wills Wilde (1854–1900). Director Brian Gilbert doesn't bandy about giving us the childhood torments of a literary genius; instead, he and screenwriter Julian Mitchell delve right into the more prominent chapters of Wilde's life, his marriage to a woman--producing two children--before realizing his homosexual desires, leading to some promiscuous indiscretions before finding love with churlish, childish poet Lord Alfred Douglas. Stephen Fry gives a masterful performance as Wilde, and the portrait allows for many shadings (this isn't a plea for the misunderstood gay artist, as Wilde himself is shown to be occasionally fickle, lusting, and selfish). Jude Law is equally good as ornery, demanding lover 'Bosie', whose tyrannical father brought about a court-case and two-year jail term for Wilde (covered previously in 1960's "The Man with the Green Carnation"), contributing to his early demise. A provoking, insightful, eloquent film--not at all stuffy or coy--which is due in large part to Gilbert's dexterous way with his actors and a keen sense of pacing and audience-involvement. *** from ****
¿Sabías que...?
- CuriosidadesOrlando Bloom made his film debut in this film, with a brief appearance as a "Rentboy."
- PifiasWhen Oscar Wilde visits his wife's grave near Genoa, the headstone states "Wife of Oscar Wilde." It originally stated only "Constance Mary, daughter of Horace Lloyd, Q.C." and "Wife of Oscar Wilde" was not added until later.
- Citas
Oscar Wilde: [last lines]
Oscar Wilde: In this world there are only two tragedies. One is not getting what one wants. The other is getting it.
- Créditos adicionalesThe credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team.
- ConexionesFeatured in Venice Report (1997)
- Banda sonoraAh, Leave me not to Mine Alone
from "The Pirates of Penzance"
Words and Music by W.S. Gilbert (as Gilbert) & Arthur Sullivan (as Sullivan)
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- How long is Wilde?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.158.775 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 69.424 US$
- 3 may 1998
- Recaudación en todo el mundo
- 2.158.775 US$
- Duración
- 1h 58min(118 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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