PUNTUACIÓN EN IMDb
6,3/10
19 mil
TU PUNTUACIÓN
Una chica aventurera, un hermitaño ciego y un dragón bicéfalo tontorrón buscan la espada perdida Excálibur para salvar al rey Arturo y a Camelot del desastre.Una chica aventurera, un hermitaño ciego y un dragón bicéfalo tontorrón buscan la espada perdida Excálibur para salvar al rey Arturo y a Camelot del desastre.Una chica aventurera, un hermitaño ciego y un dragón bicéfalo tontorrón buscan la espada perdida Excálibur para salvar al rey Arturo y a Camelot del desastre.
- Nominado para 1 premio Óscar
- 1 premio y 6 nominaciones en total
Cary Elwes
- Garrett
- (voz)
Andrea Corr
- Kayley
- (doblaje en canto)
Bryan White
- Garrett
- (doblaje en canto)
Gary Oldman
- Ruber
- (voz)
Don Rickles
- Cornwall
- (voz)
Jane Seymour
- Juliana
- (voz)
Céline Dion
- Juliana
- (doblaje en canto)
- (as Celine Dion)
Steve Perry
- King Arthur
- (doblaje en canto)
Gabriel Byrne
- Lionel
- (voz)
John Gielgud
- Merlin
- (voz)
- (as Sir John Gielgud)
Frank Welker
- Ayden
- (voz)
Argumento
¿Sabías que...?
- CuriosidadesBill Kroyer, the original director of this movie, intended to make a darker movie, more faithful in tone to the original book. Following the phenomenal successes of the movies of the Disney Renaissance, Warner Bros. among many other studios, moved into Warner Bros. Feature Animation hoping to replicate similar successes with their own animated movies. At Warner Brothers' behest, Kroyer's vision for this movie was rejected, in favor of a more Disney animated musical movie-style, and the movie was put into production before the story was even finalized. The complex plot and dark nature of the novel, The King's Damousel, were replaced with several animation trademarks of the 1990s-era: musical numbers, a strong female heroine, a power hungry antagonist who wants to usurp the kingdom, a romantic subplot where the couple lives happily ever after, talking animal sidekicks, and family-friendly comedy gags.
- PifiasWhen Devon and Cornwall make shadow puppets on the wall, Garrett (who is supposedly blind), looks at the shadow puppets on the wall.
- Créditos adicionalesOn the On Demand print, during the closing credits, the offer for the movie's soundtrack on CD & Cassette, that is seen before the movie begins, plays again.
- Versiones alternativasIn the version released on Netflix and YouTube, the Warner Bros. Family Entertainment logo is plastered by the Warner Bros. Television logo.
- ConexionesFeatured in Troldspejlet: Episodio #19.6 (1998)
- Banda sonoraUnited We Stand
Written by Carole Bayer Sager and David Foster
Produced by David Foster and Carole Bayer Sager
Performed by Steve Perry
Courtesy of Columbia Records
Reseña destacada
I am going to agree with the majority of the other posters here. There is a lot of good elements in this movie, but it is all put together as much more of a cliche then it had to be.
It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.
Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.
As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.
It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.
Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.
Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.
If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.
Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.
As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.
It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.
Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.
Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.
If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
- Shawn Fumo
- 2 abr 2002
- Enlace permanente
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- How long is Quest for Camelot?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Quest for Camelot
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 40.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 22.510.798 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.041.602 US$
- 17 may 1998
- Recaudación en todo el mundo
- 22.510.798 US$
- Duración1 hora 26 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1(original & negative ratio)
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By what name was La espada mágica: En busca de Camelot (1998) officially released in India in English?
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